Diotimos Library · Plato Collection · Bilingual Edition
Symposium
Ancient Greek with an independent English translation.
Swipe or use the arrow keys.
Ancient Greek Page · Branch 74 of 88
Symposium · 222e–223d
Ancient Greek
p. 142νέσεται, πρὶν ὑπ’ ἐμοῦ μᾶλλον ἐπαινεθῆναι; ἀλλ’ ἔασον, 223a ὦ δαιμόνιε, καὶ μὴ φθονήσῃς τῷ μειρακίῳ ὑπ’ ἐμοῦ ἐπαινεθῆναι· καὶ γὰρ πάνυ ἐπιθυμῶ αὐτὸν ἐγκωμιάσαι.
Ἰοῦ ἰοῦ, φάναι τὸν Ἀγάθωνα, Ἀλκιβιάδη, οὐκ ἔσθ’ ὅπως ἂν ἐνθάδε μείναιμι, ἀλλὰ παντὸς μᾶλλον μεταναστήσομαι, ἵνα ὑπὸ Σωκράτους ἐπαινεθῶ.
Ταῦτα ἐκεῖνα, φάναι τὸν Ἀλκιβιάδην, τὰ εἰωθότα· Σωκράτους παρόντος τῶν καλῶν μεταλαβεῖν ἀδύνατον ἄλλῳ. καὶ νῦν ὡς εὐπόρως καὶ πιθανὸν λόγον ηὗρεν, ὥστε παρ’ ἑαυτῷ τουτονὶ κατακεῖσθαι.
223bΤὸν μὲν οὖν Ἀγάθωνα ὡς κατακεισόμενον παρὰ τῷ Σωκράτει ἀνίστασθαι· ἐξαίφνης δὲ κωμαστὰς ἥκειν παμπόλλους ἐπὶ τὰς θύρας, καὶ ἐπιτυχόντας ἀνεῳγμέναις ἐξιόντος τινὸς εἰς τὸ ἄντικρυς πορεύεσθαι παρὰ σφᾶς καὶ κατακλίνεσθαι, καὶ θορύβου μεστὰ πάντα εἶναι, καὶ οὐκέτι ἐν κόσμῳ οὐδενὶ ἀναγκάζεσθαι πίνειν πάμπολυν οἶνον. τὸν μὲν οὖν Ἐρυξίμαχον καὶ τὸν Φαῖδρον καὶ ἄλλους τινὰς ἔφη ὁ Ἀριστόδημος οἴχεσθαι ἀπιόντας, ἓ δὲ ὕπνον λαβεῖν, 223c καὶ καταδαρθεῖν πάνυ πολύ, ἅτε μακρῶν τῶν νυκτῶν οὐσῶν, ἐξεγρέσθαι δὲ πρὸς ἡμέραν ἤδη ἀλεκτρυόνων ᾀδόντων, ἐξεγρόμενος δὲ ἰδεῖν τοὺς μὲν ἄλλους καθεύδοντας καὶ οἰχομένους, Ἀγάθωνα δὲ καὶ Ἀριστοφάνη καὶ Σωκράτη ἔτι μόνους ἐγρηγορέναι καὶ πίνειν ἐκ φιάλης μεγάλης ἐπὶ δεξιά. τὸν οὖν Σωκράτη αὐτοῖς διαλέγεσθαι· καὶ τὰ μὲν ἄλλα ὁ 223d Ἀριστόδημος οὐκ ἔφη μεμνῆσθαι τῶν λόγων—οὔτε γὰρ ἐξ ἀρχῆς παραγενέσθαι ὑπονυστάζειν τε—τὸ μέντοι κεφάλαιον, ἔφη, προσαναγκάζειν τὸν Σωκράτη ὁμολογεῖν αὐτοὺς τοῦ αὐτοῦ ἀνδρὸς εἶναι κωμῳδίαν καὶ τραγῳδίαν ἐπίστασθαι ποιεῖν, καὶ τὸν τέχνῃ τραγῳδοποιὸν ὄντα ⟨καὶ⟩ κωμῳδοποιὸν εἶναι. ταῦτα δὴ ἀναγκαζομένους αὐτοὺς καὶ οὐ σφόδρα ἑπομένους νυστάζειν, καὶ πρότερον μὲν καταδαρθεῖν τὸν
Symposium
p. 143before being praised by me instead? But let it be, 223a you daimonic man, and do not be envious of the lad’s being praised by me; for indeed I very much desire to make an encomium of him.”
“Hurrah, hurrah!” said Agathon.1 “Alcibiades, there is no way I could stay here, but I shall most certainly move, so as to be praised by Socrates.”
“There it is,” said Alcibiades, “the usual thing: when Socrates is present, it is impossible for anyone else to get a share of the beautiful ones. And now, how resourcefully he has found even a persuasive argument, so that this one here should recline beside him!”
223bSo Agathon was getting up to recline beside Socrates; but suddenly very many revellers came to the doors, and finding them open, as someone was going out, they came straight in to them and lay down, and everything was full of uproar, and, in no order any longer, they were compelled to drink a very great deal of wine.2 Now Eryximachus and Phaedrus and some others, Aristodemus said, went off and away, and sleep took him, 223c and he slept a very long time, since the nights were long,3 and woke towards day, with the cocks already crowing; and on waking he saw that the others were asleep or gone, and that Agathon and Aristophanes and Socrates alone were still awake and drinking from a large bowl, going to the right. So Socrates was conversing with them; and the rest 223d of the talk Aristodemus said he did not remember — for he had not been there from the beginning, and he was nodding off — the sum of it, however, he said, was that Socrates was compelling them to agree that it belongs to the same man to know how to make comedy and tragedy, and that he who is by craft a maker of tragedy is a maker of comedy too.4 They, being compelled to this and not following very closely, were nodding, and the first to fall asleep was
Socrates
Reading Symposium · Symposium · 222e–223d
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
The complete Symposium, 172a–223d: at Agathon’s banquet the guests praise Love, Socrates recounts Diotima’s teaching, and Alcibiades praises Socrates. Burnet’s Greek faces a new Diotimos Editions English translation, with an introduction, key words, outline, glossary, critical apparatus, and linked translator notes.
Historical Text and Translation
Greek: Plato, Symposium, in John Burnet, Platonis Opera, volume II (Oxford, 1901; second edition, 1910), in a later impression printed by John Johnson and issued by Humphrey Milford no earlier than January 1935, as described by the supplied edition. Its Greek was taken from the Perseus Digital Library transcription and checked against photographs of that impression; Burnet’s readings and critical apparatus are retained. The digital Greek transcription and its modifications are attributed to the Perseus Digital Library, Tufts University, under CC BY-SA 4.0. English translation and editorial matter: Diotimos Editions, 2026.
About Diotimos Editions
This historical edition credits Diotimos Editions as its English translator.
Rights
The ancient Greek work and Burnet’s printed edition are in the public domain. The Perseus digital Greek transcription and its modifications are reused under CC BY-SA 4.0, as verified from the official Perseus repository license. The supplied edition reports checking its transcription against Burnet’s printed pages. The new English translation and editorial matter are credited to Diotimos Editions, 2026; no open license for those new contributions is stated in the supplied files.
- supplied-bilingual-editionComplete Greek–English edition (PDF)
- supplied-reading-editionComplete edition (EPUB)
- supplied-editable-editionComplete edition (Word)
- supplied-markdown-editionComplete edition (Markdown)
- greek-sourcePerseus Digital Library · Burnet Greek text
- greek-transcription-licenseCreative Commons Attribution-ShareAlike 4.0