Diotimos Library · Journals, Notebooks & Fragments Collection · Bilingual Edition
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Facing Pages · Branch 18 of 121
1833 · March 21, 1833
French
p. 35Le 21.
Plaisir épuisé. J’ai lu la dernière page des Études de la Nature. C’est un de ces livres dont on voudrait qu’ils ne finissent pas. Il y a peu à gagner pour la science, mais beaucoup pour la poésie, pour l’élévation de l’âme et la contemplation de la nature. Ce livre dégage et illumine un sens que nous avons tous, mais voilé, vague, et privé presque de toute activité, le sens qui recueille les beautés physiques et les livre à l’âme, qui les spiritualise, les harmonie, les combine avec les beautés idéales, et agrandit ainsi sa sphère d’amour et d’adoration.
Mon Dieu, que nous plaignons-nous de notre isolement? J’ai été longtemps possédé de cette folie. C’est qu’alors je vivais mal; j’avais établi de faux rapports entre les créatures et mon âme, et je souffrais beaucoup, car la création me refusait ses trésors de jouissances et me repoussait de son intimité à raison de ces faux rapports. Je me désolais dans une solitude profonde, la terre me semblait pire qu’une île déserte et toute nue au sein d’un océan sauvage. C’était un silence à faire peur. Folie, pure folie! Il n’y a pas d’isolement pour qui sait prendre sa place dans l’harmonie universelle et ouvrir son âme à toutes les impressions de cette harmonie. Alors on va jusqu’à sentir presque physiquement que l’on vit de Dieu et en Dieu : l’âme s’abreuve, à perdre haleine, de cette vie universelle; elle y nage comme le poisson dans l’eau.
Abjurons le culte des idoles, tournons le dos à tous les dieux de l’art, chargés de carmin et de fausses parures, à tous ces simulacres qui ont des bouches et ne parlent pas. Adorons la nature franche, naïve et point du tout exclusive. Mon Dieu, peut-on faire des poétiques en face de l’ample poésie de l’univers? Le Seigneur vous l’a faite, votre poétique! C’est la création. Comptez-vous en savoir plus long que lui?
The Green Notebook: 1833
p. 36March 21, 1833
Pleasure exhausted. I have read the last page of Studies of Nature. It is one of those books one wishes would never end. There is little to gain for science, but much for poetry, for the elevation of the soul and the contemplation of nature. This book frees and illuminates a sense we all possess, though veiled, vague, and almost deprived of activity: the sense which gathers physical beauties and delivers them to the soul, which spiritualizes them, harmonizes them, combines them with ideal beauties, and thus enlarges its sphere of love and adoration.
My God, why do we complain of our isolation? I was long possessed by that madness. It was because I was living wrongly then; I had established false relations between created beings and my soul, and I suffered greatly, for creation denied me its treasures of delight and shut me out of its intimacy because of those false relations. I lamented in a profound solitude; the earth seemed worse to me than a desert island, wholly bare, in the midst of a wild ocean. It was a silence to inspire terror. Madness, pure madness! There is no isolation for anyone who knows how to take his place within the universal harmony and open his soul to all the impressions of that harmony. Then one comes almost to feel physically that one lives from God and in God: the soul drinks, breathlessly, of that universal life; it swims there like a fish in water.
Let us renounce the worship of idols, turn our backs on all the gods of art, laden with rouge and false ornaments, on all those images that have mouths and do not speak. Let us adore nature, frank, innocent, and in no way exclusive. My God, can one devise poetics in the face of the universe’s ample poetry? The Lord has made your poetics for you! It is creation. Do you presume to know more than he does?
Socrates
Reading The Green Notebook · 1833 · March 21, 1833
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Maurice de Guérin’s journal moves between close attention to nature, friendship, faith, and the inward demands of poetry. This bilingual edition presents the complete Journal section of the 1864 printing, with a separate appendix of earlier printed passages from 1861.
Historical Text and Translation
The French follows G. S. Trébutien’s sixth edition of Journal, lettres et poèmes (Paris: Didier et Cie, 1864), pages 3–126. Its 116 dated entries run from July 1832 to October 1835. Five earlier passages from Reliquiae (1861) appear separately in the appendix. Completeness refers to the printed Journal, rather than the autograph notebook; the following letters and poems are outside this edition.
About Diotimos Editions
Diotimos Editions prepared this independent English translation directly from the French, preserving Guérin’s imagery, repetitions, intimate voice, and original paragraph divisions. French and English remain aligned for comparison. Translator’s notes clarify words, quotations, and allusions, while historical editor notes retain their separate attribution. The Essential setting keeps explanations useful to reading; All also includes the note on the edition’s typographic treatment.
Rights
The historical French printings are in the public domain in the United States. The independent English translation and new editorial notes are © 2026 Diotimos Editions. The linked facsimiles identify the printed witnesses used for this edition. Historical annotations and editorial conjectures remain attributed to their source editors, and the earlier variant passages are presented separately from the later Journal text.