Diotimos Library · Renaissance Collection · Bilingual Edition
Marsilio Ficino’s Platonic Theology, Volume II
Books V–VIII · Latin with an independent English translation
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Facing Pages · Branch 137 of 191
Book VII · Chapter 9 · § 2
Latin
p. 268Quod autem anima sit substantia, hinc etiam patet, quia per eam animal certam aliquam et substantialem sortitur speciei generisque naturam atque cognomen. Per hanc animam hoc quidem canis est, per illam illud equus, per aliam illud homo. Illa quidem qualitas quae accidens est subiecto suo advenit postquam illud in specie sua iam est perfectum. Anima vero suum ipsa sibi fabricat corpus, factum servat et, dum deficit, reficit, pugnantia elementa connectit in unum. Anima abeunte labitur corpus, neque prior complexio aut species retinetur. Talis quidem necessario est anima nutritiva. Neque dicendum est animam illam quae solum nutritiva est corpus ita construere, cui postea iam perfecto anima sensitiva tamquam accidens quoddam adveniat. Nam corpus animae sensitivae congruum instrumenta sentiendi et progrediendi oportet habere. Anima quidem nutritiva, quantum talis est, sola instrumenta faciet nutriendi; alia vero instrumenta faciet anima alia propter eas vires quarum usui instrumenta sunt servitura. Neque sunt in eodem corpore duae quaedam animae, quarum una instrumenta fabricet alteri. Siquidem quae nutrit est eadem et quae sentit. Quippe sensuum perturbationes opus impediunt nutriendi vel augent. Tristitia enim phantasiae illud debilitat, laetitia roborat; quasi una sit anima in homine, cuius utraque sint officia. Quae ideo substantia est, quia est artifex corporis, non pedissequa. Igitur non est complexio.
Marsilio Ficino’s Platonic Theology, Volume II: Book VII
p. 269That the soul is a substance is also evident from this: through it a living creature receives a definite and substantial nature, together with the name of its species and genus. Through this soul one creature is a dog, through that soul another is a horse, and through a different soul another is a man. An accidental quality comes to its subject after the subject is already complete in its species. The soul, however, fashions its own body for itself, preserves it once made, restores it when it fails, and binds the conflicting elements into one. When the soul departs, the body collapses, and neither its former constitution nor its species is retained. The nutritive soul, then, must necessarily be a substance of this kind. Nor should we say that the soul which is solely nutritive constructs the body and that afterward, when the body is already complete, a sensitive soul comes to it as a kind of accident. For a body suited to a sensitive soul must possess instruments for sensing and for moving from place to place. The nutritive soul, insofar as it is nutritive, would make only the instruments of nourishment; another soul would make other instruments for the sake of those powers whose use they are to serve. Yet there are not two souls in the same body, one of which fashions instruments for the other. The soul that nourishes is the same soul that senses. Indeed, disturbances of the senses hinder the work of nourishment or increase it: sorrow in the imagination weakens that work, while joy strengthens it, as though there were one soul in man to which both offices belong. The soul is therefore a substance, because it is the craftsman of the body, not its handmaid. It is therefore not a constitution.
Socrates
Reading Marsilio Ficino’s Platonic Theology, Volume II · Book VII · VII.9.2
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Socrates will begin with this book and its sources.About This Reading Edition
Volume II continues Ficino’s inquiry into the immortality of the soul through Books V–VIII. Its arguments consider the rational soul’s self-motion, its relation to the body, sensation, and the powers of the mind. The Latin and independent English translation follow the supplied edition’s facing pages and matching comparison units.
Historical Text and Translation
The Latin reading text is independently established from the Florence 1482 editio princeps (M1482), collated against the Paris 1559 printing (G1559), with the Paris 1641 Opera used only as a late control. Abbreviations are expanded, spelling and punctuation are conservatively normalized, and consequential readings are recorded in the apparatus.
About Diotimos Editions
Diotimos Editions prepared this independent English translation in the voice established in Volume I, preserving Ficino’s argumentative sequence, metaphors, technical distinctions, repetitions, conditions, purposes, and qualifications. Editorial notes and witness variants accompany their passages as numbered notes. The edition and source statement, contents, and reading guidance are also retained. The source locator register remains available in the downloadable edition.
Rights
Ficino’s Latin source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos.
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- public-domain-base-witnessFlorence 1482 editio princeps — Bayerische Staatsbibliothek
- collating-witness-cc-by-4.0Paris 1559 printing — Universidad Complutense de Madrid
- late-control-and-ocr-aidParis 1641 Opera printing — Internet Archive