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Diotimos Library · Literary Fiction Collection · Bilingual Edition

Anatole France

The Gods Are Athirst

Les Dieux ont soif · Complete French–English bilingual edition

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The Gods Are AthirstChapter XIV · Paragraphs 79–91

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French Page · Branch 70 of 120

Chapter XIV · Paragraphs 79–91

Edition pages

Printed pages in the supplied Diotimos 2026 bilingual edition.

French
Diotimos 2026 pp. 302, 304
English
Diotimos 2026 pp. 303, 305

French

Elle tira de sa poche une petite Sainte-Vierge en argent dans une chapelle ronde d’ivoire, un morceau de sucre, du fil, des ciseaux, un briquet, deux ou trois étuis et, après avoir fait le choix de ce qui lui était nécessaire, elle se mit à raccommoder sa jupe, qui avait été déchirée en plusieurs endroits.

"Pour votre sûreté, mon enfant, mettez ceci à votre coiffe! lui dit Brotteaux, en lui donnant une cocarde tricolore.

— Je le ferai volontiers, monsieur, lui répondit-elle; mais ce sera pour l’amour de vous et non pour l’amour de la nation."

Quand elle se fut habillée et parée de son mieux, tenant sa jupe à deux mains, elle fit la révérence comme elle l’avait appris au village et dit à Brotteaux:

"Monsieur, je suis votre très humble servante."

Elle était prête à obliger son bienfaiteur de toutes les manières, mais elle trouvait convenable qu’il ne demandât rien et qu’elle n’offrît rien: il lui semblait que c’était gentil de se quitter de la sorte, et selon les bienséances.

Brotteaux lui mit dans la main quelques assignats pour qu’elle prît le coche de Palaiseau. C’était la moitié de sa fortune, et, bien qu’il fût connu pour ses prodigalités envers les femmes, il n’avait encore fait avec aucune un si égal partage de ses biens.

Elle lui demanda son nom.

"Je me nomme Maurice."

Il lui ouvrit à regret la porte de la mansarde:

"Adieu, Athénaïs."

Elle l’embrassa.

"Monsieur Maurice, quand vous penserez à moi, appelez-moi Marthe: c’est le nom de mon baptême, le nom dont on m’appelait au village.... Adieu et merci.... Bien votre servante, monsieur Maurice."

English

From her pocket she took a little silver Virgin in a round ivory shrine, a lump of sugar, thread, scissors, a fire steel and two or three cases. Having chosen what she needed, she began mending her skirt, which was torn in several places.

“For your safety, my child, put this on your cap!” Brotteaux said, giving her a tricolour cockade.

“I’ll gladly do so, Monsieur,” she replied, “but it will be for love of you, not for love of the nation.”

When she had dressed and adorned herself as well as she could, she held her skirt in both hands, made the curtsy she had learnt in her village and said to Brotteaux:

“Monsieur, I am your most humble servant.”

She was ready to oblige her benefactor in every way, but thought it fitting that he should ask nothing and she should offer nothing. It seemed to her pleasant to part in this way, and proper.

Brotteaux put a few assignats in her hand so that she could take the coach to Palaiseau. They were half his fortune, and although he was known for his lavishness towards women, he had never before made so equal a division of his possessions with any of them.

She asked his name.

“My name is Maurice.”

He opened the attic door for her with regret:

“Goodbye, Athénaïs.”

She kissed him.

“Monsieur Maurice, when you think of me, call me Marthe: that is my baptismal name, the name they called me in the village… Goodbye, and thank you… Your devoted servant, Monsieur Maurice.”

About This Reading Edition

Anatole France’s The Gods Are Athirst follows the painter Évariste Gamelin as revolutionary conviction draws him into the work of the Revolutionary Tribunal. This complete French–English edition preserves the novel’s twenty-nine chapters, paired by source paragraph, with an introduction, historical orientation, glossary, and chapter notes.

Historical Text and Translation

The novel appeared in volume in 1912. The complete French reading text follows Project Gutenberg eBook 36477, whose underlying impression is undated and carries a later Brodard & Taupin colophon. Chapter I was also checked against a separate 1912 printing; that limited collation is distinguished from the source used for the whole novel.

About Diotimos Editions

The new English translation and editorial matter were generated and revised with AI for Diotimos Editions. The reader preserves the supplied paragraph pairing, songs, quoted letters, and 431 chapter notes, together with the source register and the edition’s statement of editorial responsibility.

Rights

Anatole France’s French source work is in the public domain. The new 2026 English translation and Diotimos editorial matter are credited as supplied in this bilingual edition.