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Edwin A. Abbott

Flatland: A Romance of Many Dimensions

Annotated Edition

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Flatland: A Romance of Many Dimensions§ 15.—Concerning a Stranger from Spaceland · Part 2

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§ 15.—Concerning a Stranger from Spaceland · Part 2

Flatland: A Romance of Many Dimensions

p. 58

Straightway I became conscious of a Presence in the room, and a chilling breath thrilled through my very being. “He is no such thing,” cried my Wife, “and you are breaking the Commandments in thus dishonouring your own Grandson.” But I took no notice of her. Looking round in every direction I could see nothing; yet still I felt a Presence, and shivered as the cold whisper came again. I started up. “What is the matter?” said my Wife, “there is no draught; what are you looking for? There is nothing.” There was nothing; and I resumed my seat, again exclaiming, “The boy is a fool, I say; 33 can have no meaning in Geometry.” At once there came a distinctly audible reply, “The boy is not a fool; and 33 has an obvious Geometrical meaning.”

My Wife as well as myself heard the words, although she did not understand their meaning, and both of us sprang forward in the direction of the sound. What was our horror when we saw before us a Figure! At the first glance it appeared to be a Woman, seen sideways; but a moment’s observation shewed me that the extremities passed into dimness too rapidly to represent one of the Female Sex; and I should have thought it a Circle, only that it seemed to change its size in a manner impossible for a Circle or for any Regular Figure of which I had had experience.

But my Wife had not my experience, nor the coolness necessary to note these characteristics. With the usual hastiness and unreasoning jealousy of her Sex, she flew at once to the conclusion that a Woman had entered the house through some small aperture. “How comes this person here?” she exclaimed, “you promised me, my dear, that there should be no ventilators in our new house.” “Nor are there any,” said I; “but what makes you think that the stranger is a Woman? I see by my power of Sight Recognition—” “Oh, I have no patience with your Sight Recognition,” replied she, “ ‘Feeling is believing’ and ‘A Straight Line to the touch is worth a Circle to the sight’ ”—two Proverbs, very common with the Frailer Sex in Flatland.

“Well,” said I, for I was afraid of irritating her, “if it must be so, demand an introduction.” Assuming her most gracious manner, my Wife advanced towards the Stranger, “Permit me, Madam, to feel and be felt by—” then, suddenly recoiling, “Oh! it is not a Woman, and there are no angles either, not a trace of one. Can it be that I have so misbehaved to a perfect Circle?”

“I am indeed, in a certain sense a Circle,” replied the Voice, “and a more perfect Circle than any in Flatland; but to speak more accurately, I am many Circles in one.” Then he added more mildly, “I have a message, dear Madam, to your husband, which I must not deliver in your presence; and, if you would suffer us to retire for a few minutes—” But my Wife would not listen to the proposal that our august Visitor should so incommode himself, and assuring the Circle that the hour for her own retirement had long passed, with many reiterated apologies for her recent indiscretion, she at last retreated to her apartment.

I glanced at the half-hour glass. The last sands had fallen. The second Millennium had begun.

58

About This Reading Edition

Edwin A. Abbott’s mathematical romance of a Square in a two-dimensional world, in the revised text of 1884, with an introduction, full notes and a chapter outline.

Historical Text

Edwin A. Abbott, Flatland: A Romance of Many Dimensions, first published by Seeley and Co., London, in 1884 under the pseudonym A Square. This supplied annotated edition follows the revised second edition of 1884, established from a modern transcription collated against that printing.

About This Edition

Revised second edition, Seeley and Co., London, 1884; supplied annotated Diotimos edition, 2026

Rights

Edwin A. Abbott’s historical text is in the public domain. Introduction, notes and apparatus © 2026 Diotimos Editions.