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Diotimos Library · Literary Fiction Collection · Bilingual Edition

François-René de Chateaubriand

René

With the Preface of 1805 and two reviews reprinted by the author

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RenéRené · p. 178

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Facing Pages · Branch 63 of 94

René · p. 178

French

p. 178

» Un peuple immense remplissoit l’église. On me conduit au banc du sanctuaire ; je me précipite à genoux sans presque savoir où j’étois, ni à quoi j’étois résolu. Déjà le prêtre attendoit à l’autel ; tout à coup la grille mystérieuse s’ouvre, et Amélie s’avance, parée de toutes les pompes du monde. Elle étoit si belle, il y avoit sur son visage quelque chose de si divin, qu’elle excita un mouvement de surprise et d’admiration. Vaincu par la glorieuse douleur de la sainte, abattu par les grandeurs de la religion, tous mes projets de violence s’évanouirent ; ma force m’abandonna ; je me sentis lié par une main toute-puissante, et au lieu de blasphèmes et de menaces, je ne trouvai dans mon cœur que de profondes adorations et les gémissements de l’humilité.

» Amélie se place sous un dais. Le sacrifice commence à la lueur des flambeaux, au milieu des fleurs et des parfums, qui devoient rendre l’holocauste agréable. A l’offertoire, le prêtre se dépouilla de ses ornements, ne conserva qu’une tunique de lin, monta en chaire, et dans un discours simple et pathétique, peignit le bonheur de la vierge qui se consacre au Seigneur. Quand il prononça ces mots : « Elle a paru comme l’encens qui se consume dans le

p. 178

René

Source p. 178

“An immense crowd filled the church. I am led to the bench in the sanctuary; I fling myself on my knees almost without knowing where I was, or what I had resolved to do. The priest was already waiting at the altar; all at once the mysterious grille opens, and Amélie comes forward, adorned with all the pomps of the world. She was so beautiful, there was something so divine in her face, that she stirred a movement of surprise and admiration. Vanquished by the glorious grief of the saint, struck down by the grandeurs of religion, all my plans of violence vanished; my strength forsook me; I felt myself bound by an almighty hand, and instead of blasphemies and threats I found in my heart only deep adorations and the groans of humility.

“Amélie takes her place beneath a canopy. The sacrifice begins by the light of the torches, amid the flowers and perfumes that were to make the holocaust acceptable. At the offertory the priest put off his vestments, kept only a linen tunic, went up into the pulpit, and in a simple and moving discourse painted the happiness of the virgin who consecrates herself to the Lord. When he spoke these words: ’She has appeared like the incense that is consumed in the

Source p. 178

About This Reading Edition

Chateaubriand’s tale of René and Amélie, with the Preface of 1805, two contemporary reviews, and the longer readings of 1802. This French–English edition preserves the 1826 printed pages, with a new English translation, author’s notes, variant readings, introduction and glossary.

Historical Text and Translation

François-René de Chateaubriand, Œuvres complètes, tome XVI (Paris: Ladvocat, 1826), pp. 1–16, 137–192 and 351–358, University of Toronto Library copy. Earlier witness: Génie du Christianisme, tome II (Paris: Migneret, 1802), pp. 158–216, Bibliothèque nationale de France copy.

About Diotimos Editions

This historical edition credits Diotimos Editions as its English translator.

Rights

The historical French source is in the public domain in the United States. New English translation and editorial matter © 2026 Diotimos Editions. Chateaubriand’s author notes and historical variants remain separately attributed.