Diotimos Library · Literary Fiction Collection · Bilingual Edition
The Gods Are Athirst
Les Dieux ont soif · Complete French–English bilingual edition
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English Page · Branch 59 of 120
Chapter XII · Paragraphs 1–19
Edition pages
Printed pages in the supplied Diotimos 2026 bilingual edition.
- French
- Diotimos 2026 pp. 242, 244, 246, 248
- English
- Diotimos 2026 pp. 243, 245, 247, 249
French
Un soir que le vieux Brotteaux portait douze douzaines de pantins au citoyen Caillou, rue de la Loi, le marchand de jouets, doux et poli d’ordinaire, lui fit, au milieu de ses poupées et de ses polichinelles, un accueil malgracieux.
"Prenez garde, citoyen Brotteaux, lui dit-il, prenez garde! Ce n’est pas toujours le temps de rire; les plaisanteries ne sont pas toutes bonnes: un membre du Comité de sûreté de la section, qui a visité hier mon établissement, a vu vos pantins et les a trouvés contre-révolutionnaires.
— Il se moquait! dit Brotteaux.
— Nenni, citoyen, nenni. C’est un homme qui ne plaisante pas. Il a dit qu’en ces petits bonshommes la représentation nationale était perfidement contrefaite, qu’on y reconnaissait notamment des caricatures de Couthon, de Saint-Just et de Robespierre, et il les a saisis. C’est une perte sèche pour moi, sans parler des périls où je suis exposé.
— Quoi! ces Arlequins, ces Gilles, ces Scaramouches, ces Colins et ces Colinettes, que j’ai peints tels que Boucher les peignait il y a cinquante ans, seraient des Couthon et des Saint-Just contrefaits? Il n’y a pas un homme sensé pour le prétendre.
— Il est possible, reprit le citoyen Caillou, que vous ayez agi sans malice, bien qu’il faille toujours se défier d’un homme d’esprit comme vous. Mais le jeu est dangereux. En voulez-vous un exemple? Natoile, qui tient un petit théâtre aux Champs-Élysées, a été arrêté avant-hier pour incivisme, à cause qu’il faisait jouer la Convention par Polichinelle.
— Encore un coup, dit Brotteaux, en soulevant la toile qui recouvrait ses petits pendus, regardez ces masques et ces visages, sont-ce d’autres que des personnages de comédie et de bergerie? Comment vous êtes-vous laissé dire, citoyen Caillou, que je jouais la Convention nationale?"
Brotteaux était surpris. Tout en accordant beaucoup à la sottise humaine, il n’eût pas cru qu’elle en vînt jamais à suspecter ses Scaramouches et ses Colinettes. Il protestait de leur innocence et de la sienne. Mais le citoyen Caillou ne voulait rien entendre.
"Citoyen Brotteaux, remportez vos pantins. Je vous estime, je vous honore, mais ne veux être ni blâmé ni inquiété à cause de vous. Je respecte la loi. J’entends rester bon citoyen et être traité comme tel. Bonsoir, citoyen Brotteaux; remportez vos pantins."
Le vieux Brotteaux reprit le chemin de son logis, portant ses suspects sur l’épaule au bout d’une perche, et moqué par les enfants qui croyaient que c’était le marchand de mort-aux-rats. Ses pensées étaient tristes. Sans doute, il ne vivait pas seulement de ses pantins: il faisait des portraits à vingt sols, sous les portes cochères et dans un tonneau des halles, en compagnie des ravaudeuses, et beaucoup de jeunes garçons, qui partaient pour l’armée, voulaient laisser leur portrait à leur jeune maîtresse. Mais ces petits ouvrages lui donnaient un mal extrême, et il s’en fallait de beaucoup qu’il fît ses portraits aussi bien que ses pantins. Il servait parfois de secrétaire aux dames de la halle, mais c’était se mêler à des complots royalistes et les risques étaient gros. Il se rappela qu’il y avait dans la rue Neuve-des-Petits-Champs, proche la place ci-devant Vendôme, un autre marchand de jouets, nommé Joly, et il résolut d’aller dès le lendemain lui offrir ce que refusait le pusillanime Caillou.
Une pluie fine vint à tomber. Brotteaux, qui en craignait l’injure pour ses pantins, hâta le pas. Comme il passait le Pont-Neuf, sombre et désert, et tournait le coin de la place de Thionville, il vit à la lueur d’une lanterne, sur une borne, un maigre vieillard qui semblait exténué de fatigue et de faim, et gardait encore un air vénérable. Il était vêtu d’une lévite déchirée, n’avait point de chapeau et semblait âgé de plus de soixante ans. S’étant approché de ce malheureux, Brotteaux reconnut le Père Longuemare, qu’il avait sauvé de la lanterne, six mois en çà, tandis qu’ils faisaient tous deux la queue devant la boulangerie de la rue de Jérusalem. Engagé envers ce religieux par un premier service, Brotteaux s’approcha de lui, s’en fit reconnaître pour le publicain qui s’était trouvé à son côté au milieu de la canaille, un jour de grande disette, et lui demanda s’il ne pourrait point lui être utile.
"Vous paraissez las, mon Père. Prenez une goutte de cordial."
Et Brotteaux tira de la poche de sa redingote puce un petit flacon d’eau-de-vie, qui y était avec son Lucrèce.
"Buvez. Et je vous aiderai à regagner votre domicile."
Le Père Longuemare repoussa de la main le flacon et s’efforça de se lever. Mais il retomba sur sa borne.
"Monsieur, dit-il d’une voix faible, mais assurée, depuis trois mois j’habitais Picpus. Averti qu’on était venu m’arrêter chez moi, hier, à cinq heures de relevée, je ne suis pas rentré à mon domicile. Je n’ai point d’asile; j’erre dans les rues et suis un peu fatigué.
— Eh bien, mon Père, fit Brotteaux, accordez-moi l’honneur de partager mon grenier.
— Monsieur, dit le Barnabite, vous entendez bien que je suis suspect.
— Je le suis aussi, dit Brotteaux, et mes pantins le sont aussi, ce qui est le pis de tout. Vous les voyez exposés, sous cette mince toile, à la pluie fine qui nous morfond. Car, sachez, mon Père, qu’après avoir été publicain je fabrique des pantins pour subsister."
English
One evening, when old Brotteaux brought twelve dozen jumping jacks to Citizen Caillou in the Rue de la Loi, the toy dealer, usually gentle and polite, received him ungraciously amid his dolls and Punches.
“Take care, Citizen Brotteaux,” he said. “Take care! It isn’t always the time for laughter; some jokes are no good at all. A member of the section’s Security Committee visited my establishment yesterday, saw your jumping jacks and found them counter-revolutionary.”
“He was joking!” said Brotteaux.
“No, Citizen, no. He is a man who does not joke. He said that these little fellows were a treacherous travesty of the nation’s representatives, that caricatures of Couthon, Saint-Just and Robespierre in particular could be recognised among them, and he seized them. It is a dead loss to me, to say nothing of the dangers I am exposed to.”
“What! These Harlequins, Gilles, Scaramouches, Colins and Colinettes, which I have painted as Boucher painted them fifty years ago, are supposed to be travesties of Couthon and Saint-Just? No sensible man could maintain such a thing.”
“It is possible,” Citizen Caillou went on, “that you acted without malice, though one must always mistrust a witty man like you. But it’s a dangerous game. Would you like an example? Natoile, who runs a little theatre in the Champs-Élysées, was arrested the day before yesterday for lack of civic loyalty, because he had Punch play the Convention.”
“Once again,” said Brotteaux, lifting the cloth that covered his little hanged men, “look at these masks and faces. Aren’t they simply characters from comedies and pastorals? How could you let yourself be told, Citizen Caillou, that I was making fun of the National Convention?”
Brotteaux was surprised. Though he allowed a great deal for human stupidity, he would never have believed it could go so far as to suspect his Scaramouches and Colinettes. He protested their innocence and his own. But Citizen Caillou would hear nothing.
“Citizen Brotteaux, take your jumping jacks away. I esteem you, I honour you, but I do not wish to be censured or troubled on your account. I respect the law. I intend to remain a good citizen and to be treated as such. Good evening, Citizen Brotteaux. Take your jumping jacks away.”
Old Brotteaux set off home again with his suspects over his shoulder at the end of a pole, mocked by children who thought he was the rat-poison man. His thoughts were sad. Admittedly he did not live by his jumping jacks alone: he drew portraits for twenty sous, in carriage entrances and in a barrel at Les Halles alongside the women who mended clothes, and many young lads leaving for the army wanted to leave their portraits with their young sweethearts. But these little works cost him extreme trouble, and his portraits were very far from being as good as his jumping jacks. Sometimes he acted as secretary to the market women, but that meant becoming involved in royalist plots, and the risks were great. He remembered another toy dealer, Joly, in the Rue Neuve-des-Petits-Champs, near the former Place Vendôme, and resolved to offer him the next day what the faint-hearted Caillou refused.
A fine rain began to fall. Fearing the damage it might do his jumping jacks, Brotteaux quickened his pace. As he crossed the dark, deserted Pont-Neuf and turned the corner of the Place de Thionville, he saw by the light of a lantern a thin old man on a bollard, apparently exhausted by fatigue and hunger, yet still retaining a venerable air. He wore a torn frock coat, had no hat and looked more than sixty years old. Approaching this unfortunate man, Brotteaux recognised Father Longuemare, whom he had saved from the lamp-post six months before, when they were both queuing outside the bakery in the Rue de Jérusalem. Bound to the religious by the service he had already done him, Brotteaux went up, made himself known as the tax-gatherer who had stood beside him among the rabble on a day of great scarcity, and asked whether he could be of any use.
“You look tired, Father. Take a drop of cordial.”
And from the pocket of his puce greatcoat, where it lay beside his Lucretius, Brotteaux drew a small flask of brandy.
“Drink. And I’ll help you get home.”
Father Longuemare waved the flask away and tried to rise. But he fell back on his bollard.
“Monsieur,” he said in a weak but steady voice, “I had been living at Picpus for three months. Warned that men had come to arrest me at my home yesterday at five in the afternoon, I did not return. I have no shelter; I wander the streets and am a little tired.”
“Well, Father,” said Brotteaux, “do me the honour of sharing my attic.”
“Monsieur,” said the Barnabite, “you must understand that I am a suspect.”
“So am I,” said Brotteaux, “and so are my jumping jacks, which is the worst of all. You see them exposed, beneath this thin cloth, to the fine rain that chills us to the bone. For you must know, Father, that after being a tax-gatherer I now make jumping jacks to live.”
Socrates
Reading The Gods Are Athirst · Chapter XII · Chapter XII · Paragraphs 1–19
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Anatole France’s The Gods Are Athirst follows the painter Évariste Gamelin as revolutionary conviction draws him into the work of the Revolutionary Tribunal. This complete French–English edition preserves the novel’s twenty-nine chapters, paired by source paragraph, with an introduction, historical orientation, glossary, and chapter notes.
Historical Text and Translation
The novel appeared in volume in 1912. The complete French reading text follows Project Gutenberg eBook 36477, whose underlying impression is undated and carries a later Brodard & Taupin colophon. Chapter I was also checked against a separate 1912 printing; that limited collation is distinguished from the source used for the whole novel.
About Diotimos Editions
The new English translation and editorial matter were generated and revised with AI for Diotimos Editions. The reader preserves the supplied paragraph pairing, songs, quoted letters, and 431 chapter notes, together with the source register and the edition’s statement of editorial responsibility.
Rights
Anatole France’s French source work is in the public domain. The new 2026 English translation and Diotimos editorial matter are credited as supplied in this bilingual edition.