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Egypt, Greece and the Transmission of the Art · Page 66 · Passage A
Original English
Emepht, whereby they expresse their Supreme God, and verily they mind the true One, signifies properly an Intelligence, or Spirit converting all things into himself, and himself into all Things. This is very sound Divinitie and Philosophie, if it be rightly understood. Now (say they) Emepht produc'd an Egg out of his mouth, which Tradition Kircher expounds imperfectly, and withall Erroneously. In the Production of this Egg was manifested another Deitie, which they call Phtha, and out of some other Natures and Substances inclos'd in the Egg, this Phtha formed all Things. But to deale a little more openly, wee will describe unto you their Hieroglyphic, wherein they have very handsomely, but obscurely discovered most of their Mysteries. First of all then, they draw a Circle, in the Circle a Serpent, not folded, but Diameter-wise, and at length; her head resembles that of a Hawke, the Tayle is tyed in a Small Knot, and a little below the head her wings are Volant. The Cirele points at Emepht, or God the Father being Infinite, without Beginning, without End. Moreover it comprehends, or Conteines in it self the Second Deitie Phtha, and the Egg, or Chaos, out of which all Things were made. The Hawke in the AEgyptian Symbols signifies Light, and Spirit; his head annexed here to the Serpent
Modern English
Emepht, their name for the supreme God—and truly they mean the real one—properly signifies an intelligence or spirit converting everything into himself and himself into everything. Rightly understood, this is very sound theology and philosophy. They say Emepht produced an egg from his mouth, a tradition Kircher explains both imperfectly and erroneously. In producing this egg another deity appeared, whom they call Phtha. From certain other natures and substances enclosed in the egg, Phtha formed everything. To speak a little more openly, we shall describe their hieroglyph, in which they have elegantly, though obscurely, disclosed most of their mysteries. First they draw a circle, and within it a serpent, not coiled but stretched at full length across its diameter. Its head resembles a hawk’s, its tail is tied in a small knot, and a little below the head its wings are outspread. The circle denotes Emepht, or God the Father: infinite, without beginning or end. It also comprehends or contains the second deity, Phtha, and the egg or chaos from which everything was made. In Egyptian symbols the hawk signifies light and spirit. Its head, here joined to the serpent,
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Reading Magia Adamica · Egypt, Greece and the Transmission of the Art · Page 66 · Passage A
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Socrates will begin with this book and its sources.About This Reading Edition
Thomas Vaughan’s complete 1650 Magia Adamica publication, with all historical preliminaries and the complete appended Coelum Terrae, original and modern English, fresh translations of Latin, Greek and Hebrew, full poems, eight historical marginal notes, the complete recovered printed corrections, 312 annotations and the complete supplied Diotimos study apparatus.
Historical Text and Translation
Thomas Vaughan (Eugenius Philalethes), Magia Adamica: or The Antiquitie of Magic, with Coelum Terrae. London: T. W. for H. Blunden, 1650. Governing transcription: EEBO-TCP A64768.0001.001. The Getty Research Institute copy supplies surviving first-edition page images; the 1656 issue supplies explicitly disclosed missing or defective material. The complete shared 1650 errata are recovered from the Bibliotheca Philosophica Hermetica copy of The Man-Mouse.
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This historical edition credits Diotimos Editions as its English translator.
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The historical text is public domain; the EEBO-TCP Phase I transcription is released under CC0. The supplied 2026 reading, translations and Diotimos editorial material are published with the site owner’s authorization.
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