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Anatole France

The Gods Are Athirst

Les Dieux ont soif · Complete French–English bilingual edition

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The Gods Are AthirstChapter XVI · Paragraphs 53–69

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French Page · Branch 75 of 120

Chapter XVI · Paragraphs 53–69

Edition pages

Printed pages in the supplied Diotimos 2026 bilingual edition.

French
Diotimos 2026 pp. 328, 330, 332
English
Diotimos 2026 pp. 329, 331, 333

French

"Est-ce sa naissance qu’on lui reproche? Moi aussi, j’ai eu le malheur de naître dans l’aristocratie.

— Oui, mais tu en es sorti, répliqua Gamelin, et il y est resté."

Et il parla avec une telle véhémence contre ce conspirateur, cet émissaire de Pitt, ce complice de Cobourg, qui était allé par-delà les monts et par-delà les mers susciter des ennemis à la liberté, il demanda si ardemment la condamnation du traître, qu’il réveilla l’humeur toujours inquiète, la vieille sévérité des jurés patriotes.

L’un d’eux, cyniquement, lui dit:

"Il est des services qu’on ne peut se refuser entre collègues."

Le verdict de mort fut rendu à une voix de majorité.

Le condamné entendit sa sentence avec une tranquillité souriante. Ses regards, qu’il promenait paisiblement sur la salle, exprimèrent, en rencontrant le visage de Gamelin, un indicible mépris.

Personne n’applaudit la sentence.

Jacques Maubel, reconduit à la Conciergerie, écrivit une lettre en attendant l’exécution qui devait se faire le soir même, aux flambeaux:

Ma chère sœur, le Tribunal m’envoie à l’échafaud, me donnant la seule joie que je pouvais ressentir depuis la mort de ma Nieves adorée. Ils m’ont pris le seul bien qui me restait d’elle, une fleur de grenadier, qu’ils appelaient, je ne sais pourquoi, un œillet.

J’aimais les arts: à Paris, dans les temps heureux, j’ai recueilli des peintures et des gravures qui sont maintenant en lieu sûr et qu’on te remettra dès qu’il sera possible. Je te prie, chère sœur, de les garder en mémoire de moi.

Il se coupa une mèche de cheveux, la mit dans la lettre, qu’il plia, et écrivit la suscription:

A la citoyenne Clémence Dezeimeries, née Maubel.

La Réole.

Il donna tout ce qu’il avait d’argent sur lui au porte-clefs, en le priant de faire parvenir cette lettre, demanda une bouteille de vin et but à petits coups en attendant la charrette....

Après souper, Gamelin courut à l'Amour peintre et bondit dans la chambre bleue où chaque nuit l’attendait Élodie.

"Tu es vengée, lui dit-il. Jacques Maubel n’est plus. La charrette qui le conduisait à la mort a passé sous tes fenêtres, entourée de flambeaux."

Elle comprit:

"Misérable! C’est toi qui l’as tué, et ce n’était pas mon amant. Je ne le connaissais pas... je ne l’ai jamais vu.... Quel homme était-ce? Il était jeune, aimable..., innocent. Et tu l’as tué, misérable! misérable!"

Elle tomba évanouie. Mais, dans les ombres de cette mort légère, elle se sentait inondée en même temps d’horreur et de volupté. Elle se ranima à demi; ses lourdes paupières découvraient le blanc de ses yeux, sa gorge se gonflait, ses mains battantes cherchaient son amant. Elle le pressa dans ses bras à l’étouffer, lui enfonça les ongles dans la chair et lui donna, de ses lèvres déchirées, le plus muet, le plus sourd, le plus long, le plus douloureux et le plus délicieux des baisers.

Elle l’aimait de toute sa chair, et, plus il lui apparaissait terrible, cruel, atroce, plus elle le voyait couvert du sang de ses victimes, plus elle avait faim et soif de lui.

English

“Is it his birth he is reproached with? I too had the misfortune to be born into the aristocracy.”

“Yes, but you left it,” Gamelin retorted, “and he stayed in it.”

And he spoke with such vehemence against this conspirator, this emissary of Pitt, this accomplice of Cobourg, who had gone beyond the mountains and beyond the seas to raise enemies against liberty; he demanded the traitor’s conviction so ardently that he reawakened the patriotic jurors’ ever-anxious temper and old severity.

One of them said to him cynically:

“There are services colleagues cannot refuse each other.”

The death verdict was returned by a majority of one.

The condemned man heard his sentence with a smiling tranquillity. His eyes wandered peacefully over the chamber; when they met Gamelin’s face, they expressed an unspeakable contempt.

No one applauded the sentence.

Taken back to the Conciergerie, Jacques Maubel wrote a letter while awaiting his execution, which was to take place that evening by torchlight:

My dear sister, the Tribunal is sending me to the scaffold, giving me the only joy I could feel since the death of my adored Nieves. They have taken from me the one possession I had left of hers, a pomegranate blossom, which for some reason they called a carnation.

I loved the arts: in Paris, in the happy days, I collected paintings and engravings which are now in a safe place and will be delivered to you as soon as possible. I ask you, dear sister, to keep them in memory of me.

He cut off a lock of hair, put it in the letter, folded it and wrote the address:

To Citizen Clémence Dezeimeries, née Maubel.

La Réole.

He gave all the money he had on him to the turnkey, asking him to have the letter delivered, requested a bottle of wine and drank it in small sips as he waited for the cart…

After supper Gamelin ran to L’Amour peintre and bounded into the blue room where Élodie waited for him every night.

“You are avenged,” he told her. “Jacques Maubel is no more. The cart taking him to his death passed beneath your windows, surrounded by torches.”

She understood:

“Wretch! You killed him, and he wasn’t my lover. I didn’t know him… I never saw him… What sort of man was he? He was young, amiable… innocent. And you killed him, wretch! Wretch!”

She fell into a swoon. But in the shadows of this light death she felt herself flooded at once with horror and sensual pleasure. She half revived; her heavy eyelids revealed the whites of her eyes, her breast swelled, her beating hands sought her lover. She clasped him in her arms until he almost suffocated, dug her nails into his flesh and, with her torn lips, gave him the most silent, the most muffled, the longest, the most painful and the most delicious of kisses.

She loved him with all her flesh, and the more terrible, cruel and atrocious he seemed to her, the more she saw him covered in his victims’ blood, the more she hungered and thirsted for him.

About This Reading Edition

Anatole France’s The Gods Are Athirst follows the painter Évariste Gamelin as revolutionary conviction draws him into the work of the Revolutionary Tribunal. This complete French–English edition preserves the novel’s twenty-nine chapters, paired by source paragraph, with an introduction, historical orientation, glossary, and chapter notes.

Historical Text and Translation

The novel appeared in volume in 1912. The complete French reading text follows Project Gutenberg eBook 36477, whose underlying impression is undated and carries a later Brodard & Taupin colophon. Chapter I was also checked against a separate 1912 printing; that limited collation is distinguished from the source used for the whole novel.

About Diotimos Editions

The new English translation and editorial matter were generated and revised with AI for Diotimos Editions. The reader preserves the supplied paragraph pairing, songs, quoted letters, and 431 chapter notes, together with the source register and the edition’s statement of editorial responsibility.

Rights

Anatole France’s French source work is in the public domain. The new 2026 English translation and Diotimos editorial matter are credited as supplied in this bilingual edition.