Diotimos Library · Literary Fiction Collection · Bilingual Edition
The Gods Are Athirst
Les Dieux ont soif · Complete French–English bilingual edition
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French Page · Branch 90 of 120
Chapter XXI · Paragraphs 19–31
Edition pages
Printed pages in the supplied Diotimos 2026 bilingual edition.
- French
- Diotimos 2026 pp. 400, 402, 404
- English
- Diotimos 2026 pp. 401, 403, 405
French
Elle monta en tremblant l’escalier de bois et de carreau et fut reçue par le juge dans son cabinet misérable, meublé d’une table de sapin et de deux chaises de paille. Le papier de tenture pendait en lambeaux. Renaudin, les cheveux noirs et collés, l’œil sombre, les babines retroussées et le menton saillant, lui fit signe de parler et l’écouta en silence.
Elle lui dit qu’elle était la sœur du citoyen Chassagne, prisonnier au Luxembourg, lui exposa le plus habilement qu’elle put les circonstances dans lesquelles il avait été arrêté, le représenta innocent et malheureux, se montra pressante.
Il demeura insensible et dur.
Suppliante, à ses pieds, elle pleura.
Dès qu’il vit des larmes, son visage changea: ses prunelles, d’un noir rougeâtre, s’enflammèrent, et ses énormes mâchoires bleues remuèrent comme pour ramener la salive dans sa gorge sèche.
"Citoyenne, on fera le nécessaire. Ne vous inquiétez pas."
Et, ouvrant une porte, il poussa la solliciteuse dans un petit salon rose, où il y avait des trumeaux peints, des groupes de biscuit, un cartel et des candélabres dorés, des bergères, un canapé de tapisserie décoré d’une pastorale de Boucher. Julie était prête à tout pour sauver son amant.
Renaudin fut brutal et rapide. Quand elle se leva, rajustant la belle robe de la citoyenne Élodie, elle rencontra le regard cruel et moqueur de cet homme; elle sentit aussitôt qu’elle avait fait un sacrifice inutile.
"Vous m’avez promis la liberté de mon frère", dit-elle.
Il ricana.
"Je t’ai dit, citoyenne, qu’on ferait le nécessaire, c’est-à-dire qu’on appliquerait la loi, rien de plus, rien de moins. Je t’ai dit de ne point t’inquiéter, et pourquoi t’inquiéterais-tu? Le Tribunal révolutionnaire est toujours juste."
Elle pensa se jeter sur lui, le mordre, lui arracher les yeux. Mais, sentant qu’elle achèverait de perdre Fortuné Chassagne, elle s’enfuit et courut enlever dans sa mansarde la robe souillée d’Élodie. Et là, seule, elle hurla, toute la nuit, de rage et de douleur.
Le lendemain, étant retournée au Luxembourg, elle trouva le jardin occupé par des gendarmes qui chassaient les femmes et les enfants. Des sentinelles, placées dans les allées, empêchaient les passants de communiquer avec les détenus. La jeune mère, qui venait, chaque jour, portant son enfant dans ses bras, dit à Julie qu’on parlait de conspiration dans les prisons et que l’on reprochait aux femmes de se réunir dans le jardin pour émouvoir le peuple en faveur des aristocrates et des traîtres.
English
Trembling, she climbed the wooden and tiled staircase and was received by the judge in his miserable study, furnished with a deal table and two rush-seated chairs. The wallpaper hung in strips. Renaudin, his black hair plastered down, his eyes dark, his lips drawn back and his chin jutting, signalled her to speak and listened in silence.
She told him she was the sister of Citizen Chassagne, a prisoner at the Luxembourg, explained as skilfully as she could the circumstances of his arrest, represented him as innocent and unfortunate, and pressed her plea.
He remained unfeeling and hard.
Suppliant at his feet, she wept.
The moment he saw tears his face changed: his reddish-black eyes kindled, and his enormous blue-shadowed jaws moved as if to bring saliva back into his dry throat.
“Citizen, what is necessary will be done. Do not worry.”
And, opening a door, he pushed the petitioner into a little pink drawing room containing painted wall panels, bisque groups, a gilt wall clock and candlesticks, armchairs and a tapestry sofa decorated with a pastoral by Boucher. Julie was ready for anything to save her lover.
Renaudin was brutal and quick. When she rose, adjusting Citizen Élodie’s beautiful dress, she met the man’s cruel, mocking gaze; at once she felt she had made a useless sacrifice.
“You promised me my brother’s freedom,” she said.
He sniggered.
“I told you, Citizen, that what was necessary would be done; that is, the law would be applied, no more, no less. I told you not to worry, and why should you worry? The Revolutionary Tribunal is always just.”
She thought of flinging herself upon him, biting him, tearing out his eyes. But, feeling she would complete Fortuné Chassagne’s ruin, she fled and ran to her attic to strip off Élodie’s soiled dress. There, alone, she howled all night with rage and grief.
Next day, returning to the Luxembourg, she found the garden occupied by gendarmes who were driving away women and children. Sentries posted in the avenues prevented passers-by from communicating with the prisoners. The young mother who came every day with her child in her arms told Julie that people were speaking of a conspiracy in the prisons, and accusing the women of gathering in the garden to move the people in favour of aristocrats and traitors.
Socrates
Reading The Gods Are Athirst · Chapter XXI · Chapter XXI · Paragraphs 19–31
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Anatole France’s The Gods Are Athirst follows the painter Évariste Gamelin as revolutionary conviction draws him into the work of the Revolutionary Tribunal. This complete French–English edition preserves the novel’s twenty-nine chapters, paired by source paragraph, with an introduction, historical orientation, glossary, and chapter notes.
Historical Text and Translation
The novel appeared in volume in 1912. The complete French reading text follows Project Gutenberg eBook 36477, whose underlying impression is undated and carries a later Brodard & Taupin colophon. Chapter I was also checked against a separate 1912 printing; that limited collation is distinguished from the source used for the whole novel.
About Diotimos Editions
The new English translation and editorial matter were generated and revised with AI for Diotimos Editions. The reader preserves the supplied paragraph pairing, songs, quoted letters, and 431 chapter notes, together with the source register and the edition’s statement of editorial responsibility.
Rights
Anatole France’s French source work is in the public domain. The new 2026 English translation and Diotimos editorial matter are credited as supplied in this bilingual edition.