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Marsilio Ficino

Marsilio Ficino’s Platonic Theology, Volume II

Books V–VIII · Latin with an independent English translation

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Marsilio Ficino’s Platonic Theology, Volume IIBook VII · Chapter 12 · § 1

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Latin Page · Branch 140 of 191

Book VII · Chapter 12 · § 1

Latin

p. 274

Duodecima ratio. Harmonia intelligitur aut compositio ipsa membrorum aut aliqua compositionis ratio.

Quando animam esse consonantiam asserit aliquis, duo quaedam posse illum arbitror intelligere: aut compositionem ipsam humorum membrorumque, aut compositionis ipsius aliquam rationem. Anima profecto non est compositio, quia oporteret quamlibet animae partem esse partium aliquarum corporis compositionem. Quod plane quomodo fiat assignare non possumus. Compositio quidem corporis physicis manifesta est, anima vero ignota. Et quomodo ex suis viribus, scilicet intellectu, sensu, appetitu et reliquis, componatur, difficile cognitu. Difficillimum rursus quomodo vires singulae componant. Praeterea compositio nihil est aliud quam unio plurium; plura vero non uniuntur nisi ab uno. Ab uno, inquam, quod insit pluribus, ut ab intimo coagulo conglutinentur. Illa igitur una vis insita membris a qua unio fit membrorum anima ipsa est potius quam unio inde profecta. Neque etiam compositionis ipsius est ratio. Cum enim diversis corporis membris diversae insint compositionis rationes atque proportiones, singula membra singulas animas possiderent: aliam quippe animam os, aliam nervus, caro aliam; similiterque de ceteris. Siquidem membra ista sunt diversa inter se proportione composita. Unius vero animantis vitam unam assignare nequaquam poterimus, nisi unicam illi formam, motorem unum atque rectorem, id est unam animam, tribuerimus. Cernimus etiam consonantiae rationem qualitatibus corporis magis quam animae convenire. Sanitas humorum consonantia. Robur consonantia ossium atque nervorum. Pulchritudo quodammodo membrorum atque colorum. Sensus autem et intellectus, qui actus simplices sunt, nescio quales et cuius sint harmoniae. Quando substantiam rei cognoscimus, facile inde possumus de accidentibus iudicare. Igitur quia cognita humorum membrorumve proportione facile de his iudicamus quae ad sanitatem, robur et pulchritudinem attinent, patet tria haec in illorum proportione consistere. At vero quia tali quadam proportione inventa, nondum tamen vires, affectus, actus, habitus animae clare discernimus, constat substantiam animae in ea proportione nequaquam consistere. Quis enim illa reperta statim sentiendi et intelligendi naturam reperisse inde se iactet? Cognoscit horum naturam Aristoteles melius quam Hippocrates; illorum vero proportionem diligentius Hippocrates considerat.

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Marsilio Ficino’s Platonic Theology, Volume II: Book VII

p. 275

Twelfth argument. Harmony is understood either as the composition of the parts itself or as some proportion within that composition.

When someone asserts that the soul is a concord, I think he can mean one of two things: either the composition itself of the humors and members, or some proportion within that composition. The soul is certainly not the composition itself, for then every part of the soul would have to be a composition of some parts of the body. How this could occur we plainly cannot explain. The composition of the body is manifest to natural philosophers, whereas the soul is unknown. It is difficult to understand how the soul is composed from its powers—namely, intellect, sensation, appetite, and the rest. Still more difficult is to understand how the individual powers compose the soul. Moreover, composition is nothing other than the union of many things, but many things are united only by one thing. By one, I mean, that inheres in the many, so that they are glued together as if by an inward glue. That one power implanted in the members, from which their union arises, is therefore the soul itself rather than the union that proceeds from it. Nor is the soul some proportion of the composition itself. For since different members of the body contain different relations and proportions of composition, each member would possess its own soul: bone one soul, nerve another, flesh another, and likewise for the rest, since these members are composed in proportions differing from one another. Yet we can by no means assign one life to a single living creature unless we give it one form, one mover and ruler—that is, one soul. We also see that the account of concord belongs more to qualities of the body than to the soul. Health is a concord of the humors, strength a concord of bones and nerves, and beauty, in a certain way, a concord of members and colors. But sensation and intellect, which are simple acts—I do not know what kind of harmonies they are or what they are harmonies of. When we know the substance of a thing, we can readily judge its accidents from it. Thus, because once we know the proportion of humors or members we can readily judge the things that pertain to health, strength, and beauty, it is clear that these three consist in their proportion. Yet when some such proportion has been found, we still do not clearly discern the soul's powers, affections, acts, and habits. It is therefore plain that the soul's substance does not consist in that proportion. Who, upon discovering it, would boast that he had thereby immediately discovered the nature of sensing and understanding? Aristotle understands the nature of these activities better than Hippocrates, whereas Hippocrates considers the proportion of those bodily constituents more carefully.

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About This Reading Edition

Volume II continues Ficino’s inquiry into the immortality of the soul through Books V–VIII. Its arguments consider the rational soul’s self-motion, its relation to the body, sensation, and the powers of the mind. The Latin and independent English translation follow the supplied edition’s facing pages and matching comparison units.

Historical Text and Translation

The Latin reading text is independently established from the Florence 1482 editio princeps (M1482), collated against the Paris 1559 printing (G1559), with the Paris 1641 Opera used only as a late control. Abbreviations are expanded, spelling and punctuation are conservatively normalized, and consequential readings are recorded in the apparatus.

About Diotimos Editions

Diotimos Editions prepared this independent English translation in the voice established in Volume I, preserving Ficino’s argumentative sequence, metaphors, technical distinctions, repetitions, conditions, purposes, and qualifications. Editorial notes and witness variants accompany their passages as numbered notes. The edition and source statement, contents, and reading guidance are also retained. The source locator register remains available in the downloadable edition.

Rights

Ficino’s Latin source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos.