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Symposium
Ancient Greek with an independent English translation.
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Symposium · 215b–216a
Ancient Greek
p. 122εἶδος ὅμοιος εἶ τούτοις, ὦ Σώκρατες, οὐδ’ αὐτὸς ἄν που ἀμφισβητήσαις· ὡς δὲ καὶ τἆλλα ἔοικας, μετὰ τοῦτο ἄκουε. ὑβριστὴς εἶ· ἢ οὔ; ἐὰν γὰρ μὴ ὁμολογῇς, μάρτυρας παρέξομαι. ἀλλ’ οὐκ αὐλητής; πολύ γε θαυμασιώτερος ἐκείνου. 215c ὁ μέν γε δι’ ὀργάνων ἐκήλει τοὺς ἀνθρώπους τῇ ἀπὸ τοῦ στόματος δυνάμει, καὶ ἔτι νυνὶ ὃς ἂν τὰ ἐκείνου αὐλῇ—ἃ γὰρ Ὄλυμπος ηὔλει, Μαρσύου λέγω, τούτου διδάξαντος—τὰ οὖν ἐκείνου ἐάντε ἀγαθὸς αὐλητὴς αὐλῇ ἐάντε φαύλη αὐλητρίς, μόνα κατέχεσθαι ποιεῖ καὶ δηλοῖ τοὺς τῶν θεῶν τε καὶ τελετῶν δεομένους διὰ τὸ θεῖα εἶναι. σὺ δ’ ἐκείνου τοσοῦτον μόνον διαφέρεις, ὅτι ἄνευ ὀργάνων ψιλοῖς λόγοις ταὐτὸν 215d τοῦτο ποιεῖς. ἡμεῖς γοῦν ὅταν μέν του ἄλλου ἀκούωμεν λέγοντος καὶ πάνυ ἀγαθοῦ ῥήτορος ἄλλους λόγους, οὐδὲν μέλει ὡς ἔπος εἰπεῖν οὐδενί· ἐπειδὰν δὲ σοῦ τις ἀκούῃ ἢ τῶν σῶν λόγων ἄλλου λέγοντος, κἂν πάνυ φαῦλος ᾖ ὁ λέγων, ἐάντε γυνὴ ἀκούῃ ἐάντε ἀνὴρ ἐάντε μειράκιον, ἐκπεπληγμένοι ἐσμὲν καὶ κατεχόμεθα. ἐγὼ γοῦν, ὦ ἄνδρες, εἰ μὴ ἔμελλον κομιδῇ δόξειν μεθύειν, εἶπον ὀμόσας ἂν ὑμῖν οἷα δὴ πέπονθα αὐτὸς ὑπὸ τῶν τούτου λόγων καὶ πάσχω ἔτι καὶ 215e νυνί. ὅταν γὰρ ἀκούω, πολύ μοι μᾶλλον ἢ τῶν κορυβαντιώντων ἥ τε καρδία πηδᾷ καὶ δάκρυα ἐκχεῖται ὑπὸ τῶν λόγων τῶν τούτου, ὁρῶ δὲ καὶ ἄλλους παμπόλλους τὰ αὐτὰ πάσχοντας· Περικλέους δὲ ἀκούων καὶ ἄλλων ἀγαθῶν ῥητόρων εὖ μὲν ἡγούμην λέγειν, τοιοῦτον δ’ οὐδὲν ἔπασχον, οὐδ’ ἐτεθορύβητό μου ἡ ψυχὴ οὐδ’ ἠγανάκτει ὡς ἀνδραποδωδῶς διακειμένου, ἀλλ’ ὑπὸ τουτουῒ τοῦ Μαρσύου πολλάκις δὴ 216a οὕτω διετέθην ὥστε μοι δόξαι μὴ βιωτὸν εἶναι ἔχοντι ὡς ἔχω. καὶ ταῦτα, ὦ Σώκρατες, οὐκ ἐρεῖς ὡς οὐκ ἀληθῆ. καὶ ἔτι γε νῦν σύνοιδ’ ἐμαυτῷ ὅτι εἰ ἐθέλοιμι παρέχειν τὰ ὦτα, οὐκ ἂν καρτερήσαιμι ἀλλὰ ταὐτὰ ἂν πάσχοιμι. ἀναγκάζει
Symposium
p. 123form, you are like these, Socrates, not even you yourself, I take it, would dispute; but that you resemble them in the rest as well, hear next. You are insolent; or not? For if you do not agree, I shall bring witnesses. But are you not a piper? Indeed, far more marvellous than he. 215c He, you see, enchanted human beings through instruments, by the power from his mouth, and still now, whoever pipes his tunes — for what Olympus piped I say are Marsyas’, since he taught him — his tunes, then, whether a good piper pipes them or a paltry pipe-girl, alone make people possessed, and make plain those who are in need of the gods and of rites, because they are divine. You differ from him only in this much, that without instruments, with bare words, you 215d do this same thing. We at any rate, whenever we hear someone else speaking other speeches, even a very good orator, it matters nothing to anyone, so to speak; but whenever anyone hears you, or your speeches spoken by another, even if the speaker is quite paltry, whether a woman hears or a man or a lad, we are struck and possessed. I at any rate, gentlemen, if I were not going to seem entirely drunk, would have told you on oath what I myself have experienced from this man’s speeches, and experience still even 215e now. For whenever I hear him, my heart leaps far more than the Corybants’,1 and tears pour out under his speeches; and I see very many others experiencing the same things. When I heard Pericles2 and other good orators, I believed they spoke well, but I experienced nothing of the kind, nor was my soul thrown into confusion, nor was it vexed that I was disposed like a slave; but by this Marsyas here I have often been 216a so disposed that it seemed to me life was not worth living in the condition I am in. And this, Socrates, you will not say is not true. And even now I am conscious in myself that if I were willing to offer him my ears, I would not hold out, but would experience the same things. He compels
Socrates
Reading Symposium · Symposium · 215b–216a
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Socrates will begin with this book and its sources.About This Reading Edition
The complete Symposium, 172a–223d: at Agathon’s banquet the guests praise Love, Socrates recounts Diotima’s teaching, and Alcibiades praises Socrates. Burnet’s Greek faces a new Diotimos Editions English translation, with an introduction, key words, outline, glossary, critical apparatus, and linked translator notes.
Historical Text and Translation
Greek: Plato, Symposium, in John Burnet, Platonis Opera, volume II (Oxford, 1901; second edition, 1910), in a later impression printed by John Johnson and issued by Humphrey Milford no earlier than January 1935, as described by the supplied edition. Its Greek was taken from the Perseus Digital Library transcription and checked against photographs of that impression; Burnet’s readings and critical apparatus are retained. The digital Greek transcription and its modifications are attributed to the Perseus Digital Library, Tufts University, under CC BY-SA 4.0. English translation and editorial matter: Diotimos Editions, 2026.
About Diotimos Editions
This historical edition credits Diotimos Editions as its English translator.
Rights
The ancient Greek work and Burnet’s printed edition are in the public domain. The Perseus digital Greek transcription and its modifications are reused under CC BY-SA 4.0, as verified from the official Perseus repository license. The supplied edition reports checking its transcription against Burnet’s printed pages. The new English translation and editorial matter are credited to Diotimos Editions, 2026; no open license for those new contributions is stated in the supplied files.
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