Craft and nature

Cutting, repair and the navel

τομή (tomē); ὀμφαλός (omphalos); βαλλάντιον (ballantion); καλάπους (kalapous); μνημεῖον (mnēmeion)

The myth’s bodily repair combines surgical, tailoring and leather-working images.

From the book

Symposium

Plato · Diotimos Editions · 2026

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Orientation

At a Glance

  • The wordThe myth’s bodily repair combines surgical, tailoring and leather-working images.
  • In the SymposiumZeus divides; Apollo turns the face and neck toward the wound, gathers the skin like a purse, ties the central opening and smooths most wrinkles with a shoemaker-like implement.
  • In this editionThe edition translates the concrete comparisons directly.
  • A place to readDivision, repair and a visible memorial precede the new reproductive arrangement.

Meaning

The myth’s bodily repair combines surgical, tailoring and leather-working images. The navel is not only a scar but an intended reminder.

Use in the book

Zeus divides; Apollo turns the face and neck toward the wound, gathers the skin like a purse, ties the central opening and smooths most wrinkles with a shoemaker-like implement. Some wrinkles remain around the belly and navel so the old suffering will not be forgotten. The different agents and tasks matter: Apollo does not devise the original punishment, and the later relocation of genitals belongs to Zeus’ second remedy. Looking at the wound is supposed to induce orderliness, making anatomy part of the myth’s moral education.

Places to read

  1. 190d–191b2Division, repair and a visible memorial precede the new reproductive arrangement.

Translation in this edition

The edition translates the concrete comparisons directly. “Memorial” should not be promoted into a technical doctrine of recollection; it is the lasting bodily reminder specified by the story.

βαλλάντιον (ballantion)

ballantion — A purse or bag, whose drawn-together mouth supplies the model for gathering skin.

  • 190e — τὰ σύσπαστα βαλλάντια. The drawstring-purse comparison.

Read: Cutting, repair and the navel.

καλάπους (kalapous)

kalapous — A shoemaker’s last, around which leather is smoothed; the tool-image explains Apollo’s shaping.

  • 191a — τὸν καλάποδα. The last used in the comparison with leather-working.

Read: Cutting, repair and the navel.

μνημεῖον (mnēmeion)

mnēmeion — A memorial or reminder, here deliberately embodied in the repaired surface.

  • 191a — μνημεῖον. The retained wrinkles remind humans of their old suffering.

Read: Cutting, repair and the navel.

ὀμφαλός (omphalos)

omphalos — The navel, figured as the gathered opening of repaired skin and left as a memorial of the former wound.

  • 190e — τὸν ὀμφαλὸν. The tied mouth of the repaired belly.
  • 191a — τὸν ὀμφαλόν. The navel and nearby wrinkles preserve the memorial.

Read: Cutting, repair and the navel.

τομή (tomē)

tomē — A cut or cutting surface, made into an object of sight so that the divided human may become more orderly.

  • 190e — πρὸς τὴν τομήν. Apollo turns the face toward the cut.

Read: Cutting, repair and the navel.