Diotimos Library · Literary Fiction Collection · Bilingual Edition
The Gods Are Athirst
Les Dieux ont soif · Complete French–English bilingual edition
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English Page · Branch 46 of 120
Chapter IX · Paragraphs 41–46
Edition pages
Printed pages in the supplied Diotimos 2026 bilingual edition.
- French
- Diotimos 2026 pp. 180, 182
- English
- Diotimos 2026 pp. 181, 183
French
Élodie elle-même, bien qu’à son insu elle détestât toute chose révolutionnaire, et qui craignait les fonctions publiques comme les plus dangereuses rivales qui pussent lui disputer le cœur de son amant, la tendre Élodie subissait l’ascendant d’un magistrat appelé à se prononcer dans des affaires capitales. D’ailleurs la nomination d’Évariste aux fonctions de juré produisait autour d’elle des effets heureux, dont sa sensibilité trouvait à se réjouir: le citoyen Jean Blaise vint dans l’atelier de la place de Thionville embrasser le juré avec un débordement de mâle tendresse.
Comme tous les contre-révolutionnaires, il éprouvait de la considération pour les puissances de la République, et, depuis qu’il avait été dénoncé pour fraude dans les fournitures de l’armée, le Tribunal révolutionnaire lui inspirait une crainte respectueuse. Il se voyait personnage de trop d’apparence et mêlé à trop d’affaires pour goûter une sécurité parfaite: le citoyen Gamelin lui paraissait un homme à ménager. Enfin on était bon citoyen, ami des lois.
Il tendit la main au peintre magistrat, se montra cordial et patriote, favorable aux arts et à la liberté. Gamelin, généreux, serra cette main largement tendue.
"Citoyen Évariste Gamelin, dit Jean Blaise, je fais appel à votre amitié et à vos talents. Je vous emmène demain pour quarante-huit heures à la campagne: vous dessinerez et nous causerons."
Plusieurs fois, chaque année, le marchand d’estampes faisait une promenade de deux ou trois jours en compagnie de peintres qui dessinaient, sur ses indications, des paysages et des ruines. Saisissant avec habileté ce qui pouvait plaire au public, il rapportait de ces tournées des morceaux qui, terminés dans l’atelier et gravés avec esprit, faisaient des estampes à la sanguine ou en couleurs, dont il tirait bon profit. D’après ces croquis, il faisait exécuter aussi des dessus de portes et des trumeaux qui se vendaient autant et mieux que les ouvrages décoratifs d’Hubert Robert.
Cette fois, il voulait emmener le citoyen Gamelin pour esquisser des fabriques d’après nature, tant le juré avait pour lui grandi le peintre. Deux autres artistes étaient de la partie, le graveur Desmahis, qui dessinait bien, et l’obscur Philippe Dubois, qui travaillait excellemment dans le genre de Robert. Selon la coutume, la citoyenne Élodie, avec sa camarade la citoyenne Hasard, accompagnait les artistes. Jean Blaise, qui savait unir au souci de ses intérêts le soin de ses plaisirs, avait aussi invité à cette promenade la citoyenne Thévenin, actrice du Vaudeville, qui passait pour sa bonne amie.
English
Even Élodie—though without knowing it she detested everything revolutionary, and feared public duties as the most dangerous rivals that might dispute her lover’s heart with her—even tender Élodie felt the authority of a magistrate called upon to decide matters of life and death. Besides, Évariste’s appointment as a juror was producing happy effects around her in which her tender heart could rejoice: Citizen Jean Blaise came to the studio in the Place de Thionville to embrace the juror with an outpouring of manly affection.
Like all counter-revolutionaries, he felt respect for the powers of the Republic, and since he had been denounced for fraud in army supplies, the Revolutionary Tribunal inspired him with reverent fear. He considered himself too conspicuous a figure and involved in too many enterprises to feel entirely secure: Citizen Gamelin seemed a man to keep on good terms with. After all, one was a good citizen, a friend of the laws.
He held out his hand to the painter-magistrate, showed himself cordial and patriotic, well disposed towards art and liberty. Generous-hearted, Gamelin clasped the hand so freely offered.
“Citizen Évariste Gamelin,” said Jean Blaise, “I appeal to your friendship and your talents. Tomorrow I am taking you into the country for forty-eight hours: you shall draw, and we shall talk.”
Several times a year the print dealer made an excursion of two or three days with painters who, under his direction, drew landscapes and ruins. With his skilful grasp of what would appeal to the public, he brought back works from these outings which, finished in the studio and engraved with spirit, became prints in sanguine or in colour that earned him a handsome profit. From these sketches he also had overdoors and decorative wall panels made, which sold as well as, or better than, Hubert Robert’s decorative works.
This time he wanted to take Citizen Gamelin to sketch architectural features from nature, so much had the juror increased the painter’s stature in his eyes. Two other artists were to join them: the engraver Desmahis, who drew well, and the obscure Philippe Dubois, who worked excellently in Robert’s manner. As usual, Citizen Élodie and her friend Citizen Hasard were to accompany the artists. Jean Blaise, who knew how to combine attention to his interests with care for his pleasures, had also invited Citizen Thévenin, an actress at the Vaudeville who was reputed to be his mistress.
Socrates
Reading The Gods Are Athirst · Chapter IX · Chapter IX · Paragraphs 41–46
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Anatole France’s The Gods Are Athirst follows the painter Évariste Gamelin as revolutionary conviction draws him into the work of the Revolutionary Tribunal. This complete French–English edition preserves the novel’s twenty-nine chapters, paired by source paragraph, with an introduction, historical orientation, glossary, and chapter notes.
Historical Text and Translation
The novel appeared in volume in 1912. The complete French reading text follows Project Gutenberg eBook 36477, whose underlying impression is undated and carries a later Brodard & Taupin colophon. Chapter I was also checked against a separate 1912 printing; that limited collation is distinguished from the source used for the whole novel.
About Diotimos Editions
The new English translation and editorial matter were generated and revised with AI for Diotimos Editions. The reader preserves the supplied paragraph pairing, songs, quoted letters, and 431 chapter notes, together with the source register and the edition’s statement of editorial responsibility.
Rights
Anatole France’s French source work is in the public domain. The new 2026 English translation and Diotimos editorial matter are credited as supplied in this bilingual edition.