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François-René de Chateaubriand

René

With the Preface of 1805 and two reviews reprinted by the author

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RenéRené · p. 186

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French Page · Branch 71 of 94

René · p. 186

French

p. 186

les premiers concerts du ciel ; c’est ici que la religion trompe doucement une âme sensible : aux plus violentes amours elle substitue une sorte de chasteté brûlante où l’amante et la vierge sont unies ; elle épure les soupirs ; elle change en une flamme incorruptible une flamme périssable ; elle mêle divinement son calme et son innocence à ce reste de trouble et de volupté d’un cœur qui cherche à se reposer, et d’une vie qui se retire. »

» Je ne sais ce que le ciel me réserve, et s’il a voulu m’avertir que les orages accompagneroient partout mes pas. L’ordre étoit donné pour le départ de la flotte ; déjà plusieurs vaisseaux avoient appareillé au baisser du soleil ; je m’étois arrangé pour passer la dernière nuit à terre, afin d’écrire ma lettre d’adieux à Amélie. Vers minuit, tandis que je m’occupe de ce soin, et que je mouille mon papier de mes larmes, le bruit des vents vient frapper mon oreille. J’écoute ; et au milieu de la tempête, je distingue les coups de canon d’alarme, mêlés au glas de la cloche monastique. Je vole sur le rivage où tout étoit désert, et où l’on n’entendoit que le rugissement des flots. Je m’assieds sur un rocher. D’un côté s’étendent les

p. 186

René

Source p. 186

the first concerts of heaven; here it is that religion gently deceives a feeling soul: for the most violent loves she substitutes a kind of burning chastity in which the lover and the virgin are united; she purifies sighs; she changes a perishable flame into an incorruptible flame; she mingles divinely her calm and her innocence with that remnant of turmoil and of voluptuousness of a heart that seeks rest, and of a life that is withdrawing.’

“I do not know what heaven has in store for me, and whether it meant to warn me that storms would everywhere attend my steps. The order had been given for the fleet’s departure; several ships had already weighed anchor at sunset; I had arranged to spend the last night on land, so as to write my letter of farewell to Amélie. Toward midnight, while I am busy with this task and wetting my paper with my tears, the sound of the winds comes striking my ear. I listen; and in the midst of the tempest I make out the guns firing in distress, mingled with the knell of the monastery bell. I fly to the shore, where all was deserted, and where nothing was heard but the roaring of the waves. I sit down on a rock. On one side stretch the

Source p. 186

About This Reading Edition

Chateaubriand’s tale of René and Amélie, with the Preface of 1805, two contemporary reviews, and the longer readings of 1802. This French–English edition preserves the 1826 printed pages, with a new English translation, author’s notes, variant readings, introduction and glossary.

Historical Text and Translation

François-René de Chateaubriand, Œuvres complètes, tome XVI (Paris: Ladvocat, 1826), pp. 1–16, 137–192 and 351–358, University of Toronto Library copy. Earlier witness: Génie du Christianisme, tome II (Paris: Migneret, 1802), pp. 158–216, Bibliothèque nationale de France copy.

About Diotimos Editions

This historical edition credits Diotimos Editions as its English translator.

Rights

The historical French source is in the public domain in the United States. New English translation and editorial matter © 2026 Diotimos Editions. Chateaubriand’s author notes and historical variants remain separately attributed.