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Diotimos Library · Journals, Notebooks & Fragments Collection · English Edition

Thomas Traherne

Centuries of Meditations

Annotated Edition · With an Introduction, Notes and an Outline.

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Centuries of MeditationsThe Fourth Century · Meditation IV.39

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English Edition · Branch 353 of 454

The Fourth Century · Meditation IV.39

Centuries of Meditations

p. 353

39

Thus he was possessor of the whole world, and held it his treasure, not only as the gift of God, but as the theatre of virtues. Esteeming it principally his because it upheld and ministered to many objects of his love and goodness. Towards whom, before whom, among whom he might do the work of fidelity and wisdom, exercise his courage and prudence, show his temperance and bring forth the fruits of faith and repentance. For all those are the objects of our joy that are the objects of our care. They are our true treasures about whom we are wisely employed.

353

About This Reading Edition

Thomas Traherne’s Centuries explore felicity, childhood vision, love, and the soul’s capacity to enjoy the world. This annotated English edition presents all 410 meditations across five Centuries, with an introduction, explanatory notes, an outline, and textual apparatus.

Historical Text

The Centuries survive in Traherne’s manuscript and were first published by Bertram Dobell in London in 1908. The supplied edition follows the corrected Dobell text, with manuscript readings documented in its Note on the Text and Textual Notes. The four complete Centuries contain one hundred meditations each; the unfinished Fifth contains ten.

About This Edition

Diotimos Editions prepared the introduction, explanatory notes, glossary, reading guide, outline, and textual apparatus for this English original. Century and meditation numbers preserve the work’s structure, while verse line breaks, italics, and struck-through manuscript cancellations remain visible. Notes accompany their passages in the reader and Book Mode.

Rights

Thomas Traherne’s historical text and Bertram Dobell’s 1908 printing are in the public domain. The introduction, notes, and apparatus are © 2026 Diotimos Editions. Historical printing and transcription links identify the edition’s copy-text; manuscript corrections and unresolved readings are documented in the supplied editorial apparatus.