Words · Meanings · Passages

Guérin Lexicon

A Reader’s Companion to The Green Notebook

165 entries · 0 subsidiary terms

Entries

1–36 of 165

  1. Air

    Air is the surrounding medium breathed and inhabited; atmosphère emphasizes an enveloping condition.

    The Green Notebook

  2. Analysis

    Analysis divides or distinguishes a complex whole so that its parts can be understood.

    The Green Notebook

  3. Ancient wisdom and the Porch

    Ancient philosophy offers Guérin images of elevated calm, rooted strength, and resistance to suffering.

    The Green Notebook

  4. Antiquity

    Antiquity names an interconnected civilization as well as a repertoire of texts and images.

    The Green Notebook

  5. Art

    Art covers human making and its organized forms: literature, painting, sculpture, architecture, and the compositional analogies through which landscapes are seen.

    The Green Notebook

  6. Autumn

    Autumn is registered through mist, earlier darkness, pale woodland colour, and leaves beginning to fall.

    The Green Notebook

  7. Beauty

    Beauty ranges from visible loveliness to a spiritual quality and a standard of moral life.

    The Green Notebook

  8. Bernardin de Saint-Pierre

    The author invoked through nature writing, Virginie’s speech, and Paul’s mourning.

    The Green Notebook

  9. Biblical journeys

    Biblical places and movements provide figures for leaving religious shelter, enduring exile, and being carried beyond one’s control.

    The Green Notebook

  10. Biblical quotations

    Scriptural wording enters the notebook as an utterance to be repeated, translated, or placed beside an experience.

    The Green Notebook

  11. Bird

    Birds enter the notebook as named kinds, moving bodies, singers, nest-builders, and neighbours.

    The Green Notebook

  12. Birdsong

    The bird vocabulary ranges from singing to whistling, chirping, and the special verb rossignoler.

    The Green Notebook

  13. Brittany

    Brittany is the northern and western country of Guérin’s retreat, coastal discovery, and enduring attachment.

    The Green Notebook

  14. Candolle

    The author named by Guérin for the three-volume Physiologie végétale, completed in April 1833.

    The Green Notebook

  15. Chateaubriand and René

    René, identified by the supplied translator note as Chateaubriand’s work, is both a repeatedly read book and a fictional figure remembered at Saint-Malo.

    The Green Notebook

  16. Childhood and youth

    Childhood names both a remembered period and a recurring model of dependence, innocence, awakening, or immaturity.

    The Green Notebook

  17. Classical metamorphoses

    Two unnamed ancient transformations, identified by the supplied notes as Glaucus and Philemon with Baucis, give unlike forms to Guérin’s desire for altered existence.

    The Green Notebook

  18. Cloud

    Clouds, vapour, mist, and fog occupy adjoining but distinct conditions of suspended moisture.

    The Green Notebook

  19. Coëtquen

    The named forest of the March 19, 1833 walk, where initially disagreeable details become legible as relations within a scene.

    The Green Notebook

  20. Color

    Colour in the journal is relational: a tint changes with light, distance, neighbouring colours, and the observer’s attention.

    The Green Notebook

  21. Conscience

    Conscience can be moral awareness, while avoir conscience de can mean consciousness of something without an ethical verdict.

    The Green Notebook

  22. Consolation

    Consolation is relief or sustaining companionship in affliction, not necessarily the removal of its cause.

    The Green Notebook

  23. Cooper and Natty Bumppo

    Cooper’s named hero and other fictional companions furnish an imagined American journey during Guérin’s conversation with Élie.

    The Green Notebook

  24. Correspondence

    Correspondence names a relation between inward and outward events that may be felt without an obvious causal or logical connection.

    The Green Notebook

  25. Creation

    Création can name God's created world or the production of a human work.

    The Green Notebook

  26. Creator and poet

    A poet is a maker of poems, but Guérin also recognizes a disposition that precedes the written work.

    The Green Notebook

  27. Dante

    Dante supplies the moving banner and pursuing crowd through which Guérin pictures the restlessness of inward life.

    The Green Notebook

  28. Dawn and twilight

    The notebook most often approaches the day’s thresholds through morning, evening, sunset, and crépuscule.

    The Green Notebook

  29. Death

    Death is an event, an anticipated passage, and a figure for lost inward vitality.

    The Green Notebook

  30. Deed and work

    Travail covers intellectual labor, paid occupation, and manual work; action marks engagement beyond inward possibility.

    The Green Notebook

  31. Desire

    Desire ranges from an articulated wish to a pull experienced before its object is fully understood.

    The Green Notebook

  32. Dream and reverie

    Rêve and songe can designate sleep dreams or imagined scenes; rêverie often suggests a waking drift of thought and feeling.

    The Green Notebook

  33. Dryness

    Dryness names more than sadness.

    The Green Notebook

  34. Earth

    Terre ranges from soil and solid ground to the terrestrial world inhabited by people.

    The Green Notebook

  35. Edmond de Cazalès

    The companion on the first journey to Saint-Malo, printed as C... and identified by the historical editor.

    The Green Notebook

  36. Education

    Education includes the schooling that transmits languages and texts, but also the formation of understanding, taste, character, and the moral sense.

    The Green Notebook

About this collection

October 2026

The Green Notebook · Maurice de Guérin

About this collection and downloads

165 contextual articles from the 116 dated entries of the 1864 printed Journal, with a separately attributed appendix of five earlier printed passages from 1861.

A companion for reading

This lexicon accompanies Maurice de Guérin’s The Green Notebook in the complete bilingual edition prepared for Diotimos in 2026. Its 165 articles follow the book’s French words, recurring images, intellectual distinctions, places, books and people. The English headwords provide a practical alphabetical entrance; the French forms keep the interpretation connected to Guérin’s wording. Selection concentrates on recurring terms and on single passages whose allusions or unusual diction need explanation.

Guérin’s words change their pressure as he moves from Le Cayla and La Chênaie to the coast and Paris. Nature can nourish perception and also sharpen estrangement. Solitude may shelter a vocation or disclose an inability to act. Poetry is at once a way of apprehending the world and a promise whose fulfilment remains uncertain. The articles trace these changes through particular passages instead of presenting a finished philosophical system.

The text and its limits

The main corpus consists of 116 dated entries, in 188 French–English paragraph pairs, from 10 July 1832 to 13 October 1835. It follows the Journal section of Journal, lettres et poèmes, edited by G. S. Trébutien, sixth edition (Paris: Didier et Cie, 1864), printed pages 3–126 (1864 facsimile). Completeness means that printed section, not a complete transcription of Guérin’s autograph notebook. The letters and poems which follow it are outside the present corpus.

The supplied edition also prints five earlier passages in a separate appendix: the end of 7 December and the entries of 8, 9, 20 and 21 December 1833, in twelve paragraph pairs. Their witness is Trébutien’s Reliquiae, volume I (Paris: Didier et Cie, 1861), pages 83–99 (1861 facsimile). The 1864 editor refers to pages 83–97; the appendix continues through page 99 to finish the 21 December entry. These twelve paragraphs are cited as 1861 variants. They are never silently inserted into the 1864 chronology. Differences of expression or incident belong to different printed witnesses; the lexicon does not independently establish the sequence of composition.

The historical editor says that the 1864 text substitutes wording written later on loose sheets and conjectures that Guérin would have preferred it. That preference is the editor’s conjecture, not an authenticated declaration by Guérin. Historical notes and the 24 translator’s notes of 2026 are apparatus, not passages of Guérin’s journal. This companion follows the supplied bilingual edition; it is not a new manuscript collation or a critical edition.

How to use an article

The word explains the French sense or identifies the image, person or book. Contextual glosses clarify what a word does in these passages; they are not claims to exhaustive historical lexicography. In Guérin develops an interpretation across selected uses. English conceptual headwords sometimes gather several related French expressions, without declaring them synonyms.

The places gives annotated passages, each with its date, printed historical source pages and stable paragraph identifier. In this edition compares the supplied French and English or explains a relevant editorial choice. See also offers related articles. Footnotes preserve source cautions, translation distinctions and supplementary observations. Additional named discussions appear only where an article needs them.

The citations are selective reading guides, not an exhaustive word concordance. Main-text identifiers begin mg-j1864; variant identifiers begin mg-r1861. The page ranges are historical source pages retained by the bilingual data, not the page numbers of this lexicon or the 124-page bilingual PDF. For a variant, a page range may locate the whole dated entry rather than the individual paragraph. The identifier remains the precise paragraph locator across formats.

Three routes back into the book

The French forms and English aliases index adapts the lexical and bilingual lookup functions of the earlier Stobaeus and Traherne companions. French needs no transliteration index. This first index connects French wording and alternate English labels to the principal article, with no implication that all labels are interchangeable. The Passage index leads from a cited paragraph to the articles that discuss it; the 1861 material has its own section. The Thematic index collects intersecting routes through perception, inward life, poetry, faith and cultural context.

Quotations reproduce the supplied bilingual text. Interpretive language belongs to this companion unless explicitly attributed. A modern identification of an allusion is distinguished from a name actually given by Guérin. The digital editions link articles and indexes; the print and Word contents provide page references for their respective layouts.