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Anatole France

The Gods Are Athirst

Les Dieux ont soif · Complete French–English bilingual edition

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The Gods Are AthirstChapter XV · Paragraphs 17–24

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French Page · Branch 72 of 120

Chapter XV · Paragraphs 17–24

Edition pages

Printed pages in the supplied Diotimos 2026 bilingual edition.

French
Diotimos 2026 pp. 312, 314
English
Diotimos 2026 pp. 313, 315

French

Douze vieillards vêtus de la toge latine, une palme à la main, douze jeunes filles, traînant de longs voiles et portant des fleurs, entouraient le lit funèbre. Aux pieds du mort, deux enfants tenaient chacun une torche renversée. Évariste reconnut en l’un d’eux la fille de sa concierge, Joséphine, qui, par sa gravité enfantine et sa beauté charmante, lui rappela ces génies de l’amour et de la mort, que les Romains sculptaient sur leurs sarcophages.

Le cortège se rendit au cimetière Saint-André-des-Arts aux chants de La Marseillaise et du Ça ira.

En mettant le baiser d’adieu sur le front de Fortuné Trubert, Évariste pleura. Il pleura sur lui-même, enviant celui qui se reposait, sa tâche accomplie.

Rentré chez lui, il reçut avis qu’il était nommé membre du Conseil général de la Commune. Candidat depuis quatre mois, il avait été élu sans concurrent, après plusieurs scrutins, par une trentaine de suffrages. On ne votait plus: les sections étaient désertes; riches et pauvres ne cherchaient qu’à se soustraire aux charges publiques. Les plus grands événements n’excitaient plus ni enthousiasme ni curiosité; on ne lisait plus les journaux, Évariste doutait si, sur les sept cent mille habitants de la capitale, trois ou quatre mille seulement avaient encore l’âme républicaine.

Ce jour-là, les Vingt et Un comparurent.

Innocents ou coupables des malheurs et des crimes de la République, vains, imprudents, ambitieux et légers, à la fois modérés et violents, faibles dans la terreur comme dans la clémence, prompts à déclarer la guerre, lents à la conduire, traînés au Tribunal sur l’exemple qu’ils avaient donné, ils n’étaient pas moins la jeunesse éclatante de la Révolution; ils en avaient été le charme et la gloire. Ce juge, qui va les interroger avec une partialité savante; ce blême accusateur, qui, là, devant sa petite table, prépare leur mort et leur déshonneur; ces jurés, qui voudront tout à l’heure étouffer leur défense; ce public des tribunes, qui les couvre d’invectives et de huées, juge, jurés, peuple, ont naguère applaudi leur éloquence, célébré leurs talents, leurs vertus. Mais ils ne se souviennent plus.

Évariste avait fait jadis son dieu de Vergniaud, son oracle de Brissot. Il ne se rappelait plus, et, s’il restait dans sa mémoire quelque vestige de son antique admiration, c’était pour concevoir que ces monstres avaient séduit les meilleurs citoyens.

En rentrant, après l’audience, dans sa maison, Gamelin entendit des cris déchirants. C’était la petite Joséphine que sa mère fouettait pour avoir joué sur la place avec des polissons et sali la belle robe blanche qu’on lui avait mise pour la pompe funèbre du citoyen Trubert.

English

Twelve old men in Latin togas, palms in their hands, and twelve young girls trailing long veils and carrying flowers surrounded the funeral bed. At the dead man’s feet two children each held a downturned torch. Évariste recognised one of them as his concierge’s daughter Joséphine, whose childish gravity and charming beauty recalled to him the spirits of love and death that the Romans carved on their sarcophagi.

The procession made its way to the Saint-André-des-Arts cemetery to the singing of La Marseillaise and Ça ira.

As he set a farewell kiss on Fortuné Trubert’s brow, Évariste wept. He wept for himself, envying the man who rested, his task complete.

Back at home, he received notice that he had been appointed a member of the General Council of the Commune. A candidate for four months, he had been elected unopposed, after several ballots, by some thirty votes. People no longer voted: the sections were deserted; rich and poor sought only to escape public duties. The greatest events no longer aroused enthusiasm or curiosity; people no longer read the newspapers. Évariste wondered whether, of the capital’s seven hundred thousand inhabitants, as many as three or four thousand still had a republican soul.

That day the Twenty-One appeared.

Innocent or guilty of the Republic’s misfortunes and crimes, vain, imprudent, ambitious and frivolous, at once moderate and violent, weak in terror as in clemency, quick to declare war, slow to conduct it, dragged before the Tribunal by the precedent they themselves had set—they were nonetheless the brilliant youth of the Revolution; they had been its charm and glory. This judge, about to question them with practised partiality; this pale prosecutor at his little table, preparing their death and dishonour; these jurors who will presently seek to stifle their defence; this public in the galleries, covering them with insults and jeers—judge, jurors and people had lately applauded their eloquence and celebrated their talents and virtues. But they no longer remember.

Évariste had once made Vergniaud his god and Brissot his oracle. He no longer recalled it, and if any trace of his former admiration remained in his memory, it was only to make him understand how these monsters had seduced the best citizens.

Returning home after the hearing, Gamelin heard piercing cries. It was little Joséphine, whom her mother was whipping for playing on the square with street urchins and dirtying the lovely white dress she had been given to wear at Citizen Trubert’s funeral ceremony.

About This Reading Edition

Anatole France’s The Gods Are Athirst follows the painter Évariste Gamelin as revolutionary conviction draws him into the work of the Revolutionary Tribunal. This complete French–English edition preserves the novel’s twenty-nine chapters, paired by source paragraph, with an introduction, historical orientation, glossary, and chapter notes.

Historical Text and Translation

The novel appeared in volume in 1912. The complete French reading text follows Project Gutenberg eBook 36477, whose underlying impression is undated and carries a later Brodard & Taupin colophon. Chapter I was also checked against a separate 1912 printing; that limited collation is distinguished from the source used for the whole novel.

About Diotimos Editions

The new English translation and editorial matter were generated and revised with AI for Diotimos Editions. The reader preserves the supplied paragraph pairing, songs, quoted letters, and 431 chapter notes, together with the source register and the edition’s statement of editorial responsibility.

Rights

Anatole France’s French source work is in the public domain. The new 2026 English translation and Diotimos editorial matter are credited as supplied in this bilingual edition.