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Diotimos Library · Esotericism & Spirituality Collection · Bilingual Edition

Attributed to Abraham the Jew

The Manly Hall Manuscript Collection, Volume I

Book of Hieroglyphic Figures

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The Manly Hall Manuscript Collection, Volume IThe Dragon on the Cross and Corruption · Manuscript 25v · Scan 72

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French Page · Branch 64 of 351

The Dragon on the Cross and Corruption · Manuscript 25v · Scan 72

French

Ms. 25v

La figure du serpent d’airain fait voir le plus grand de tous les poisons dans le laton des philosophes qui est la première médecine et l’universelle : cette même raison favorise l’exposition secrète du serpent dépeint en cet emblème et attaché sur une croix, qui, quoiqu’animal très venimeux sert néanmoins à composer la plus souveraine médecine et l’alexipharmaque. Les physiciens ont entendu la même chose par un vase d’airain consacré à la déesse Minerve, où l’on pouvait aisément voir tous les mystères de cette science secrète tracée en anciens caractères d’or.

Soit que les poètes n’aient pas eu connaissance des secrets de la respectable antiquité, soit qu’on les leur ait découverts, il est néanmoins certain qu’ils les ont tellement enveloppés de fables que l’esprit le plus perçant a peine à les entendre, s’il n’a une connaissance très parfaite des hiéroglyphes des Égyptiens. Pourrait-on sans folie interpréter ici crûment la fable de Cadmus, fils d’Argénor, prêt à combattre contre le dragon de Lerne, qui avait dévoré ses compagnons, et mourut attaché à un chêne après avoir eu la gorge percée

Ms. 25v

The Manly Hall Manuscript Collection, Volume I: The Dragon on the Cross and Corruption

Ms. 25v

The figure of the brazen serpent reveals the greatest of all poisons in the philosophers’ laton, which is the first and universal medicine. This same reasoning supports the secret interpretation of the serpent depicted in this emblem and fastened upon a cross: although a very venomous animal, it nevertheless serves to compose the most sovereign medicine and antidote. The natural philosophers understood the same thing by a brazen vessel dedicated to the goddess Minerva, in which all the mysteries of this secret science could easily be seen traced in ancient characters of gold.

Whether the poets had no knowledge of venerable antiquity’s secrets, or whether these were disclosed to them, it is nevertheless certain that they so enveloped them in fables that even the keenest mind can scarcely understand them without a most perfect knowledge of Egyptian hieroglyphs. Could one, without folly, interpret literally here the fable of Cadmus, son of Argenor, preparing to combat the dragon of Lerna that had devoured his companions and died fastened to an oak after its throat had been pierced

Ms. 25v

About This Reading Edition

The first manuscript in the Manly Palmer Hall collection at the Getty Research Institute: the Book of Hieroglyphic Figures, presented in French and English with 463 explanatory notes, 13 manuscript plates, 25 source details, an introduction, chapter outline, glossary, bibliography, and register of readings.

Historical Text and Translation

Book of Hieroglyphic Figures (Livre des figures hiéroglyphiques), attributed in the witness to Abraham the Jew. Getty Research Institute, Manly Palmer Hall collection of alchemical manuscripts, accession 950053, Box 1, Hogart manuscript 3; French witness catalogued circa 1800. Manly Palmer Hall is the collector, not the author.

About Diotimos Editions

This historical edition credits Diotimos Editions as its English translator.

Rights

The circa 1800 source manuscript is public domain. The supplied 2026 French reading transcription, English translation, introduction, notes, outline, glossary, register, and editorial arrangement are published with the site owner’s authorization. Source photographs are credited to the Getty Research Institute and Internet Archive in the supplied edition.