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Diotimos Library · Esotericism & Spirituality Collection · Bilingual Edition

Attributed to Abraham the Jew

The Manly Hall Manuscript Collection, Volume I

Book of Hieroglyphic Figures

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The Manly Hall Manuscript Collection, Volume ISpirits of Orpiment · Manuscript 64r · Scan 155

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Facing Pages · Branch 148 of 351

Spirits of Orpiment · Manuscript 64r · Scan 155

French

Ms. 64r

dévore le foie de Prométhée, il ronge tout, et son corps étant infecté maigrit et se consume. Il leur faut attribuer les mêmes qualités que nous avons données ci-dessus, au venin funeste du vif-argent, du soufre et du vitriol, parce qu’il est composé de ces trois.

Si les anciens sages et tous les poètes ont reconnu Vénus pour mère de ce qui était à produire, comme celle qui préside aux générations qui trace les parties organiques et similaires cachées dans la semence qui leur donne leur propre situation et la couleur qui leur convient, ils ont par une raison contraire des sentiments d’horreur quand ils voient ces esprits infernaux et pernicieux sortir de la nature même, qui par une certaine antipathie ne représente que la mort, la confusion, la guerre, les ténèbres, et répand partout l’image du premier chaos au milieu de toutes les choses créées. De même qu’elle amollit avec ses flèches dissout les cœurs des animaux qui sont mols d’eux-mêmes et qu’elle imprime certaine passion aux choses mêmes insensibles. Les poètes ont donné à Vénus Adonis pour fils, tenant un arc à la main droite, et un flambeau de la gauche pour

Ms. 64r

The Manly Hall Manuscript Collection, Volume I: Spirits of Orpiment

Ms. 64r

devours Prometheus’s liver, it gnaws everything; and its body, infected, wastes away and is consumed. The same qualities must be attributed to them as we have assigned above to the deadly venom of quicksilver, sulfur, and vitriol, because it is composed of these three.

If the ancient sages and all the poets acknowledged Venus as mother of what was to be produced—as the one presiding over generations, tracing the organic and similar parts hidden in the seed, giving them their proper situation and suitable color—then, by the contrary reasoning, they feel horror when they see these infernal and pernicious spirits emerge from nature herself. Through a certain antipathy she represents only death, confusion, war, and darkness, and everywhere spreads the image of the first chaos amid all created things. Just as with her arrows she softens and dissolves the hearts of animals, already soft in themselves, and impresses a certain passion even upon insensible things. The poets gave Venus Adonis as her son, holding a bow in his right hand and a torch in his left, to

Ms. 64r

About This Reading Edition

The first manuscript in the Manly Palmer Hall collection at the Getty Research Institute: the Book of Hieroglyphic Figures, presented in French and English with 463 explanatory notes, 13 manuscript plates, 25 source details, an introduction, chapter outline, glossary, bibliography, and register of readings.

Historical Text and Translation

Book of Hieroglyphic Figures (Livre des figures hiéroglyphiques), attributed in the witness to Abraham the Jew. Getty Research Institute, Manly Palmer Hall collection of alchemical manuscripts, accession 950053, Box 1, Hogart manuscript 3; French witness catalogued circa 1800. Manly Palmer Hall is the collector, not the author.

About Diotimos Editions

This historical edition credits Diotimos Editions as its English translator.

Rights

The circa 1800 source manuscript is public domain. The supplied 2026 French reading transcription, English translation, introduction, notes, outline, glossary, register, and editorial arrangement are published with the site owner’s authorization. Source photographs are credited to the Getty Research Institute and Internet Archive in the supplied edition.