DiotimosReading Desk

Diotimos Library · Renaissance Collection · Bilingual Edition

Marsilio Ficino

Marsilio Ficino’s Platonic Theology, Volume II

Books V–VIII · Latin with an independent English translation

Explore the Lexicon
Marsilio Ficino’s Platonic Theology, Volume IIBook V · Chapter 4 · § 1

Swipe or use the arrow keys.

Facing Pages · Branch 11 of 191

Book V · Chapter 4 · § 1

Latin

p. 16

Quarta ratio: quia materiae dominatur.

Sed et in hoc maxime immortalitas eius apparet, quod oportet primam ipsam rerum materiam, quae movetur et formatur ab anima, perpetuam esse. Naturam ars imitatur. Ars opera sua hoc facit ordine, videlicet in subiecta quadam materia formas alias et alias imprimit, quarum nulla sibi propriam habet materiam. Nullam enim propriam vasis alicuius formam habet lutum, sed varias vicissim capit a figulo; et fractis vasis superest lutum, ex quo alia reparentur. Ergo et ipsa natura rerum artifex subiectam quandam sibi materiam habet omnium expertem formarum, ad omnes suscipiendas pariter praeparatam, quia sicut in gradu rerum summo Deus est actus purus, nullius indigus, formarum omnium effector, ita in infimo esse aliquid debet quod sit pura potentia, omnium egena, et ipsa per se informis sit formarum omnium susceptiva. Sic universali artifici atque naturae subest universalis materia, formarum quarumlibet indifferens susceptaculum. Haec prima vocatur materia, quae elementorum aliorumque corporum formis aeque subiicitur. Et modo hanc a vi naturali accipit, modo illam, neque ullam natura sua habet propriam. Non enim esset infima, si quam haberet perfectionem et agendi facultatem sibi ex forma propria naturalem; nec esset ad aliam formam formae suae repugnantem idonea. Nam si frigiditas materiae propria naturalisque sit, quonam pacto calorem suscipiet? Et si humiditas, quomodo siccitatem? Animadverte mutuam elementorum commutationem, si cupis latentem hanc materiam invenire. Nam quando cernimus ubi prius terrae species fuit, ibi aquae postea speciem apparere, dicere non possumus aquae formam, quae nuper advenit, in terrae forma recipi. Hae namque oppositae quodammodo sibi invicem sunt, quippe cum terra siccitatem, humiditatem aqua contineat. Non igitur forma terrae formam suscipit aquae, sed accedente aquea specie abit in chaos. Forma autem aquae sine subiecto esse non potest, neque novum subiectum in aquae generatione accessit. Eadem ergo materia quae terrenae formae subiecta fuerat aquae iam subit formam. Atque haec est argumentatio qua Timaeus Pythagoricus utitur. Item quando sol radiis suis mare percutiendo aquam in fumos extenuat et ex aqua generat aerem, aliquam certe aquei corporis portiunculam ex aquae elemento detraxit.

16

Marsilio Ficino’s Platonic Theology, Volume II: Book V

p. 17

Fourth argument: because it rules over matter.

Indeed, its immortality is especially apparent in this: the very first matter of things, which is moved and given form by soul, must be everlasting. Art imitates Nature. Art proceeds in its works in this order: it impresses one form after another upon some underlying matter, though none of those forms has matter proper to itself. Clay, for example, has no form proper to any one vessel, but receives various forms in succession from the potter; and when the vessels are broken, the clay remains, from which others are made again. In the same way, Nature herself, the artisan of things, has a certain underlying matter of her own, devoid of every form and prepared equally to receive them all. Just as, at the highest level of things, God is pure act, in need of nothing and the maker of all forms, so at the lowest there must be something that is pure potency, lacking all things, formless in itself, and receptive of every form. Thus beneath the universal artisan and beneath Nature lies universal matter, an impartial receptacle for forms of every kind. It is called primary matter and is equally subject to the forms of the elements and of other bodies. From natural power it receives now this form, now that, while by its own nature it has none. For it would not be the lowest thing if it possessed any perfection or natural capacity for action from a form proper to itself; nor would it be fitted to receive another form opposed to its own. If coldness were proper and natural to matter, how could it receive heat? And if moisture were proper to it, how could it receive dryness? If you wish to find this hidden matter, observe the mutual transformation of the elements. When we see the form of water appear where the form of earth was before, we cannot say that the newly arrived form of water is received in the form of earth. The two are in a certain way opposed, since earth contains dryness and water moisture. Thus the form of earth does not receive the form of water; instead, when the watery form approaches, the earthly form passes into chaos. Yet the form of water cannot exist without a subject, and no new subject has entered in the generation of water. The same matter that was subject to the earthly form therefore now assumes the form of water. This is the argument used by Timaeus the Pythagorean. Again, when the sun strikes the sea with its rays, thins water into vapors, and generates air from water, it has certainly taken some small portion of watery body from the element of water.

17

About This Reading Edition

Volume II continues Ficino’s inquiry into the immortality of the soul through Books V–VIII. Its arguments consider the rational soul’s self-motion, its relation to the body, sensation, and the powers of the mind. The Latin and independent English translation follow the supplied edition’s facing pages and matching comparison units.

Historical Text and Translation

The Latin reading text is independently established from the Florence 1482 editio princeps (M1482), collated against the Paris 1559 printing (G1559), with the Paris 1641 Opera used only as a late control. Abbreviations are expanded, spelling and punctuation are conservatively normalized, and consequential readings are recorded in the apparatus.

About Diotimos Editions

Diotimos Editions prepared this independent English translation in the voice established in Volume I, preserving Ficino’s argumentative sequence, metaphors, technical distinctions, repetitions, conditions, purposes, and qualifications. Editorial notes and witness variants accompany their passages as numbered notes. The edition and source statement, contents, and reading guidance are also retained. The source locator register remains available in the downloadable edition.

Rights

Ficino’s Latin source work is in the public domain. The 2026 English translation and Diotimos editorial matter are original to this edition and remain © 2026 Diotimos.