Diotimos Library · Journals, Notebooks & Fragments Collection · Bilingual Edition
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Facing Pages · Branch 39 of 121
1833 · May 9, 1833
French
p. 77Le 9.
Cinq ou six jours de soleil sans l’ombre d’un nuage. Le développement de la verdure est presque achevé. La nature a mis dehors toutes ses parures. Elle en est à ce point unique de fraîcheur, de pureté, de grâce, qu’il faut se hâter de saisir, car il passe vite. Les feuilles ouvertes d’hier sont tendres comme la rosée et d’une verdure transparente; j’ose à peine y toucher de peur de les flétrir. Cependant avant-hier j’en ai arraché quelques-unes avec Élie, des feuilles de hêtre, pour en faire un plat, à l’exemple des Bernardins. Ce n’est pas mauvais, il y a quelque saveur, mais c’est un peu dur. J’avais vraiment des remords d’arracher ces pauvres feuilles à peine nées. Elles auraient vécu leur vie, se seraient réjouies au soleil et balancées au vent. Je pensais à tout cela tandis que je les coupais, et cependant ma main n’en allait pas moins ravageant les rameaux. Au reste, tout en commettant cette petite cruauté, j’avais avec Élie un de ces entretiens qui reviennent de temps à autre, toujours avec charme et allégement de l’âme. En nous en allant, notre panier plein, nous nous promettions de cueillir des feuilles de temps en temps, faisant allusion à notre causerie.
La Chênaie me fait l’effet d’une vieille bien ridée et bien chenue, redevenue par la baguette des fées jeune fille de seize ans et des plus gracieuses. Elle a toute la fraîcheur, tout l’éclat, tout le charme mystérieux de la virginité. Mais, mon Dieu, que cela durera peu! M. Féli nous montrait hier des feuilles déjà percées et échancrées par les insectes.
Il a plu toute la nuit. Surcroît de verdure et de vie. Je me suis promené vers les 7 heures le long de l’étang. Les arbres penchés sur l’eau s’égouttaient lentement et chaque goutte tombait sur la surface unie avec un petit retentissement qui avait quelque chose de plaintif. On eût dit que les arbres ayant pleuré toute la nuit laissaient tomber leurs dernières larmes.
« Savez-vous, nous disait M. Féli dans la soirée d’avant-hier, pourquoi l’homme est la plus souffrante des créatures? C’est qu’il a un pied dans le fini et l’autre dans l’infini, et qu’il est écartelé, non pas à quatre chevaux, comme dans des temps horribles, mais à deux mondes. »
Il nous disait encore en entendant sonner la pendule : « Si on disait à cette pendule qu’elle aura la tête coupée dans un instant, elle n’en sonnerait pas moins son heure jusqu’à ce que l’instant fût venu. Mes enfants, soyez comme la pendule : quoi qu’il doive arriver, sonnez toujours votre heure. »
The Green Notebook: 1833
p. 78May 9, 1833
Five or six days of sun without the shadow of a cloud. The unfolding of greenery is almost complete. Nature has brought out all her adornments. She has reached that unique point of freshness, purity, grace, which one must hasten to seize, for it passes quickly. The leaves that opened yesterday are tender as dew and transparently green; I scarcely dare touch them for fear of withering them. Yet the day before yesterday Élie and I tore off a few beech leaves to make a dish of them, following the Bernardines’ example. They are not bad; they have some flavor, but are a little tough. I truly felt remorse at tearing off these poor leaves, scarcely born. They would have lived their lives, rejoiced in the sun, swayed in the wind. I thought of all this as I cut them, yet my hand went on ravaging the branches just the same. Besides, while committing this little cruelty, I was having with Élie one of those conversations that recur from time to time, always bringing charm and relief to the soul. As we went away with our basket full, we promised ourselves we would gather leaves from time to time, alluding to our conversation.
La Chênaie seems to me like an old woman, deeply wrinkled and white-haired, turned by the fairies’ wand once more into a girl of sixteen, and a most graceful one. She has all the freshness, all the radiance, all the mysterious charm of virginity. But, my God, how little time it will last! Yesterday M. Féli showed us leaves already pierced and notched by insects.
It rained all night. An increase of greenery and life. I walked along the pond toward seven o’clock. The trees leaning over the water dripped slowly, and each drop fell upon the smooth surface with a little resonance that had something plaintive about it. One would have said the trees, having wept all night, were letting fall their last tears.
‘Do you know,’ M. Féli said to us the evening before last, ‘why man is the most suffering of creatures? It is because he has one foot in the finite and the other in the infinite, and is torn apart, not by four horses, as in dreadful times, but by two worlds.’
He also said to us, on hearing the clock strike: ‘If someone told this clock its head would be cut off in a moment, it would go on striking its hour until that moment came. My children, be like the clock: whatever is to happen, always strike your hour.’
Socrates
Reading The Green Notebook · 1833 · May 9, 1833
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Maurice de Guérin’s journal moves between close attention to nature, friendship, faith, and the inward demands of poetry. This bilingual edition presents the complete Journal section of the 1864 printing, with a separate appendix of earlier printed passages from 1861.
Historical Text and Translation
The French follows G. S. Trébutien’s sixth edition of Journal, lettres et poèmes (Paris: Didier et Cie, 1864), pages 3–126. Its 116 dated entries run from July 1832 to October 1835. Five earlier passages from Reliquiae (1861) appear separately in the appendix. Completeness refers to the printed Journal, rather than the autograph notebook; the following letters and poems are outside this edition.
About Diotimos Editions
Diotimos Editions prepared this independent English translation directly from the French, preserving Guérin’s imagery, repetitions, intimate voice, and original paragraph divisions. French and English remain aligned for comparison. Translator’s notes clarify words, quotations, and allusions, while historical editor notes retain their separate attribution. The Essential setting keeps explanations useful to reading; All also includes the note on the edition’s typographic treatment.
Rights
The historical French printings are in the public domain in the United States. The independent English translation and new editorial notes are © 2026 Diotimos Editions. The linked facsimiles identify the printed witnesses used for this edition. Historical annotations and editorial conjectures remain attributed to their source editors, and the earlier variant passages are presented separately from the later Journal text.