Diotimos Library · Journals, Notebooks & Fragments Collection · Bilingual Edition
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French Page · Branch 77 of 121
1834 · Le 7.
French
p. 153Le 7.
Pluie douce. — Il n’y avait pas un souffle dans l’air. La pluie tombait paisiblement avec une monotonie qui ne manquait pas de charme. La feuillée s’inclinait sous l’eau du ciel, et chaque goutte, en frappant les feuilles, leur imprimait une petite oscillation qui recommençait sans cesse. C’était comme un frémissement général qui avait saisi les massifs de verdure, un tressaillement de joie et de volupté. L’air, imprégné d’une humidité chaude et chargé de tous les parfums de mai, portait à la langueur et blasait presque à force de mollesse et de senteurs tièdes.
Maintenant tous mes entretiens avec la nature, cette autre consolatrice des affligés, se passent dans un petit jardin de la rue d’Anjou-Saint-Honoré, tout proche de la rue de la Pépinière. Avant-hier au soir, j’avais passé mon bras autour d’un tronc de lilas, et je chantais à demi-voix : Que le jour me dure, de J. J. Cet air touchant et mélancolique, mon attitude, le calme de la soirée, et, plus que tout cela, cette habitude qu’a mon âme de résumer le soir toutes ses tristesses, de s’entourer de nuages pâles vers la fin des journées, me jetèrent dans le sentiment profond, intime, immense de ma misère, de mon indigence intérieure. Je me voyais pauvre, bien pauvre, pitoyable et entièrement incapable d’avenir. Il me semblait en même temps entendre bruire au-dessus de ma tête, bien haut, bien loin, ce monde de pensée et de poésie vers lequel je m’élance si souvent sans pouvoir l’atteindre jamais. Je songeais à ceux de mon âge qui ont assez d’ailes pour y arriver, mais sans jalousie et comme nous regardons d’ici-bas les élus et leur félicité. Cependant mon âme brûlait, haletait, se débattait contre son impuissance. Il y avait quelque chose en elle du désespoir et des élancements stériles de la passion chez ces infortunés qui ne peuvent que rêver l’amour et dans leurs songes pressent avec délire contre leur sein un fantôme brûlant. La tige du lilas que j’étreignais s’agitait sous mon bras; je croyais la sentir se remuer spontanément, et toutes ses feuilles, qui frissonnaient, rendaient un bruit doux qui me paraissait comme un langage, comme un murmure de lèvres qui balbutient des mots de consolation. O mon lilas, je te pressais dans ce moment comme le seul être en ce monde contre qui je pusse appuyer ma chancelante nature, comme le seul capable de souffrir un embrassement de moi, et assez compatissant pour se faire le support de ma misère ! De quoi t’ai-je payé? De quelques larmes qui sont tombées sur ta racine.
The Green Notebook: 1834
p. 154May 7, 1834
Gentle rain. — There was not a breath in the air. The rain fell peacefully, with a monotony not without charm. The foliage bowed beneath the water from heaven, and every drop, striking the leaves, gave them a little oscillation which began again without cease. It was as though a general shiver had seized the masses of greenery, a tremor of joy and delight. The air, steeped in warm moisture and laden with all the perfumes of May, induced languor and almost dulled the senses through its softness and warm scents.
Now all my conversations with nature, that other comforter of the afflicted, take place in a small garden in the Rue d’Anjou-Saint-Honoré, quite near the Rue de la Pépinière. The evening before last, I had put my arm around a lilac trunk and was singing softly: Que le jour me dure, by J. J. That touching and melancholy air, my posture, the stillness of evening, and more than all these, my soul’s habit of gathering up all its sorrows at evening, of surrounding itself with pale clouds toward the end of the day, cast me into a deep, intimate, immense sense of my misery, my inward poverty. I saw myself as poor, very poor, pitiable, and entirely incapable of a future. At the same time I seemed to hear stirring above my head, very high, very far away, that world of thought and poetry toward which I so often soar without ever being able to reach it. I thought of those my age who have wings enough to arrive there, but without jealousy, and as we look from here below upon the blessed and their happiness. Yet my soul burned, panted, struggled against its powerlessness. There was in it something of the despair and fruitless surges of passion of those unhappy beings who can only dream of love and, in their dreams, press a burning phantom deliriously against their breast. The lilac stem I clasped stirred beneath my arm; I thought I felt it move of itself, and all its shivering leaves made a gentle sound which seemed to me like speech, like the murmur of lips stammering words of consolation. O my lilac, at that moment I held you as the only being in this world against which I could lean my faltering nature, as the only one able to endure an embrace from me, and compassionate enough to become the support of my misery! How did I repay you? With a few tears that fell upon your root.
Socrates
Reading The Green Notebook · 1834 · May 7, 1834
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Maurice de Guérin’s journal moves between close attention to nature, friendship, faith, and the inward demands of poetry. This bilingual edition presents the complete Journal section of the 1864 printing, with a separate appendix of earlier printed passages from 1861.
Historical Text and Translation
The French follows G. S. Trébutien’s sixth edition of Journal, lettres et poèmes (Paris: Didier et Cie, 1864), pages 3–126. Its 116 dated entries run from July 1832 to October 1835. Five earlier passages from Reliquiae (1861) appear separately in the appendix. Completeness refers to the printed Journal, rather than the autograph notebook; the following letters and poems are outside this edition.
About Diotimos Editions
Diotimos Editions prepared this independent English translation directly from the French, preserving Guérin’s imagery, repetitions, intimate voice, and original paragraph divisions. French and English remain aligned for comparison. Translator’s notes clarify words, quotations, and allusions, while historical editor notes retain their separate attribution. The Essential setting keeps explanations useful to reading; All also includes the note on the edition’s typographic treatment.
Rights
The historical French printings are in the public domain in the United States. The independent English translation and new editorial notes are © 2026 Diotimos Editions. The linked facsimiles identify the printed witnesses used for this edition. Historical annotations and editorial conjectures remain attributed to their source editors, and the earlier variant passages are presented separately from the later Journal text.