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Diotimos Library · Fairy Tales Collection · English Edition

Charles Kingsley

The Water-Babies

A Critical Edition of the 1863 Novel

The Water-BabiesChapter I · Part 5

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English Edition · Branch 17 of 111

Chapter I · Part 5

The Water-Babies

p. 17
For the attics were Anglo-Saxon. The third floor Norman. The second Cinque-cento. The first-floor Elizabethan. The right wing Pure Doric. The centre Early English, with a huge portico copied from the Parthenon. The left wing pure Boeotian, which the country folk admired most of all, because it was just like the new barracks in the town, only three times as big. The grand staircase was copied from the Catacombs at Rome. The back staircase from the Tajmahal at Agra. This was built by Sir John’s great-great-great-uncle, who won, in Lord Clive’s Indian Wars, plenty of money, plenty of wounds, and no more taste than his betters. The cellars were copied from the caves of Elephanta. The offices from the Pavilion at Brighton.

And the rest from nothing in heaven, or earth, or under the earth.

So that Harthover House was a great puzzle to antiquarians, and a thorough Naboth’s vineyard to critics, and architects, and all persons who like meddling with other men’s business, and spending other men’s money. So they were all setting upon poor Sir John, year after year, and trying to talk him into spending a hundred thousand pounds or so, in building, to please them and not himself. But he always put them off, like a canny North-countryman as he was. One wanted him to build a Gothic house, but he said he was no Goth; and another to build an Elizabethan, but he said he lived under good Queen Victoria, and not good Queen Bess; and another was bold enough to tell him that his house was ugly, but he said he lived inside it, and not outside; and another, that there was no unity in it, but he said that that was just why he liked the old place. For he liked to see how each Sir John, and Sir Hugh, and Sir Ralph, and Sir Randal, had left his mark upon the place, each after his own taste; and he had no more notion of disturbing his ancestors’ work than of disturbing their graves. For now the house looked like a real live house, that had a history, and had grown and grown as the world grew; and that it was only an upstart fellow who did not know who his own grandfather was, who would change it for some spick and span new Gothic or Elizabethan thing, which looked as if it had been all spawned in a night, as mushrooms are. From which you may collect (if you have wit enough) that Sir John was a very sound-headed, sound-hearted squire, and just the man to keep the country side in order, and show good sport with his hounds.

But Tom and his master did not go in through the great iron gates, as if they had been Dukes or Bishops, but round the back way, and a very long way round it was; and into a little backdoor, where the ash-boy let them in, yawning horribly; and then in a passage the housekeeper met them, in such a flowered chintz dressing-gown, that Tom mistook her for My Lady herself, and she gave Grimes solemn orders about “You will take care of this, and take care of that,” as if he was going up the chimneys, and not Tom. And Grimes listened, and said every now and then, under his voice, “You’ll mind that, you little beggar?” and Tom did mind, all at least that he could. And then the housekeeper turned them into a grand room, all covered up in sheets of brown paper, and bade them begin, in a lofty and tremendous voice; and so after a whimper or two, and a kick from his master, into the grate Tom went, and up the chimney, while a housemaid stayed in the room to watch the furniture; to whom Mr. Grimes paid many playful and chivalrous compliments, but met with very slight encouragement in return.

How many chimneys Tom swept I cannot say; but he swept so many that he got quite tired, and puzzled too, for they were not like the town flues to which he was accustomed, but such as you would find—if you would only get up them and look, which perhaps you would not like to do—in old country-houses, large and crooked chimneys, which had been altered again and again, till they ran one into another, anastomosing (as Professor Owen would say) considerably. So Tom fairly lost his way in them; not that he cared much for that, though he was in pitchy darkness, for he was as much at home in a chimney as a mole is underground; but at last, coming down as he thought the right chimney, he came down the wrong one, and found himself standing on the hearthrug in a room the like of which he had never seen before.

Tom had never seen the like. He had never been in gentlefolks’ rooms but when the carpets were all up, and the curtains down, and the furniture huddled together under a cloth, and the pictures covered with aprons and dusters; and he had often enough wondered what the rooms were like when they were all ready for the quality to sit in. And now he saw, and he thought the sight very pretty.

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About This Reading Edition

Charles Kingsley’s fairy tale follows Tom, a mistreated chimney-sweep, into a new life in river and sea. The complete story combines adventure, natural history, moral education, and Victorian satire. This annotated English edition includes the dedication, all eight chapters, the Moral, an introduction and reading guide, 348 explanatory notes, and the full commentary and textual apparatus.

Historical Text

The story first appeared in Macmillan’s Magazine in 1862–63 and as a Macmillan book in 1863. This edition follows Standard Ebooks’ transcription of the 1922 printing, with six readings restored from the first edition. The Note on the Text explains its spelling, punctuation, and corrections. Chapters, poems, songs, and indented catalogues retain their supplied arrangement; page numbers belong to the Diotimos reader.

About This Edition

Diotimos Editions prepared the introduction, reading guide, key words, character descriptions, notes, and commentary for this English edition. The explanatory notes accompany the passages they illuminate. Later sections include an Afterword, a chapter outline, critical reception, further reading, and textual and source notes. The complete supplied text is preserved, with reader branches ending at paragraph boundaries and the original chapter sequence intact.

Rights

Charles Kingsley’s historical text is in the public domain. The introduction, notes, and apparatus are © 2026 Diotimos Editions. Standard Ebooks supplies the copy-text transcription under CC0, and the linked historical printings identify its witnesses. The six restored readings and other editorial decisions are documented in the Note on the Text and Textual Notes. This edition is published with the site owner’s authorization.