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Anatole France

The Gods Are Athirst

Les Dieux ont soif · Complete French–English bilingual edition

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The Gods Are AthirstChapter X · Paragraphs 1–13

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Facing Pages · Branch 47 of 120

Chapter X · Paragraphs 1–13

Edition pages

Printed pages in the supplied Diotimos 2026 bilingual edition.

French
Diotimos 2026 pp. 184, 186, 188
English
Diotimos 2026 pp. 185, 187, 189

French

Le samedi, à sept heures du matin, le citoyen Blaise, en bicorne noir, gilet écarlate, culotte de peau, bottes jaunes à revers, cogna du manche de sa cravache à la porte de l’atelier. La citoyenne veuve Gamelin s’y trouvait en honnête conversation avec le citoyen Brotteaux, tandis qu’Évariste nouait devant un petit morceau de glace sa haute cravate blanche.

"Bon voyage, monsieur Blaise! dit la citoyenne. Mais, puisque vous allez peindre des paysages, emmenez donc monsieur Brotteaux, qui est peintre.

— Eh bien! dit Jean Blaise, citoyen Brotteaux, venez avec nous."

Quand il se fut assuré qu’il ne serait point importun, Brotteaux, d’humeur sociable et ami des divertissements, accepta.

La citoyenne Élodie avait monté les quatre étages pour embrasser la citoyenne veuve Gamelin, qu’elle appelait sa bonne mère. Elle était tout de blanc vêtue et sentait la lavande.

Une vieille berline de voyage, à deux chevaux, la capote abaissée, attendait sur la place. Rose Thévenin se tenait au fond avec Julienne Hasard. Élodie fit prendre la droite à la comédienne, s’assit à gauche, et mit la mince Julienne entre elles deux. Brotteaux se plaça en arrière, vis-à-vis de la citoyenne Thévenin; Philippe Dubois, vis-à-vis de la citoyenne Hasard; Évariste, vis-à-vis d’Élodie. Quant à Philippe Desmahis, il dressait son torse athlétique sur le siège, à la gauche du cocher, qu’il étonnait en lui contant qu’en un certain pays d’Amérique les arbres portaient des andouilles et des cervelas.

Le citoyen Blaise, excellent cavalier, faisait la route à cheval et prenait les devants pour n’avoir pas la poussière de la berline.

A mesure que les roues brûlaient le pavé du faubourg, les voyageurs oubliaient leurs soucis; et, à la vue des champs, des arbres, du ciel, leurs pensées devinrent riantes et douces. Élodie songea qu’elle était née pour élever des poules auprès d’Évariste, juge de paix dans un village, au bord d’une rivière, près d’un bois. Les ormeaux du chemin fuyaient sur leur passage. A l’entrée des villages, les mâtins s’élançaient de biais contre la voiture et aboyaient aux jambes des chevaux, tandis qu’un grand épagneul couché en travers de la chaussée se levait à regret; les poules voletaient éparses et, pour fuir, traversaient la route; les oies, en troupe serrée, s’éloignaient lentement. Les enfants barbouillés regardaient passer l’équipage. La matinée était chaude, le ciel clair. La terre gercée attendait la pluie. Ils mirent pied à terre près de Villejuif. Comme ils traversaient le bourg, Desmahis entra chez une fruitière pour acheter des cerises dont il voulait rafraîchir les citoyennes. La marchande était jolie: Desmahis ne reparaissait plus. Philippe Dubois l’appela par le surnom que ses amis lui donnaient communément:

"Hé! Barbaroux!... Barbaroux!"

A ce nom exécré, les passants dressèrent l’oreille et des visages parurent à toutes les fenêtres. Et, quand ils virent sortir de chez la fruitière un jeune et bel homme, la veste ouverte, le jabot flottant sur une poitrine athlétique, et portant sur ses épaules un panier de cerises et son habit au bout d’un bâton, le prenant pour le girondin proscrit, des sans-culottes l’appréhendèrent violemment et l’eussent conduit à la municipalité malgré ses protestations indignées, si le vieux Brotteaux, Gamelin et les trois jeunes femmes n’eussent attesté que le citoyen se nommait Philippe Desmahis, graveur en taille-douce et bon jacobin. Encore fallut-il que le suspect montrât sa carte de civisme qu’il portait sur lui, par grand hasard, étant fort négligent de ces choses. A ce prix, il échappa aux mains des villageois patriotes sans autre dommage qu’une de ses manchettes de dentelle, qu’on lui avait arrachée; mais la perte était légère. Il reçut même les excuses des gardes nationaux qui l’avaient serré le plus fort et qui parlaient de le porter en triomphe à la municipalité.

Libre, entouré des citoyennes Élodie, Rose et Julienne, Desmahis jeta à Philippe Dubois, qu’il n’aimait pas et qu’il soupçonnait de perfidie, un sourire amer, et, le dominant de toute la tête:

"Dubois, si tu m’appelles encore Barbaroux, je t’appellerai Brissot; c’est un petit homme épais et ridicule, les cheveux gras, la peau huileuse, les mains gluantes. On ne doutera pas que tu ne sois l’infâme Brissot, l’ennemi du peuple; et les républicains, saisis à ta vue d’horreur et de dégoût, te pendront à la prochaine lanterne.... Tu entends?"

Le citoyen Blaise, qui venait de faire boire son cheval, assura qu’il avait arrangé l’affaire, quoiqu’il apparût à tous qu’elle avait été arrangée sans lui.

English

On Saturday, at seven in the morning, Citizen Blaise, in a black bicorne, scarlet waistcoat, leather breeches and yellow boots with turned-down tops, knocked on the studio door with the handle of his riding crop. Citizen Widow Gamelin was inside, engaged in respectable conversation with Citizen Brotteaux, while Évariste tied his high white cravat before a small piece of looking-glass.

“A pleasant journey, Monsieur Blaise!” said the citizen. “But since you’re going to paint landscapes, why not take Monsieur Brotteaux? He’s a painter.”

“Well, then,” said Jean Blaise, “Citizen Brotteaux, come with us.”

Once he had made sure that he would not be imposing, Brotteaux, who was sociable and fond of amusement, accepted.

Citizen Élodie had climbed the four flights to kiss Citizen Widow Gamelin, whom she called her dear mother. She was dressed entirely in white and smelt of lavender.

An old travelling carriage, drawn by two horses, waited in the square with its hood lowered. Rose Thévenin was sitting inside with Julienne Hasard. Élodie gave the actress the right-hand seat, sat down on the left and placed slender Julienne between them. Brotteaux took the backward-facing seat opposite Citizen Thévenin; Philippe Dubois sat opposite Citizen Hasard; Évariste opposite Élodie. As for Philippe Desmahis, he held his athletic torso erect on the box, to the driver’s left, astonishing him with an account of a country in America where sausages and saveloys grew on trees.

Citizen Blaise, an excellent horseman, rode on horseback and kept ahead to escape the carriage’s dust.

As the wheels sped over the paving of the suburb, the travellers forgot their cares; at the sight of fields, trees and sky, their thoughts grew cheerful and tender. Élodie thought that she had been born to keep hens beside Évariste, a village justice of the peace, by a river near a wood. The elms along the road fled past them. At the entrances to villages, mastiffs darted sideways at the carriage, barking at the horses’ legs, while a large spaniel lying across the roadway rose reluctantly. Hens fluttered away in all directions and crossed the road to escape; geese moved slowly off in a close-packed flock. Grubby children watched the equipage pass. The morning was warm, the sky clear. The cracked earth waited for rain. They got down near Villejuif. As they crossed the village, Desmahis went into a fruit seller’s to buy cherries with which to refresh the women. The shopkeeper was pretty: Desmahis failed to reappear. Philippe Dubois called him by the nickname his friends commonly used.

“Hey! Barbaroux!… Barbaroux!”

At that execrated name, passers-by pricked up their ears and faces appeared at every window. When a handsome young man emerged from the fruit seller’s, his waistcoat open, his shirt-frill loose over an athletic chest, carrying a basket of cherries on his shoulders and his coat on the end of a stick, some sans-culottes took him for the outlawed Girondin and seized him roughly. Despite his indignant protests, they would have dragged him to the municipal offices had old Brotteaux, Gamelin and the three young women not testified that the citizen’s name was Philippe Desmahis, that he was an engraver in intaglio and a good Jacobin. Even then the suspect had to show his certificate of civic loyalty, which by great good luck he had with him, careless as he was about such things. On these terms he escaped the patriotic villagers with no worse damage than the loss of a lace cuff they had torn off, a slight enough injury. He even received apologies from the National Guardsmen who had gripped him hardest, and who now talked of carrying him in triumph to the municipal offices.

Free again, surrounded by Citizens Élodie, Rose and Julienne, Desmahis gave Philippe Dubois—whom he disliked and suspected of malice—a bitter smile, and, towering a head above him, said:

“Dubois, if you call me Barbaroux again, I’ll call you Brissot: a squat, ridiculous little man, with greasy hair, oily skin and clammy hands. No one will doubt that you’re the infamous Brissot, the enemy of the people, and the republicans, filled with horror and disgust at the sight of you, will hang you from the nearest lamp-post… Do you understand?”

Citizen Blaise, who had just watered his horse, assured them that he had settled the matter, though everyone could see that it had been settled without him.

About This Reading Edition

Anatole France’s The Gods Are Athirst follows the painter Évariste Gamelin as revolutionary conviction draws him into the work of the Revolutionary Tribunal. This complete French–English edition preserves the novel’s twenty-nine chapters, paired by source paragraph, with an introduction, historical orientation, glossary, and chapter notes.

Historical Text and Translation

The novel appeared in volume in 1912. The complete French reading text follows Project Gutenberg eBook 36477, whose underlying impression is undated and carries a later Brodard & Taupin colophon. Chapter I was also checked against a separate 1912 printing; that limited collation is distinguished from the source used for the whole novel.

About Diotimos Editions

The new English translation and editorial matter were generated and revised with AI for Diotimos Editions. The reader preserves the supplied paragraph pairing, songs, quoted letters, and 431 chapter notes, together with the source register and the edition’s statement of editorial responsibility.

Rights

Anatole France’s French source work is in the public domain. The new 2026 English translation and Diotimos editorial matter are credited as supplied in this bilingual edition.