Diotimos Library · Journals, Notebooks & Fragments Collection · Bilingual Edition
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French Page · Branch 67 of 121
1833 · Le 21.
French
p. 133Le 21.
Depuis quelques jours le temps est au pire. La pluie tombe et le vent souffle par rafales, mais avec une telle furie qu’il semble que tout va s’en aller en proie à ces giboulées redoutables. Voilà trois nuits de suite que je suis réveillé en sursaut par un de ces grains qui passent régulièrement vers l’heure de minuit. Ils livrent à la maison un si furieux assaut que tout est mis en tremblement et frissonne dans l’intérieur. Je me dresse à moitié sur mon lit et j’écoute passer l’ouragan, et mille pensées qui dormaient, les unes à la surface, les autres au plus profond de mon âme, s’agitent et se lèvent.
Tous les bruits de la nature : les vents, ces haleines formidables d’une bouche inconnue, qui mettent en jeu les innombrables instruments disposés dans les plaines, sur les montagnes, dans le creux des vallées, ou réunis en masse dans les forêts; les eaux, qui possèdent une échelle de voix d’une étendue si démesurée, à partir du bruissement d’une fontaine dans la mousse jusqu’aux immenses harmonies de l’Océan; le tonnerre, voix de cette mer qui flotte sur nos têtes; le frôlement des feuilles sèches, s’il vient à passer un homme ou un vent follet; enfin, car il faut bien s’arrêter dans cette énumération qui serait infinie, cette émission continuelle de bruits, cette rumeur des éléments toujours flottante, dilatent ma pensée en d’étranges rêveries et me jettent en des étonnements dont je ne puis revenir. La voix de la nature a pris un tel empire sur moi que je parviens rarement à me dégager de la préoccupation habituelle qu’elle m’impose, et que j’essaye en vain de faire le sourd. Mais s’éveiller à minuit, aux cris de la tempête, être assailli dans les ténèbres par une harmonie sauvage et furieuse qui bouleverse le paisible empire de la nuit, c’est quelque chose d’incomparable en fait d’impressions étranges; c’est la volupté dans la terreur.
The Green Notebook: 1833
p. 134December 21, 1833
For several days the weather has been at its worst. Rain falls and the wind blows in gusts, but with such fury that everything seems about to become prey to these dreadful squalls. Three nights running I have been startled awake by one of those storms that pass regularly toward midnight. They deliver such a furious assault upon the house that everything is set trembling and shivers within. I half rise in my bed and listen to the hurricane pass, and a thousand thoughts which slept, some upon the surface, others in the deepest part of my soul, stir and rise.
All the sounds of nature: the winds, those formidable breaths from an unknown mouth, setting in motion the countless instruments arranged upon the plains, upon the mountains, in the hollows of valleys, or gathered in masses within the forests; the waters, possessing a scale of voices of such immeasurable extent, from the rustling of a spring in the moss to the Ocean’s immense harmonies; thunder, the voice of that sea floating above our heads; the brushing of dry leaves, if a man or a wandering breeze happens to pass; finally, for one must stop somewhere in this enumeration which would be infinite, this continual outpouring of sounds, this ever-floating murmur of the elements, expand my thought into strange reveries and cast me into astonishments from which I cannot recover. Nature’s voice has gained such dominion over me that I rarely manage to free myself from the habitual preoccupation it imposes, and try in vain to turn a deaf ear. But to awaken at midnight to the storm’s cries, to be assailed in darkness by a wild and furious harmony overturning night’s peaceful empire, is something incomparable among strange impressions; it is delight within terror.
Socrates
Reading The Green Notebook · 1833 · December 21, 1833
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Maurice de Guérin’s journal moves between close attention to nature, friendship, faith, and the inward demands of poetry. This bilingual edition presents the complete Journal section of the 1864 printing, with a separate appendix of earlier printed passages from 1861.
Historical Text and Translation
The French follows G. S. Trébutien’s sixth edition of Journal, lettres et poèmes (Paris: Didier et Cie, 1864), pages 3–126. Its 116 dated entries run from July 1832 to October 1835. Five earlier passages from Reliquiae (1861) appear separately in the appendix. Completeness refers to the printed Journal, rather than the autograph notebook; the following letters and poems are outside this edition.
About Diotimos Editions
Diotimos Editions prepared this independent English translation directly from the French, preserving Guérin’s imagery, repetitions, intimate voice, and original paragraph divisions. French and English remain aligned for comparison. Translator’s notes clarify words, quotations, and allusions, while historical editor notes retain their separate attribution. The Essential setting keeps explanations useful to reading; All also includes the note on the edition’s typographic treatment.
Rights
The historical French printings are in the public domain in the United States. The independent English translation and new editorial notes are © 2026 Diotimos Editions. The linked facsimiles identify the printed witnesses used for this edition. Historical annotations and editorial conjectures remain attributed to their source editors, and the earlier variant passages are presented separately from the later Journal text.