Symposium

Name: Symposium
Author: Plato

Ancient Greek with an independent English translation.

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SymposiumSymposium · 198a–198d

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Symposium · 198a–198d

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Ancient Greek

p. 72

198aΕἰπόντος δὲ τοῦ Ἀγάθωνος πάντας ἔφη ὁ Ἀριστόδημος ἀναθορυβῆσαι τοὺς παρόντας, ὡς πρεπόντως τοῦ νεανίσκου εἰρηκότος καὶ αὑτῷ καὶ τῷ θεῷ. τὸν οὖν Σωκράτη εἰπεῖν βλέψαντα εἰς τὸν Ἐρυξίμαχον, Ἆρά σοι δοκῶ, φάναι, ὦ παῖ Ἀκουμενοῦ, ἀδεὲς πάλαι δέος δεδιέναι, ἀλλ’ οὐ μαντικῶς ἃ νυνδὴ ἔλεγον εἰπεῖν, ὅτι Ἀγάθων θαυμαστῶς ἐροῖ, ἐγὼ δ’ ἀπορήσοιμι;

Τὸ μὲν ἕτερον, φάναι τὸν Ἐρυξίμαχον, μαντικῶς μοι δοκεῖς εἰρηκέναι, ὅτι Ἀγάθων εὖ ἐρεῖ· τὸ δὲ σὲ ἀπορήσειν, οὐκ οἶμαι.

198bΚαὶ πῶς, ὦ μακάριε, εἰπεῖν τὸν Σωκράτη, οὐ μέλλω ἀπορεῖν καὶ ἐγὼ καὶ ἄλλος ὁστισοῦν, μέλλων λέξειν μετὰ καλὸν οὕτω καὶ παντοδαπὸν λόγον ῥηθέντα; καὶ τὰ μὲν ἄλλα οὐχ ὁμοίως μὲν θαυμαστά· τὸ δὲ ἐπὶ τελευτῆς τοῦ κάλλους τῶν ὀνομάτων καὶ ῥημάτων τίς οὐκ ἂν ἐξεπλάγη ἀκούων; ἐπεὶ ἔγωγε ἐνθυμούμενος ὅτι αὐτὸς οὐχ οἷός τ’ ἔσομαι οὐδ’ ἐγγὺς τούτων οὐδὲν καλὸν εἰπεῖν, ὑπ’ αἰσχύνης ὀλίγου 198c ἀποδρὰς ᾠχόμην, εἴ πῃ εἶχον. καὶ γάρ με Γοργίου ὁ λόγος ἀνεμίμνῃσκεν, ὥστε ἀτεχνῶς τὸ τοῦ Ὁμήρου ἐπεπόνθη· ἐφοβούμην μή μοι τελευτῶν ὁ Ἀγάθων Γοργίου κεφαλὴν δεινοῦ λέγειν ἐν τῷ λόγῳ ἐπὶ τὸν ἐμὸν λόγον πέμψας αὐτόν με λίθον τῇ ἀφωνίᾳ ποιήσειεν. καὶ ἐνενόησα τότε ἄρα καταγέλαστος ὤν, ἡνίκα ὑμῖν ὡμολόγουν ἐν τῷ μέρει μεθ’ 198d ὑμῶν ἐγκωμιάσεσθαι τὸν Ἔρωτα καὶ ἔφην εἶναι δεινὸς τὰ ἐρωτικά, οὐδὲν εἰδὼς ἄρα τοῦ πράγματος, ὡς ἔδει ἐγκωμιάζειν ὁτιοῦν. ἐγὼ μὲν γὰρ ὑπ’ ἀβελτερίας ᾤμην δεῖν τἀληθῆ λέγειν περὶ ἑκάστου τοῦ ἐγκωμιαζομένου, καὶ τοῦτο μὲν ὑπάρχειν, ἐξ αὐτῶν δὲ τούτων τὰ κάλλιστα ἐκλεγομένους ὡς εὐπρεπέστατα τιθέναι· καὶ πάνυ δὴ μέγα ἐφρόνουν ὡς εὖ ἐρῶν, ὡς εἰδὼς τὴν ἀλήθειαν τοῦ ἐπαινεῖν ὁτιοῦν. τὸ δὲ ἄρα,

Symposium

p. 73

198aWhen Agathon had spoken, Aristodemus said, all those present applauded loudly, on the ground that the young man had spoken in a way befitting both himself and the god. So Socrates, looking at Eryximachus, said, “Do I seem to you,” he said, “son of Acumenus, to have been fearing all along a fearless fear, and not rather to have said like a prophet what I was saying just now, that Agathon would speak marvellously and I should be at a loss?”

“The one thing,” Eryximachus said, “you seem to me to have said like a prophet, that Agathon would speak well; but that you will be at a loss, I do not think so.”

198b“And how, you blessed man,” said Socrates, “am I not bound to be at a loss, I and anyone else whatever, when I am to speak after so beautiful and so varied a speech has been given? The rest, to be sure, was not equally marvellous; but at the end, the beauty of the words and expressions — who would not have been struck, hearing it? For I for my part, reflecting that I myself would not be able to say anything beautiful even close to these, for shame almost 198c ran away and was gone, if I had had anywhere to go. For the speech reminded me of Gorgias, so that I had simply had the experience Homer tells of: I was afraid that Agathon at the end might send the head of Gorgias, formidable at speaking, in his speech against my speech, and make me myself a stone with speechlessness.¹ And I realized that I had been ridiculous after all, back when I agreed with you that in my turn, along with 198d you, I would make an encomium of Love, and said I was formidable in matters of love, when after all I knew nothing of the thing, how one ought to make an encomium of anything whatever. For I in my silliness thought that one must tell the truth about each thing made the subject of an encomium, and that this should be the foundation, and that from these truths themselves one should pick out the most beautiful and set them out as becomingly as possible; and I was very proud indeed, thinking I would speak well, as one who knew the truth about praising anything whatever. But in fact, after all,

About This Reading Edition

The complete Symposium, 172a–223d: at Agathon’s banquet the guests praise Love, Socrates recounts Diotima’s teaching, and Alcibiades praises Socrates. Burnet’s Greek faces a new Diotimos Editions English translation, with an introduction, key words, outline, glossary, critical apparatus, and linked translator notes.

Historical Text and Translation

Greek: Plato, Symposium, in John Burnet, Platonis Opera, volume II (Oxford, 1901; second edition, 1910), in a later impression printed by John Johnson and issued by Humphrey Milford no earlier than January 1935, as described by the supplied edition. Its Greek was taken from the Perseus Digital Library transcription and checked against photographs of that impression; Burnet’s readings and critical apparatus are retained. The digital Greek transcription and its modifications are attributed to the Perseus Digital Library, Tufts University, under CC BY-SA 4.0. English translation and editorial matter: Diotimos Editions, 2026.

About Diotimos Editions

This historical edition credits Diotimos Editions as its English translator.

Rights

The ancient Greek work and Burnet’s printed edition are in the public domain. The Perseus digital Greek transcription and its modifications are reused under CC BY-SA 4.0, as verified from the official Perseus repository license. The supplied edition reports checking its transcription against Burnet’s printed pages. The new English translation and editorial matter are credited to Diotimos Editions, 2026; no open license for those new contributions is stated in the supplied files.