Diotimos Library · Literary Fiction Collection · Bilingual Edition
The Gods Are Athirst
Les Dieux ont soif · Complete French–English bilingual edition
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French Page · Branch 98 of 120
Chapter XXV · Paragraphs 20–41
Edition pages
Printed pages in the supplied Diotimos 2026 bilingual edition.
- French
- Diotimos 2026 pp. 442, 444, 446
- English
- Diotimos 2026 pp. 443, 445, 447
French
"J’ai fait à ma patrie le sacrifice de ma vie et de mon honneur. Je mourrai infâme, et n’aurai à te léguer, malheureuse, qu’une mémoire exécrée.... Nous aimer? Est-ce que l’on peut m’aimer encore?... Est-ce que je puis aimer?"
Elle lui dit qu’il était fou; qu’elle l’aimait, qu’elle l’aimerait toujours. Elle fut ardente, sincère; mais elle sentait aussi bien que lui, elle sentait mieux que lui qu’il avait raison. Et elle se débattait contre l’évidence.
Il reprit:
"Je ne me reproche rien. Ce que j’ai fait, je le ferais encore. Je me suis fait anathème pour la patrie. Je suis maudit. Je me suis mis hors l’humanité: je n’y rentrerai jamais. Non! la grande tâche n’est pas finie. Ah! la clémence, le pardon!... Les traîtres pardonnent-ils? Les conspirateurs sont-ils cléments? Les scélérats parricides croissent sans cesse en nombre; il en sort de dessous terre, il en accourt de toutes nos frontières: de jeunes hommes, qui eussent mieux péri dans nos armées, des vieillards, des enfants, des femmes, avec les masques de l’innocence, de la pureté, de la grâce. Et quand on les a immolés, on en trouve davantage.... Tu vois bien qu’il faut que je renonce à l’amour, à toute joie, à toute douceur de la vie, à la vie elle-même."
Il se tut. Faite pour goûter de paisibles jouissances, Élodie depuis plus d’un jour s’effrayait de mêler, sous les baisers d’un amant tragique, aux impressions voluptueuses des images sanglantes: elle ne répondit rien. Évariste but comme un calice amer le silence de la jeune femme.
"Tu le vois bien, Élodie: nous sommes précipités; notre œuvre nous dévore. Nos jours, nos heures sont des années. J’aurai bientôt vécu un siècle. Vois ce front! Est-il d’un amant? Aimer!...
— Évariste, tu es à moi, je te garde; je ne te rends pas ta liberté."
Elle s’exprimait avec l’accent du sacrifice. Il le sentit; elle le sentit elle-même.
"Élodie, pourras-tu attester, un jour, que je vécus fidèle à mon devoir, que mon cœur fut droit et mon âme pure, que je n’eus d’autre passion que le bien public; que j’étais né sensible et tendre? Diras-tu: "Il fit son devoir?" Mais non! tu ne le diras pas. Et je ne te demande pas de le dire. Périsse ma mémoire! Ma gloire est dans mon cœur; la honte m’environne. Si tu m’aimas, garde sur mon nom un éternel silence."
Un enfant de huit ou neuf ans, qui jouait au cerceau, se jeta en ce moment dans les jambes de Gamelin.
Celui-ci l’éleva brusquement dans ses bras:
"Enfant! tu grandiras libre, heureux, et tu le devras à l’infâme Gamelin. Je suis atroce pour que tu sois heureux. Je suis cruel pour que tu sois bon, je suis impitoyable pour que demain tous les Français s’embrassent en versant des larmes de joie."
Il le pressa contre sa poitrine:
"Petit enfant, quand tu seras un homme, tu me devras ton bonheur, ton innocence; et, si jamais tu entends prononcer mon nom, tu l’exécreras."
Et il posa à terre l’enfant, qui s’alla jeter épouvanté dans les jupes de sa mère, accourue pour le délivrer.
Cette jeune mère, qui était jolie et d’une grâce aristocratique, dans sa robe de linon blanc, emmena son petit garçon avec un air de hauteur.
Gamelin tourna vers Élodie un regard farouche:
"J’ai embrassé cet enfant; peut-être ferai-je guillotiner sa mère."
Et il s’éloigna, à grands pas, sous les quinconces.
Élodie resta un moment immobile, le regard fixe et baissé. Puis, tout à coup, elle s’élança sur les pas de son amant, et, furieuse, échevelée, telle qu’une ménade, elle le saisit comme pour le déchirer et lui cria d’une voix étranglée de sang et de larmes:
"Eh bien! moi aussi, mon bien-aimé, envoie-moi à la guillotine; moi aussi, fais-moi trancher la tête!"
Et, à l’idée du couteau sur sa nuque, toute sa chair se fondait d’horreur et de volupté.
English
“I have sacrificed my life and my honour to my country. I shall die infamous, and shall have nothing to leave you, unhappy girl, but an execrated memory.… Love one another? Can anyone still love me?… Can I love?”
She told him he was mad; she loved him, she would always love him. She was ardent and sincere; but she felt as well as he, she felt better than he, that he was right. And she struggled against the evidence.
He resumed:
“I reproach myself with nothing. What I have done, I would do again. I have made myself anathema for my country. I am accursed. I have placed myself outside humanity: I shall never return to it. No! The great task is not finished. Ah, clemency, forgiveness!… Do traitors forgive? Are conspirators merciful? The scoundrels who murder their country grow ever more numerous; they spring from beneath the earth, they come running from every frontier: young men who would better have died in our armies, old men, children, women, wearing the masks of innocence, purity and grace. And when they have been sacrificed, we find still more.… You see that I must renounce love, every joy, every sweetness of life, life itself.”
He fell silent. Made to savour peaceful pleasures, Élodie had for more than a day been frightened to mingle bloody images with voluptuous sensations beneath a tragic lover’s kisses: she made no reply. Évariste drank the young woman’s silence like a bitter cup.
“You see it, Élodie: we are driven headlong; our work devours us. Our days, our hours are years. Soon I shall have lived a century. Look at this forehead! Is it a lover’s? Love!…”
“Évariste, you are mine, I am keeping you; I do not give you back your freedom.”
She spoke with the tone of sacrifice. He felt it; she felt it herself.
“Élodie, will you be able to testify one day that I lived faithful to my duty, that my heart was upright and my soul pure, that I had no passion but the public good; that I was born sensitive and tender? Will you say, ‘He did his duty’? But no! You will not say it. And I do not ask you to. Let my memory perish! My glory is in my heart; shame surrounds me. If you loved me, keep an eternal silence about my name.”
At that moment a child of eight or nine, playing with a hoop, ran into Gamelin’s legs.
He abruptly lifted him in his arms:
“Child! You will grow up free and happy, and you will owe it to the infamous Gamelin. I am atrocious so that you may be happy. I am cruel so that you may be good, I am pitiless so that tomorrow all Frenchmen may embrace, shedding tears of joy.”
He pressed him to his breast:
“Little child, when you are a man, you will owe me your happiness and your innocence; and if ever you hear my name spoken, you will execrate it.”
He put the child down. Terrified, the boy flung himself into the skirts of his mother, who had hurried up to rescue him.
This young mother, pretty and aristocratically graceful in her white lawn dress, took her little boy away with a haughty air.
Gamelin turned a fierce gaze on Élodie:
“I have kissed that child; perhaps I shall have his mother guillotined.”
And he strode away beneath the regularly planted trees.
Élodie stood still for a moment, her eyes fixed and lowered. Then suddenly she darted after her lover and, furious, dishevelled, like a maenad, seized him as though to tear him apart and cried in a voice choked with blood and tears:
“Well then, my beloved, send me to the guillotine too; have my head cut off too!”
And at the thought of the blade upon her neck, all her flesh melted with horror and voluptuousness.
Socrates
Reading The Gods Are Athirst · Chapter XXV · Chapter XXV · Paragraphs 20–41
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Anatole France’s The Gods Are Athirst follows the painter Évariste Gamelin as revolutionary conviction draws him into the work of the Revolutionary Tribunal. This complete French–English edition preserves the novel’s twenty-nine chapters, paired by source paragraph, with an introduction, historical orientation, glossary, and chapter notes.
Historical Text and Translation
The novel appeared in volume in 1912. The complete French reading text follows Project Gutenberg eBook 36477, whose underlying impression is undated and carries a later Brodard & Taupin colophon. Chapter I was also checked against a separate 1912 printing; that limited collation is distinguished from the source used for the whole novel.
About Diotimos Editions
The new English translation and editorial matter were generated and revised with AI for Diotimos Editions. The reader preserves the supplied paragraph pairing, songs, quoted letters, and 431 chapter notes, together with the source register and the edition’s statement of editorial responsibility.
Rights
Anatole France’s French source work is in the public domain. The new 2026 English translation and Diotimos editorial matter are credited as supplied in this bilingual edition.