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Symposium · 193c–194b
Ancient Greek
p. 60κατὰ νοῦν αὐτῷ πεφυκότων· οὗ δὴ τὸν αἴτιον θεὸν ὑμνοῦντες 193d δικαίως ἂν ὑμνοῖμεν Ἔρωτα, ὃς ἔν τε τῷ παρόντι ἡμᾶς πλεῖστα ὀνίνησιν εἰς τὸ οἰκεῖον ἄγων, καὶ εἰς τὸ ἔπειτα ἐλπίδας μεγίστας παρέχεται, ἡμῶν παρεχομένων πρὸς θεοὺς εὐσέβειαν, καταστήσας ἡμᾶς εἰς τὴν ἀρχαίαν φύσιν καὶ ἰασάμενος μακαρίους καὶ εὐδαίμονας ποιῆσαι.
Οὗτος, ἔφη, ὦ Ἐρυξίμαχε, ὁ ἐμὸς λόγος ἐστὶ περὶ Ἔρωτος, ἀλλοῖος ἢ ὁ σός. ὥσπερ οὖν ἐδεήθην σου, μὴ κωμῳδήσῃς αὐτόν, ἵνα καὶ τῶν λοιπῶν ἀκούσωμεν τί ἕκαστος 193e ἐρεῖ, μᾶλλον δὲ τί ἑκάτερος· Ἀγάθων γὰρ καὶ Σωκράτης λοιποί.
Ἀλλὰ πείσομαί σοι, ἔφη φάναι τὸν Ἐρυξίμαχον· καὶ γάρ μοι ὁ λόγος ἡδέως ἐρρήθη. καὶ εἰ μὴ συνῄδη Σωκράτει τε καὶ Ἀγάθωνι δεινοῖς οὖσι περὶ τὰ ἐρωτικά, πάνυ ἂν ἐφοβούμην μὴ ἀπορήσωσι λόγων διὰ τὸ πολλὰ καὶ παντοδαπὰ εἰρῆσθαι· νῦν δὲ ὅμως θαρρῶ.
194aΤὸν οὖν Σωκράτη εἰπεῖν Καλῶς γὰρ αὐτὸς ἠγώνισαι, ὦ Ἐρυξίμαχε· εἰ δὲ γένοιο οὗ νῦν ἐγώ εἰμι, μᾶλλον δὲ ἴσως οὗ ἔσομαι ἐπειδὰν καὶ Ἀγάθων εἴπῃ εὖ, καὶ μάλ’ ἂν φοβοῖο καὶ ἐν παντὶ εἴης ὥσπερ ἐγὼ νῦν.
Φαρμάττειν βούλει με, ὦ Σώκρατες, εἰπεῖν τὸν Ἀγάθωνα, ἵνα θορυβηθῶ διὰ τὸ οἴεσθαι τὸ θέατρον προσδοκίαν μεγάλην ἔχειν ὡς εὖ ἐροῦντος ἐμοῦ.
Ἐπιλήσμων μεντἂν εἴην, ὦ Ἀγάθων, εἰπεῖν τὸν Σω194bκράτη, εἰ ἰδὼν τὴν σὴν ἀνδρείαν καὶ μεγαλοφροσύνην ἀναβαίνοντος ἐπὶ τὸν ὀκρίβαντα μετὰ τῶν ὑποκριτῶν, καὶ βλέψαντος ἐναντία τοσούτῳ θεάτρῳ, μέλλοντος ἐπιδείξεσθαι σαυτοῦ λόγους, καὶ οὐδ’ ὁπωστιοῦν ἐκπλαγέντος, νῦν οἰηθείην σε θορυβήσεσθαι ἕνεκα ἡμῶν ὀλίγων ἀνθρώπων.
Symposium
p. 61who is by nature to one’s mind. And in hymning the god who is the cause of this, 193d we should justly hymn Love, who in the present benefits us most by leading us to what is akin, and for the future offers the greatest hopes: that if we offer the gods piety, he will establish us in our ancient nature and, by healing us, make us blessed and happy.”
“This, Eryximachus,” he said, “is my speech about Love, of another kind than yours. As I begged you, then, do not make comedy of it, so that we may hear the rest as well, what each 193e will say, or rather what each of the two; for Agathon and Socrates are left.”
“Well, I shall obey you,” Eryximachus said, he said; “for indeed the speech was spoken to my pleasure. And if I did not know Socrates and Agathon to be formidable in matters of love,1 I should be very much afraid that they would be at a loss for speeches,2 because so much of every kind has been said; but as it is I am confident all the same.”
194aThen Socrates said, “That is because you yourself competed well, Eryximachus; but if you were where I now am, or rather perhaps where I shall be when Agathon too has spoken well,3 you would be very much afraid indeed, and at your wits’ end, as I am now.”
“You want to bewitch me, Socrates,” said Agathon, “so that I may be thrown into confusion by thinking that the theatre has great expectations that I shall speak well.”
“I should indeed be forgetful, Agathon,” said Socrates, “194bif, after seeing your courage and pride as you mounted the platform4 with the actors and looked out at so great a theatre, about to display your own speeches, and were not in the least panic-stricken, I should now think you would be thrown into confusion on account of us few human beings.”
Socrates
Reading Symposium · Symposium · 193c–194b
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Socrates will begin with this book and its sources.About This Reading Edition
The complete Symposium, 172a–223d: at Agathon’s banquet the guests praise Love, Socrates recounts Diotima’s teaching, and Alcibiades praises Socrates. Burnet’s Greek faces a new Diotimos Editions English translation, with an introduction, key words, outline, glossary, critical apparatus, and linked translator notes.
Historical Text and Translation
Greek: Plato, Symposium, in John Burnet, Platonis Opera, volume II (Oxford, 1901; second edition, 1910), in a later impression printed by John Johnson and issued by Humphrey Milford no earlier than January 1935, as described by the supplied edition. Its Greek was taken from the Perseus Digital Library transcription and checked against photographs of that impression; Burnet’s readings and critical apparatus are retained. The digital Greek transcription and its modifications are attributed to the Perseus Digital Library, Tufts University, under CC BY-SA 4.0. English translation and editorial matter: Diotimos Editions, 2026.
About Diotimos Editions
This historical edition credits Diotimos Editions as its English translator.
Rights
The ancient Greek work and Burnet’s printed edition are in the public domain. The Perseus digital Greek transcription and its modifications are reused under CC BY-SA 4.0, as verified from the official Perseus repository license. The supplied edition reports checking its transcription against Burnet’s printed pages. The new English translation and editorial matter are credited to Diotimos Editions, 2026; no open license for those new contributions is stated in the supplied files.
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