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Diotimos Library · Esotericism & Spirituality Collection · Parallel Edition

Thomas Vaughan

Magia Adamica

The Antiquity of Magic · With the Complete Coelum Terrae

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Magia AdamicaThe Defence of Magic · Page 6 · Passage A

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The Defence of Magic · Page 6 · Passage A

Original English

whose Knowledge and Devotion brought them from the East to Jerusalem. Secondly, that this Art should suffer as Religion doth, and for the very same Reason. The main Motives, which have occasion'd the present Rents, and Divisions of the Church, are the Ceremonies and Types used in it. For without Controversie the Apostles instituted, and left behind them certaine Elements or Signes, as Water, Oile, Salt and Lights, by which they signified unto us some great, and reverend Mysteries. But our Reformers mistaking these things for superstitious, turn'd them all out of Doores. But verily it was ill done: for if the shadow of Saint Peter healed, shall not these shadowes of Christ doe much more? The Papist on the contrary knowing not the signification of these Types, did place a certain Inhaerent holiness in them, & so fell into a very dangerous Idolatrie. I omit many Things which he invented of his own, as Images, Holy Lambes, and Reliques, adding these dead Bones to the Primitive, and beauteous Bodie of the Church. Now to draw up the Paralell: The Magicians, they also instituted certain Signes, as the Clavis to their Art, and these were the same with the former, Namely Water, Oile, Salt and Light, by which they tacitly discovered unto us their Three Principles, and the Light of Nature, which fills and

Modern English

whose knowledge and devotion brought them from the East to Jerusalem. Secondly, this art suffers as religion does, and for the same reason. The principal causes of the Church’s present divisions and breaches are the ceremonies and figures used in it. For the Apostles undoubtedly instituted and left behind certain elements or signs—water, oil, salt and lights—through which they signified great and reverent mysteries. But our reformers, mistaking these things for superstitions, turned them all out of doors. Truly that was badly done: if Saint Peter’s shadow healed, shall these shadows of Christ not do much more? The Papist, on the other hand, ignorant of what these figures signify, placed an inherent holiness in them and so fell into very dangerous idolatry. I pass over the many things he invented himself—images, holy lambs and relics—adding these dead bones to the Church’s original and beautiful body. Now to draw the parallel: the magicians also instituted certain signs as the key to their art. These were the same as the former ones: water, oil, salt and light. Through them they tacitly disclosed their three principles and the light of Nature, which fills and

About This Reading Edition

Thomas Vaughan’s complete 1650 Magia Adamica publication, with all historical preliminaries and the complete appended Coelum Terrae, original and modern English, fresh translations of Latin, Greek and Hebrew, full poems, eight historical marginal notes, the complete recovered printed corrections, 312 annotations and the complete supplied Diotimos study apparatus.

Historical Text and Translation

Thomas Vaughan (Eugenius Philalethes), Magia Adamica: or The Antiquitie of Magic, with Coelum Terrae. London: T. W. for H. Blunden, 1650. Governing transcription: EEBO-TCP A64768.0001.001. The Getty Research Institute copy supplies surviving first-edition page images; the 1656 issue supplies explicitly disclosed missing or defective material. The complete shared 1650 errata are recovered from the Bibliotheca Philosophica Hermetica copy of The Man-Mouse.

About Diotimos Editions

This historical edition credits Diotimos Editions as its English translator.

Rights

The historical text is public domain; the EEBO-TCP Phase I transcription is released under CC0. The supplied 2026 reading, translations and Diotimos editorial material are published with the site owner’s authorization.