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Diotimos Library · Journals, Notebooks & Fragments Collection · Bilingual Edition

Maurice de Guérin

The Green Notebook

French with an independent English translation.

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The Green Notebook1833 · April 22, 1833

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Facing Pages · Branch 32 of 121

1833 · April 22, 1833

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French

p. 63

Le 22.

J’ai trébuché rudement et j’ai grand’-peine à me remettre de mon trouble. Tout travail est impossible avec ces sortes d’agitations. Tout devient amer, tant on a le goût du fiel à la bouche. Est-ce ma faute? Un peu, peut-être. Je ne devrais point prendre ces choses si vivement; mais il faut avouer aussi qu’à moins d’avoir complètement anéanti son âme, de l’avoir pressée, serrée, tordue de façon à ne pas y laisser une goutte d’amour de l’indépendance, il est difficile d’étouffer ce cri de la liberté ou de l’orgueil, comme on voudra. Cette petite aventure est d’un très-mauvais augure pour ma nouvelle vie; si une épreuve si légère a mis à bout ma patience et toutes mes bonnes résolutions, je n’ai pas grand’-chose à espérer de ma résignation à venir. Le désenchantement m’a saisi de nouveau : tout ce qui me riait hier me fait aujourd’hui la grimace; tout ce qui était blanc est noir, ce qui était limpide est trouble; mon âme N’est plus qu’une onde obscure où le sable a monté.

C’est un malheur d’être ainsi fait. Il faut que mon bonheur soit pur et accompli de tout point; la moindre tache me le défigure, un nuage noir sur le ciel me gâte tout le firmament. C’est une folie, car il n’y a pas de ces bonheurs-là dans ce monde, et la plus malavisée de toutes les folies; mais il paraît que c’est ma condition d’être aussi mal partagé en illusions qu’en réalités. Fiat! fiat!

63

The Green Notebook: 1833

p. 64

April 22, 1833

I have stumbled badly, and find it very hard to recover from my disturbance. All work is impossible amid agitations of this kind. Everything becomes bitter, so strong is the taste of gall in one’s mouth. Is it my fault? A little, perhaps. I ought not to take these things so keenly; but one must also admit that, unless one has completely annihilated one’s soul, pressed, squeezed, twisted it so that not a drop of love for independence remains, it is difficult to stifle that cry of liberty, or pride, as you please. This little adventure is a very bad omen for my new life; if so slight a trial has exhausted my patience and all my good resolutions, I have little to hope for from my future resignation. Disenchantment has seized me again: everything that smiled at me yesterday grimaces at me today; everything that was white is black, what was clear is turbid; my soul Is now no more than dark water in which the sand has risen.

It is a misfortune to be made this way. My happiness must be pure and complete in every respect; the slightest stain disfigures it for me, a black cloud in the sky spoils the whole firmament. It is madness, for there is no such happiness in this world, and the most ill-advised of all madnesses; yet it seems my lot to fare as poorly in illusions as in realities. Fiat! fiat!

64

About This Reading Edition

Maurice de Guérin’s journal moves between close attention to nature, friendship, faith, and the inward demands of poetry. This bilingual edition presents the complete Journal section of the 1864 printing, with a separate appendix of earlier printed passages from 1861.

Historical Text and Translation

The French follows G. S. Trébutien’s sixth edition of Journal, lettres et poèmes (Paris: Didier et Cie, 1864), pages 3–126. Its 116 dated entries run from July 1832 to October 1835. Five earlier passages from Reliquiae (1861) appear separately in the appendix. Completeness refers to the printed Journal, rather than the autograph notebook; the following letters and poems are outside this edition.

About Diotimos Editions

Diotimos Editions prepared this independent English translation directly from the French, preserving Guérin’s imagery, repetitions, intimate voice, and original paragraph divisions. French and English remain aligned for comparison. Translator’s notes clarify words, quotations, and allusions, while historical editor notes retain their separate attribution. The Essential setting keeps explanations useful to reading; All also includes the note on the edition’s typographic treatment.

Rights

The historical French printings are in the public domain in the United States. The independent English translation and new editorial notes are © 2026 Diotimos Editions. The linked facsimiles identify the printed witnesses used for this edition. Historical annotations and editorial conjectures remain attributed to their source editors, and the earlier variant passages are presented separately from the later Journal text.