Diotimos Library · Journals, Notebooks & Fragments Collection · Bilingual Edition
The Notebooks of Joseph Joubert, Volume I
Complete Notebooks · French with an independent English translation.
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Facing Pages · Branch 807 of 3781
YEAR 1797 · Entry 807
French
p. 161313 mai.
Il est un style qui n’est que l’ombre, la vague image, un dessin de la pensée; il est un autre style qui en est comme le corps et le portrait en sculpture. Le premier convient à la métaphysique où tout est vague et aux sentimens de piété qui ont quelque chose d’infini. Le second convient mieux aux lois et aux maximes de morale. Le meilleur des deux est celui qui se montre le mieux assorti avec ceux qui le parlent et à ce qu’il veut exprimer. De même donc qu’il y a deux sortes de styles, il y a deux sortes d’écrivains entre lesquels les uns dessinent et peignent leur pensée, la laissant pour ainsi dire appliquée et collée à leur papier comme un tableau l’est à la toile. D’autres y gravent la leur, l’y enfoncent ou l’en détachent en lui donnant un relief qui la fait absolument ressortir. Ils sont sculpteurs. Ceux-là sont particulièrement propres à exprimer les pensées qui doivent être connues de tous, offertes à tous, et exposées comme en une place publique à l’attention universelle. De cette espèce sont les loix, les inscriptions, les maximes, les proverbes, enfin tout ce qui chez les anciens pouvoit être appellé nomes et tout ce qui chez les modernes dépend du genre sententieux.
The Notebooks of Joseph Joubert, Volume I: YEAR 1797
p. 1614May 13.
There is a style that is only the shadow, the vague image, a drawing of thought; there is another style that is as it were its body and its sculpted portrait. The first suits metaphysics, where everything is vague, and feelings of piety, which have something of the infinite. The second better suits laws and moral maxims. The better of the two is the one that shows itself better suited to those who speak it and to what it wishes to express. Just as there are two kinds of style, then, there are two kinds of writers: some draw and paint their thought, leaving it, so to speak, applied and glued to their paper as a painting is to canvas. Others engrave theirs on it, sink it into it, or detach it from it by giving it a relief that makes it stand out completely. They are sculptors. These are particularly suited to expressing thoughts that must be known to all, offered to all, and exposed, as in a public square, to universal attention. Of this kind are laws, inscriptions, maxims, proverbs—in a word, everything that among the ancients could be called nomes, and everything that among the moderns belongs to the sententious genre.
Socrates
Reading The Notebooks of Joseph Joubert, Volume I · YEAR 1797 · Entry 807
Ask about a concept, passage, contradiction, or connection.
Socrates will begin with this book and its sources.About This Reading Edition
Joubert’s notebooks return to the work of thinking and writing, the demands of friendship, and questions of faith, beauty and conduct. This edition pairs the French with a new English translation, preserving the order of the chosen source and the unfinished character of its fragments. Dates and source references allow readers to follow a thought through time or return to its printed context.
Historical Text and Translation
The French text follows André Beaunier’s 1938 edition of Les Carnets de Joseph Joubert, published by Gallimard from Joubert’s autograph manuscripts. Volume I presents the entries on printed pages 32–475. French and English are aligned paragraph by paragraph, retaining the source order, printed dates and page references so readers can return to the facsimile.
About Diotimos Editions
Diotimos Editions prepared this new English translation directly from the French, preserving Joubert’s distinctions, recurring images, ambiguities and unfinished thoughts. Translator’s notes clarify wording, references and uncertain readings: Essential keeps notes that help explain a passage, while All includes technical detail. Annotations from the 1938 source edition remain distinct from the new translator’s notes.
Rights
The linked facsimile records identify the French source as public domain in the United States. The new English translation and editorial notes are © 2026 Diotimos, with source annotations and new editorial contributions credited separately. This edition pairs the complete French notebooks with an independent English translation, preserving the distinction between Joubert’s text and its accompanying notes.