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Anatole France

The Gods Are Athirst

Les Dieux ont soif · Complete French–English bilingual edition

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The Gods Are AthirstChapter XIX · Paragraphs 1–6

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Facing Pages · Branch 83 of 120

Chapter XIX · Paragraphs 1–6

Edition pages

Printed pages in the supplied Diotimos 2026 bilingual edition.

French
Diotimos 2026 pp. 368, 370, 372
English
Diotimos 2026 pp. 369, 371, 373

French

Pendant que le Père Longuemare et la fille Athénaïs étaient interrogés à la section, Brotteaux fut conduit entre deux gendarmes au Luxembourg, où le portier refusa de le recevoir, alléguant qu’il n’avait plus de place. Le vieux traitant fut mené ensuite à la Conciergerie et introduit au greffe, pièce assez petite, partagée en deux par une cloison vitrée. Pendant que le greffier inscrivait son nom sur les registres d’écrou, Brotteaux vit à travers les carreaux deux hommes qui, chacun sur un mauvais matelas, gardaient une immobilité de mort et, l’œil fixe, semblaient ne rien voir. Des assiettes, des bouteilles, des restes de pain et de viande couvraient le sol autour d’eux. C’étaient des condamnés à mort qui attendaient la charrette.

Le ci-devant des Ilettes fut conduit dans un cachot où, à la lueur d’une lanterne, il entrevit deux figures étendues, l’une farouche, mutilée, hideuse, l’autre gracieuse et douce. Ces deux prisonniers lui offrirent un peu de leur paille pourrie et pleine de vermine, pour qu’il ne couchât pas sur la terre souillée d’excréments. Brotteaux se laissa choir sur un banc, dans l’ombre puante, et demeura la tête contre le mur, muet, immobile. Sa douleur était telle qu’il se serait brisé la tête contre le mur, s’il en avait eu la force. Il ne pouvait respirer. Ses yeux se voilèrent; un long bruit, tranquille comme le silence, envahit ses oreilles, il sentit tout son être baigner dans un néant délicieux. Durant une incomparable seconde, tout lui fut harmonie, clarté sereine, parfum, douceur. Puis il cessa d’être.

Quand il revint à lui, la première pensée qui s’empara de son esprit fut de regretter son évanouissement et, philosophe jusque dans la stupeur du désespoir, il songea qu’il lui avait fallu descendre dans un cul de basse-fosse, en attendant la guillotine, pour éprouver la sensation de volupté la plus vive que ses sens eussent jamais goûtée. Il s’essayait à perdre de nouveau le sentiment, mais sans y réussir, et, peu à peu, au contraire, il sentait l’air infect du cachot apporter à ses poumons, avec la chaleur de la vie, la conscience de son intolérable misère.

Cependant ses deux compagnons tenaient son silence pour une cruelle injure. Brotteaux, qui était sociable, essaya de satisfaire leur curiosité; mais, quand ils apprirent qu’il était ce que l’on appelait "un politique", un de ceux dont le crime léger était de parole ou de pensée, ils n’éprouvèrent pour lui ni estime ni sympathie. Les faits reprochés à ces deux prisonniers avaient plus de solidité: le plus vieux était un assassin, l’autre avait fabriqué de faux assignats. Ils s’accommodaient tous deux de leur état et y trouvaient même quelques satisfactions. Brotteaux se prit à songer soudain qu’au-dessus de sa tête tout était mouvement, bruit, lumière et vie, et que les jolies marchandes du Palais souriaient derrière leur étalage de parfumerie, de mercerie, au passant heureux et libre, et cette idée accrut son désespoir.

La nuit vint, inaperçue dans l’ombre et le silence du cachot, mais lourde pourtant et lugubre. Une jambe étendue sur son banc et le dos contre la muraille, Brotteaux s’assoupit. Et il se vit assis au pied d’un hêtre touffu, où chantaient les oiseaux; le soleil couchant couvrait la rivière de flammes liquides et le bord des nuées était teint de pourpre. La nuit se passa. Une fièvre ardente le dévorait et il buvait avidement, à même sa cruche, une eau qui augmentait son mal.

Le lendemain, le geôlier, qui apporta la soupe, promit à Brotteaux de le mettre à la pistole, moyennant finance, dès qu’il aurait de la place, ce qui ne tarderait guère. En effet, le surlendemain, il invita le vieux traitant à sortir de son cachot. A chaque marche qu’il montait, Brotteaux sentait rentrer en lui la force et la vie, et quand sur le carreau rouge d’une chambre il vit se dresser un lit de sangle recouvert d’une méchante couverture de laine, il pleura de joie. Le lit doré où se becquetaient des colombes, qu’il avait jadis fait faire pour la plus jolie des danseuses de l’Opéra, ne lui avait pas paru si agréable ni promis de telles délices.

English

While Father Longuemare and the girl Athénaïs were being questioned at the section, Brotteaux was taken between two gendarmes to the Luxembourg, where the porter refused to admit him, saying there was no room left. The old financier was then taken to the Conciergerie and brought into the registry, a rather small room divided in two by a glazed partition. While the clerk entered his name in the prison registers, Brotteaux saw through the glass two men, each on a wretched mattress, lying still as death, their eyes fixed as though they saw nothing. Plates, bottles and scraps of bread and meat covered the floor around them. They were condemned men waiting for the cart.

The former des Ilettes was led into a dungeon where, by the light of a lantern, he glimpsed two figures lying down, one fierce, mutilated and hideous, the other graceful and gentle. These two prisoners offered him some of their rotten, verminous straw so that he would not have to lie on the earth fouled with excrement. Brotteaux dropped on to a bench in the stinking darkness and remained with his head against the wall, silent and motionless. His anguish was such that he would have dashed his head against the wall had he had the strength. He could not breathe. His eyes clouded; a long sound, peaceful as silence, filled his ears, and he felt his whole being bathed in a delicious nothingness. For one incomparable second, everything was harmony, serene light, fragrance, sweetness. Then he ceased to be.

When he came to, the first thought to take possession of his mind was regret for his fainting fit; and, a philosopher even in the stupor of despair, he reflected that he had had to descend into a dungeon pit and await the guillotine to experience the keenest pleasure his senses had ever tasted. He tried to lose consciousness again, without success; on the contrary, little by little he felt the dungeon’s foul air bringing to his lungs, with the warmth of life, the awareness of his intolerable misery.

Meanwhile his two companions took his silence as a cruel insult. Brotteaux, who was sociable, tried to satisfy their curiosity; but when they learnt that he was what was called “a political”, one of those whose slight offence lay in words or thoughts, they felt neither esteem nor sympathy for him. The charges against these two prisoners had more substance: the elder was a murderer; the other had forged assignats. Both accepted their condition and even found some satisfactions in it. Brotteaux suddenly began to think that above his head everything was movement, noise, light and life, and that the pretty shopkeepers of the Palais smiled from behind their displays of perfumery and haberdashery at the happy, free passer-by; the thought increased his despair.

Night came, unperceived in the dungeon’s darkness and silence, yet heavy and mournful all the same. With one leg stretched along the bench and his back against the wall, Brotteaux dozed. He saw himself seated beneath a leafy beech where birds sang; the setting sun covered the river with liquid flames, and the edges of the clouds were stained purple. The night passed. A burning fever consumed him, and he drank greedily straight from his pitcher, water that worsened his suffering.

Next day the gaoler who brought the soup promised Brotteaux that, for a payment, he would move him to the paying quarters as soon as there was room, which would not be long. Sure enough, the day after that he invited the old financier to leave his dungeon. At every step he climbed, Brotteaux felt strength and life returning; and when, on the red tiles of a room, he saw a camp bed covered with a wretched woollen blanket, he wept for joy. The gilded bed with billing doves that he had once had made for the prettiest dancer at the Opéra had not seemed so agreeable or promised such delights.

About This Reading Edition

Anatole France’s The Gods Are Athirst follows the painter Évariste Gamelin as revolutionary conviction draws him into the work of the Revolutionary Tribunal. This complete French–English edition preserves the novel’s twenty-nine chapters, paired by source paragraph, with an introduction, historical orientation, glossary, and chapter notes.

Historical Text and Translation

The novel appeared in volume in 1912. The complete French reading text follows Project Gutenberg eBook 36477, whose underlying impression is undated and carries a later Brodard & Taupin colophon. Chapter I was also checked against a separate 1912 printing; that limited collation is distinguished from the source used for the whole novel.

About Diotimos Editions

The new English translation and editorial matter were generated and revised with AI for Diotimos Editions. The reader preserves the supplied paragraph pairing, songs, quoted letters, and 431 chapter notes, together with the source register and the edition’s statement of editorial responsibility.

Rights

Anatole France’s French source work is in the public domain. The new 2026 English translation and Diotimos editorial matter are credited as supplied in this bilingual edition.