5 books

Craftsman as skilled practitioner

Meanings and passages from 5 books in the library.

From the book

Alcibiades II

Plato · Diotimos Editions · 2026

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Craftsmen

δημιουργός (dēmiourgos); δημιουργία (dēmiourgia); τεχνίτης (technitēs); σκυτοτόμος (skytotomos); τέκτων (tektōn); ἀνδριαντοποιός (andriantopoios)

Dēmiourgos and technitēs designate a practitioner of a craft; dēmiourgia is craftsmanship.

Orientation

At a Glance

  • The wordDēmiourgos and technitēs designate a practitioner of a craft; dēmiourgia is craftsmanship.
  • In Alcibiades IIAt 140b–c2 Socrates moves from diseases to craftsmen because the plurality of their occupations makes the logical point easy to see.
  • In this editionThe edition renders both dēmiourgos and technitēs as “craftsman”, while retaining “craftsmanship” for dēmiourgia.
  • A place to readShoemakers, carpenters and sculptors exemplify distinct members of a common class.

Meaning

Dēmiourgos and technitēs designate a practitioner of a craft; dēmiourgia is craftsmanship. Skytotomos, tektōn and andriantopoios name the shoemaker, carpenter and sculptor in the early example. The English category “craftsman” gathers different occupations without implying that every practitioner has the same knowledge or produces the same work.

Use in the book

At 140b–c2 Socrates moves from diseases to craftsmen because the plurality of their occupations makes the logical point easy to see. Shoemakers, carpenters and sculptors are all craftsmen; the whole class is not thereby the class of carpenters, shoemakers or sculptors. The list is openly incomplete, since there are a great many others whom Socrates need not enumerate. Its purpose is not a hierarchy of manual trades.

The later account moves from collective names to appropriate specialist predicates. A person who knows what turns out better in horsemanship is called a horseman; analogous names belong to boxing and flute-playing at 145c–d. Naming recognises the object of the person’s competence. It does not warrant calling the same person intelligent without further examination of what he knows about use and benefit.

At 145e technitai joins archers, flute-players and athletes in the imagined commonwealth. These practitioners are capable, yet their combination remains “sorry” without governing knowledge and its possessor. The social problem is intensified when each seeks civic predominance for his own activity. The fault is not simply that practitioners are numerous or divided into occupations, but that their partial competences lack adequate direction.

Places to read

  1. 140b–c2Shoemakers, carpenters and sculptors exemplify distinct members of a common class.
  2. 145c–dSpecialist names track the knowledge relevant to each activity.
  3. 145d–e2Knowledge of a field does not warrant the further description “intelligent”.
  4. 145e–146aPractitioners in a commonwealth compete to privilege their own strengths.

Translation in this edition

The edition renders both dēmiourgos and technitēs as “craftsman”, while retaining “craftsmanship” for dēmiourgia. They occur in different parts of the argument: the first supplies the classification, the second the political thought experiment. The English identity of rendering should not hide that change of term and role.

Source note

At 145e the reference to ‘those we spoke of just now’ follows Dobree's hous, ‘whom’, and points back to people skilled at warfare and killing. With hois, supported by B, T and Stobaeus, the reference would instead concern the craftsmen in the current sentence. Supplied note 22 also distinguishes Stobaeus' ‘these’ from the principal manuscripts' ‘such’.

From the book

Hipparchus

Plato · Diotimos Editions · 2026

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Craftsmen and expertise

δημιουργός (dēmiourgos); ἐπιστήμων (epistēmōn); ἔμφρων (emphrōn); ὄργανον (organon); παρασκευή (paraskeuē)

Dēmiourgos is a craftsman or skilled practitioner; the dialogue has the genitive plural dēmiourgōn.

Orientation

At a Glance

  • The wordDēmiourgos is a craftsman or skilled practitioner; the dialogue has the genitive plural dēmiourgōn.
  • In HipparchusThe pattern begins before the collective noun appears.
  • In this editionThe edition uses “has knowledge of,” “craftsmen,” “intelligent,” “instruments” and “equipment,” preserving the different functions of the five words.
  • A place to readἐπιστήμονα εἶναι περὶ τῆς ἀξίας — Knowledge is expressly directed toward worth.

Meaning

Dēmiourgos is a craftsman or skilled practitioner; the dialogue has the genitive plural dēmiourgōn. Epistēmōn means knowledgeable or expert, here qualified by what the person knows about. Emphrōn means intelligent or sensible, represented by emphronōn in “other intelligent men.” Organon is an instrument or tool; paraskeuē is preparation or equipment, here the resources supplied for an activity. The heading names a practical pattern. The noun technē, “craft,” is not used in this passage and should not be silently substituted for its actual vocabulary.

Use in the book

The pattern begins before the collective noun appears. At 225c the companion grants that a lover of gain has knowledge of the worth of the source from which he expects gain. Socrates then assigns knowledge of plants to the farmer. Horseman, pilot, general, musicians and archer provide progressively shorter instances of the same relation between a practitioner and the means he employs.

At 226c Socrates gathers them under craftsmen and “the other intelligent men,” considering worthless instruments or any other equipment whatever. This wording extends the scope beyond occupational artisans; it does not define all intelligence as craftsmanship. Nor does epistēmōn confer universal knowledge. The farmer’s expertise is explicitly knowledge of plants’ worth in the circumstances of planting. The other cases similarly rely on bounded competence.

The inferential pressure comes from combining that competence with the stipulation of known worthlessness. If the practitioner understands what the activity needs and knows the means cannot serve it, the expectation of gain becomes hard to maintain. Socrates moves from the companion’s repeated refusals to the conclusion that, under his description, no human being is a lover of gain. That extension is stronger than the particular examples: the list has tested informed users of defective means, not every person conventionally called grasping.

Two distinctions therefore matter. First, technical uselessness is not identical to moral baseness. A dishonest transaction might yield an advantage to its perpetrator even when decent people would refuse it. Second, the user’s gain is not automatically the same as everyone else’s benefit. The companion tries to recover these concerns at 227d–e by distinguishing gains decent men avoid and gains that harm. The crafts have made his initial wording unstable without dissolving those concerns by themselves.

After the Hipparchus narrative, inquiry shifts from expert examples to a shared account of gain. Food and drink show how unlike qualities can belong to one kind; acquisitions, health and exchange then test the proposed definition. The final link between worth, possession and benefit at 231e–232a returns to the practical standard implicit in the tools, but as a general argument rather than a fresh catalogue of occupations.

Places to read

  1. 225cἐπιστήμονα εἶναι περὶ τῆς ἀξίας — Knowledge is expressly directed toward worth.
  2. 226cτῶν δημιουργῶν — The occupational examples are gathered under craftsmen.
  3. 226cτῶν ἄλλων τῶν ἐμφρόνων ἀνδρῶν — The scope includes other intelligent men.
  4. 226cὄργανα ἢ ἄλλην παρασκευὴν — Instruments are broadened to any other equipment.

Translation in this edition

The edition uses “has knowledge of,” “craftsmen,” “intelligent,” “instruments” and “equipment,” preserving the different functions of the five words. At 226d Burnet prints Apelt’s supplied “but.” It makes the knowingly expectant lovers of gain a contrast to the men just surveyed; the edition notes that without it the clause would describe those men. That small supplement matters to the transition from examples to the claim that no one fits the definition.

From the book

The Lovers

Plato · Diotimos Editions · 2026

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Craftsman and specialist

δημιουργός (dēmiourgos)

Dēmiourgos means a craftsman or practitioner of a craft.

Orientation

At a Glance

  • The wordDēmiourgos means a craftsman or practitioner of a craft.
  • In The LoversThe craftsman first provides the standard against which the educated generalist measures himself.
  • In this editionAt 136e the edition’s “always” follows Hermann’s aei; the apparatus reports dē, “of course,” in B and T. The recap at 137a also speaks of craftsmen always existing.
  • A place to readὑπὸ τοῦ δημιουργοῦ — The craftsman is the speaker the educated man must follow.

Meaning

Dēmiourgos means a craftsman or practitioner of a craft. “Specialist” usefully describes the person’s argumentative role here, but it is not the edition’s regular translation. The craftsman is someone with a determinate field of competence, not necessarily a manual laborer: the doctor and pilot supply the practical examples in the surrounding discussion. The text also uses the descriptive phrase “the one who has the craft” rather than treating a professional title alone as proof of knowledge.

Use in the book

The craftsman first provides the standard against which the educated generalist measures himself. At 135d the philosopher should follow what the craftsman says more effectively than other listeners and offer his own judgment. His success is comparative within the audience; he is not expected to outperform the practitioner. This is why the pentathlete analogy can initially appear complimentary.

The lover’s defense at 136a–b reverses the comparison. Devotion to one field supposedly leaves craftsmen behind in all the others. From his point of view, specialization has an opportunity cost: expertise narrows the rest of a life. Socrates does not directly disprove that cost. He changes the question from the breadth of a person’s attainments to the usefulness of the person when a definite task has to be done.

The assumption that craftsmen are always available makes the later objection unusually strong. The generalist cannot reserve a role as a substitute when no specialist can be found. Yet the examples establish a preference for the specialist, not a demonstration that a second person could provide no assistance. The article on usefulness therefore matters as much as the one on expertise: who knows most and who can help are not automatically identical questions.

Nor does the ending recommend dismissing craftsmen altogether. The philosopher’s inability to follow a physician is still presented as shameful at 138d. What changes is that equally secondary competence will not satisfy the responsibilities of one’s own household or an entrusted judgment. The craft practitioner remains the successful model of responsible knowledge even while the cultivated lover looks down on the practitioner’s restricted life.

Places to read

  1. 135dὑπὸ τοῦ δημιουργοῦ — The craftsman is the speaker the educated man must follow.
  2. 136eεἰσὶ γὰρ ἡμῖν ἀεί που δημιουργοί — The claim of continual availability closes off substitution as an obvious use.

Translation in this edition

At 136e the edition’s “always” follows Hermann’s aei; the apparatus reports dē, “of course,” in B and T. The recap at 137a also speaks of craftsmen always existing. The distinction matters because the universal availability premise does argumentative work; the reader should not mistake the chosen wording at 136e for an uncontested manuscript reading.

Source note

Edition note 21 identifies Hermann’s correction. The source’s apparatus, rather than a fresh inspection of the manuscripts, is the evidence for the reported alternatives.

From the book

Stobaeus, Volume I

John Stobaeus · Diotimos Editions · 2026

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Craftsman as skilled practitioner

τεχνίτης

technitēs

Technitēs is someone who possesses or exercises a technē.

Orientation

At a Glance

  • The wordTechnitēs is someone who possesses or exercises a technē.
  • In StobaeusThe Hermetic passage calls the creator the craftsman of all things.
  • In this edition“Craftsman” preserves the connection with technē.
  • A place to beginThe cosmic craftsman wills to be known and assists the seeker.
English renderings
craftsman; skilled practitioner; maker

Meaning

Technitēs is someone who possesses or exercises a technē. Applied to a cosmic maker, the word retains the analogy of intelligent, skilled production.

Use in the book

The Hermetic passage calls the creator the craftsman of all things. His willing to become known initiates the seeker’s movement toward discovery: divine yearning and illumination assist the search. The craftsman image therefore accompanies an account of revelation as well as production.

Places to read

  1. I.49.44.4The cosmic craftsman wills to be known and assists the seeker.

Translation in this edition

“Craftsman” preserves the connection with technē. Do not assume that every occurrence is interchangeable with the distinct noun dēmiourgos.

Source note

Wachsmuth, volume I, printed pp. 386. The English supplies a connective expression to complete the difficult conditional wording; that addition is not an independent Greek assertion.

From the book

Empedocles’ The Testimonia, Volume II

Empedocles of Acragas · Diotimos Editions · 2026

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Craftsmanship

τεχνίτας (technitas); τοῦ δημιουργεῖν (tou dēmiourgein); ἐν ταῖς χερσί (en tais chersi)

Technitēs is a craftsman or skilled practitioner; dēmiourgein means to make or practise a craft.

Orientation

At a Glance

  • The wordTechnitēs is a craftsman or skilled practitioner; dēmiourgein means to make or practise a craft.
  • In this workThe report explains a good craftsman's aptitude by a middle or balanced blend in the hands.
  • In this editionThe word “craft” here belongs to a human capacity in the perception dossier.
  • A place to readConnects manual craftsmanship with a favourable blend in the hands.

Meaning

Technitēs is a craftsman or skilled practitioner; dēmiourgein means to make or practise a craft. The hands are the bodily site in the example. The passage does not limit the activity to one specific art or manufactured object.

Use in the book

The report explains a good craftsman's aptitude by a middle or balanced blend in the hands. This illustrates a general proposal that an advantageous local constitution yields excellence in the corresponding activity. It should be distinguished from claims elsewhere about cosmic formation by art or the absence of intelligent design.

Theophrastus challenges the causal interpretation. Hands occupy the role of an instrument; a skill is not adequately explained simply by assigning its cause to the hands or their blood mixture. His alternative reference to form and intelligence belongs to his philosophical criticism. It does not establish that Empedocles denied learning, nor that the surviving source supplies a full account of acquired versus innate skill. The entry preserves the narrower issue actually argued: how bodily conditions relate to skilful performance.

Places to read

  1. A 86 §§ 10–11 (testimony)Theophrastus, On the Senses 11. Connects manual craftsmanship with a favourable blend in the hands.
  2. A 86 § 24 (polemical)Theophrastus, On the Senses 24. Denies that hands as instruments suffice to explain the skill exercised through them.

Translation in this edition

The word “craft” here belongs to a human capacity in the perception dossier. It should not be conflated with all occurrences of technē in cosmological or biographical witnesses.