Diotimos Library · Journals, Notebooks & Fragments Collection · Bilingual Edition
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Facing Pages · Branch 29 of 121
1833 · April 5, 1833
French
p. 57Le 5.
Journée belle à souhait. Des nuages, mais seulement autant qu’il en faut pour faire paysage au ciel. Ils affectent de plus en plus leurs formes d’été. Leurs groupes divers se tiennent immobiles sous le soleil comme les troupeaux de moutons dans les pâturages, quand il fait grand chaud. J’ai vu une hirondelle et j’ai entendu bourdonner les abeilles sur les fleurs. En m’asseyant au soleil pour me pénétrer jusqu’à la moelle du divin printemps, j’ai ressenti quelques-unes de mes impressions d’enfance : un moment, j’ai considéré le ciel avec ses nuages, la terre avec ses bois, ses chants, ses bourdonnements, comme je faisais alors. Ce renouvellement du premier aspect des choses, de la physionomie qu’on leur a trouvée avec les premiers regards, est, à mon avis, une des plus douces réactions de l’enfance sur le courant de la vie.
Mon Dieu, que fait donc mon âme d’aller se prendre ainsi à des douceurs si fugitives, le vendredi saint, en ce jour tout plein de votre mort et de notre rédemption! Il y a en moi je ne sais quel damnable esprit qui me suscite de grands dégoûts et me pousse, pour ainsi dire, à la révolte contre les saints exercices et le recueillement de l’âme qui doivent nous préparer aux grandes solennités de la foi. Nous sommes en retraite depuis deux jours, et je ne fais que m’ennuyer, me ronger avec je ne sais quelles pensées et m’aigrir même contre les pratiques de la retraite. Oh! je reconnais bien là le vieux ferment dont je n’ai pas encore bien nettoyé mon âme!
The Green Notebook: 1833
p. 58April 5, 1833
A day as beautiful as one could wish. Clouds, but only enough to make a landscape in the sky. They are taking on their summer forms more and more. Their varied groups stand motionless beneath the sun like flocks of sheep in the pastures when it is very hot. I saw a swallow and heard bees buzzing over the flowers. Sitting in the sun to let divine spring penetrate me to the marrow, I felt some of my childhood impressions: for a moment I looked at the sky with its clouds, the earth with its woods, its songs, its buzzing, as I did then. This renewal of things’ first appearance, of the countenance one found in them at first sight, is, to my mind, one of the sweetest ways in which childhood acts upon the current of life.
My God, what is my soul doing, letting itself be caught by such fleeting sweetness on Good Friday, on this day wholly filled with your death and our redemption! There is within me some damnable spirit which arouses great aversions and drives me, so to speak, to rebel against the holy exercises and the soul’s inward stillness that should prepare us for the great solemnities of faith. We have been in retreat for two days, and I do nothing but grow bored, gnaw at myself with thoughts I cannot name, and even become embittered against the practices of retreat. Oh, I recognize there the old leaven of which I have not yet thoroughly cleansed my soul!
Socrates
Reading The Green Notebook · 1833 · April 5, 1833
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Maurice de Guérin’s journal moves between close attention to nature, friendship, faith, and the inward demands of poetry. This bilingual edition presents the complete Journal section of the 1864 printing, with a separate appendix of earlier printed passages from 1861.
Historical Text and Translation
The French follows G. S. Trébutien’s sixth edition of Journal, lettres et poèmes (Paris: Didier et Cie, 1864), pages 3–126. Its 116 dated entries run from July 1832 to October 1835. Five earlier passages from Reliquiae (1861) appear separately in the appendix. Completeness refers to the printed Journal, rather than the autograph notebook; the following letters and poems are outside this edition.
About Diotimos Editions
Diotimos Editions prepared this independent English translation directly from the French, preserving Guérin’s imagery, repetitions, intimate voice, and original paragraph divisions. French and English remain aligned for comparison. Translator’s notes clarify words, quotations, and allusions, while historical editor notes retain their separate attribution. The Essential setting keeps explanations useful to reading; All also includes the note on the edition’s typographic treatment.
Rights
The historical French printings are in the public domain in the United States. The independent English translation and new editorial notes are © 2026 Diotimos Editions. The linked facsimiles identify the printed witnesses used for this edition. Historical annotations and editorial conjectures remain attributed to their source editors, and the earlier variant passages are presented separately from the later Journal text.