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Marsilio Ficino

Marsilio Ficino’s Platonic Theology, Volume II

Books V–VIII · Latin with an independent English translation

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Marsilio Ficino’s Platonic Theology, Volume IIBook VI · Chapter 11 · § 2

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Facing Pages · Branch 103 of 191

Book VI · Chapter 11 · § 2

Latin

p. 200

Quin etiam si anima est corpus, sive elementum sit sive simile quiddam, et seu simplex seu compositum, certe, ita ut dicam, vel similiter erit affectum, scilicet calidum vel frigidum, siccum vel humidum, leve vel grave, rarum vel densum, fluxum, solidum, album, nigrum, atque similia. Si calidum, calefaciet solum. Si leve, alta petet. Et omnino qualecumque corpus sit, secundum naturam propriam operabitur et effectum naturae suae oppositum numquam aget. Non enim frigidum calefacit. Est autem cuiuslibet corporis certa et determinata natura ac forma, sicut locus terminatus est, et certum tempus, et finita potentia. Igitur cuiusque corporis determinata operatio est et ad effectus contrarios non extenditur. Anima vero ad contraria quaelibet vim habere videtur. Nam et in diversis corporibus animalium et in eodem multa inter se efficit repugnantia. Sistit, movet, contrahit, extendit, rarefacit, condensat, acuit, obtundit, aperit, claudit, fundit et solidat. Contrarios odores, sapores atque colores, oppositas vires et figuras humoribus membrisque tradit; leves spiritus deorsum movet ad pedes, graves humores sursum ducit ad caput. Quod fit contra corporum naturam. Agitat corpus in omnem partem: sursum contra gravium elementorum pondera, deorsum contra levium sublimitatem, in latus et in circuitum contra omnem corporis facultatem. Cum ergo omnes ferme effectus inter se contrarios faciat, et ad repugnantes motus ita sit compos ut praeter corporum ordinem moveat, quis adeo demens erit ut aut corpus aut eius qualitatem sive qualitatis aliquid esse animam fateatur?

200

Marsilio Ficino’s Platonic Theology, Volume II: Book VI

p. 201

Moreover, if the soul is a body—whether an element or something like one, whether simple or composite—it will surely, so to speak, have one or another such condition: hot or cold, dry or moist, light or heavy, rare or dense, fluid or solid, white or black, and the like. If it is hot, it will only heat; if light, it will seek the heights. Whatever kind of body it may be, it will act according to its own nature and will never produce an effect opposed to that nature. What is cold does not heat. Every body, moreover, has a fixed and determinate nature and form, just as it has a bounded place, a definite time, and a finite power. The operation of every body is therefore determinate and does not extend to contrary effects. The soul, by contrast, appears to possess power over every kind of contrary. Both in the different bodies of animals and within the same body, it produces many effects opposed to one another. It brings to rest and sets in motion; contracts and extends; rarefies and condenses; sharpens and dulls; opens and closes; makes fluid and makes solid. It gives contrary odors, tastes, and colors, as well as opposed powers and shapes, to the humors and members. It moves light spirits downward to the feet and draws heavy humors upward to the head, contrary to the nature of bodies. It drives the body in every direction: upward against the weight of the heavy elements, downward against the loftiness of the light, sideways and in a circle against every capacity of body. Since, then, the soul produces almost every effect together with its contrary and commands opposing motions so as to move beyond the order of bodies, who could be so senseless as to admit that the soul is either a body, a quality of body, or anything belonging to such a quality?

201

About This Reading Edition

Volume II continues Ficino’s inquiry into the immortality of the soul through Books V–VIII. Its arguments consider the rational soul’s self-motion, its relation to the body, sensation, and the powers of the mind. The Latin and independent English translation follow the supplied edition’s facing pages and matching comparison units.

Historical Text and Translation

The Latin reading text is independently established from the Florence 1482 editio princeps (M1482), collated against the Paris 1559 printing (G1559), with the Paris 1641 Opera used only as a late control. Abbreviations are expanded, spelling and punctuation are conservatively normalized, and consequential readings are recorded in the apparatus.

About Diotimos Editions

Diotimos Editions prepared this independent English translation in the voice established in Volume I, preserving Ficino’s argumentative sequence, metaphors, technical distinctions, repetitions, conditions, purposes, and qualifications. Editorial notes and witness variants accompany their passages as numbered notes. The edition and source statement, contents, and reading guidance are also retained. The source locator register remains available in the downloadable edition.

Rights

Ficino’s Latin source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos.