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Epinomis · 975c–976b
Ancient Greek
p. 8καὶ τεχνικὴ γεγονυῖα, τό γε μεγαλοπρεπὲς σὺν τῷ σοφῷ οὐκ ἀποδίδωσιν. οὐ μὴν οὐδὲ μαντική γε οὐδ’ ἑρμηνευτικὴ τὸ παράπαν· τὸ λεγόμενον γὰρ οἶδεν μόνον, εἰ δ’ ἀληθές, οὐκ ἔμαθεν.
Ὅτε δὴ τὴν τῶν ἀναγκαίων ὁρῶμεν κτῆσιν διὰ τέχνης μὲν 975d ἀπεργαζομένην, τούτων δὲ οὐδεμίαν οὐδένα σοφὸν ποιοῦσαν, τό γε μετὰ τοῦτο παιδιά τις ἂν λείποιτο, μιμητικὴ μὲν τὸ πλεῖστον ἀλλ’ οὐδαμῇ σπουδαία. πολλοῖς μὲν γὰρ ὀργάνοις μιμοῦνται, πολλοῖς δ’ αὐτῶν τῶν σωμάτων οὐ πάντως εὐσχήμοσι μιμήμασιν, τά τε κατὰ λόγους καὶ μοῦσαν πᾶσαν, καὶ ὅσων γραφικὴ μήτηρ, πολλῶν καὶ παντοίων ποικιλμάτων ἀποτελουμένων ἐν πολλοῖς ὑγροῖς καὶ ξηροῖς γένεσιν· ὧν σοφὸν οὐδένα εἰς οὐδὲν σπουδῇ τῇ μεγίστῃ δημιουργοῦντα ἡ μιμητικὴ παρέχεται.
975eΠάντων δ’ ἐξειργασμένων τὸ λοιπὸν βοήθεια γίγνοιτ’ ἂν μυρία μυρίοις, ἡ μὲν μεγίστη τε καὶ εἰς πλεῖστα πολεμικὴ κληθεῖσα, στρατηγικὴ τέχνη, εὐδοκιμωτάτη πρὸς χρείαν, εὐτυχίας πλείστης δεομένη, μᾶλλον δὲ ἀνδρείᾳ κατὰ φύσιν ἢ 976a σοφίᾳ δεδομένη. ἣν δὲ καλοῦσι μὲν ἰατρικήν, βοήθεια δέ που καὶ αὕτη σχεδὸν ὅσων ὧραι ψύχει καὶ καύματι ἀκαίρῳ καὶ πᾶσι τοῖς τοιούτοις ληίζονται τὴν τῶν ζῴων φύσιν. εὐδόκιμον δὲ οὐδὲν τούτων εἰς σοφίαν τὴν ἀληθεστάτην· ἄμετρα γὰρ δόξαις φορεῖται τοπαζόμενα. βοηθοὺς δέ που καὶ τοὺς κυβερνήτας ἅμα καὶ τοὺς ναύτας ἐροῦμεν, καὶ τούτων ἄνδρα σοφὸν μηδένα τις ἡμᾶς παραμυθούμενος ἐξ ἁπάντων διαγγελλέτω· οὐ γὰρ ἂν εἰδείη τις πνεύματος ὀργὴν 976b οὐδὲ φιλίαν, ὃ προσφιλὲς ἁπάσῃ κυβερνητικῇ. καὶ μὴν οὐδ’ ὁπόσοι βοηθοὶ δίκαις ἐν τῇ τοῦ λέγειν ῥώμῃ φασὶ γίγνεσθαι, μνήμῃ καὶ τριβῇ δόξης ἤθεσιν προσέχοντες τὸν νοῦν, ἀληθείας δὲ τῶν ὄντως δικαίων ἐκτὸς παρεσφαλμένοι.
Epinomis
p. 9it has become and full of craft, renders magnificence along with what is wise. Nor indeed prophecy at all, nor the art of interpretation:1 for it knows only what is said, but whether it is true it has not learned.
Since, then, we see the acquisition of necessities 975d produced by craft, but none of these crafts making anyone wise, what comes after this would be left: a kind of play, imitative for the most part but in no way serious. For they imitate with many instruments, and with many imitations made by the bodies themselves, not altogether seemly ones, both in what is done in words and in all music, and in all the things of which painting is mother, many intricate designs of every kind being produced in many kinds of moist and dry stuff; and of these the imitative art presents no one who crafts them with the greatest seriousness as wise in anything.
975eWhen all things have been achieved, what remains would be help, of countless kinds for countless people: the greatest of them, and for the most things, the one called the art of war, the general’s craft, most esteemed for its use, needing the greatest good fortune, and 976a given by nature to courage rather than to wisdom. And what they call medicine, it too, I suppose, is help, against nearly everything with which the seasons, by untimely cold and heat and all such things, plunder the nature of living beings. But none of these is esteemed for the truest wisdom; for they are carried along without measure, guessed at by opinions. Helpers too, I suppose, we shall call pilots and sailors together; and let no one soothe us by proclaiming any man among them all wise; for no one could know the wind’s anger 976b or its friendliness, a thing dear to the whole pilot’s art. Nor, indeed, all those who claim to become helpers in lawsuits by the strength of their speaking, paying attention to characters with memory and the routine of opinion,2 but who have slipped aside, outside the truth of what is really just.
Socrates
Reading Epinomis · Epinomis · 975c–976b
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Socrates will begin with this book and its sources.About This Reading Edition
The complete Epinomis, 973a–992e: the Athenian stranger, Clinias, and Megillus examine wisdom, number, the soul, and the ordered heavens. Burnet’s Greek faces a new Diotimos Editions English translation, with an introduction, key words, outline, glossary, critical apparatus, and linked translator notes. Transmitted under Plato’s name, the dialogue’s authorship is disputed; the supplied Introduction presents the question without deciding it.
Historical Text and Translation
Greek: Epinomis, transmitted under Plato’s name, with disputed authorship, in John Burnet, Platonis Opera, volume V, part II (Oxford, 1907; a later impression printed by John Johnson, issued 1936–1945). The words were taken from the Perseus Digital Library transcription and checked against the printed pages by the supplied edition; Burnet’s lineation and critical apparatus are retained. The digital Greek transcription and its modifications are attributed to the Perseus Digital Library, Tufts University, under CC BY-SA 4.0. English translation and editorial matter: Diotimos Editions, 2026.
About Diotimos Editions
This historical edition credits Diotimos Editions as its English translator.
Rights
The ancient Greek work and Burnet’s printed edition are in the public domain. The Perseus digital Greek transcription and its modifications are reused under CC BY-SA 4.0. The new English translation and editorial matter are credited to Diotimos Editions, 2026; no open license is stated in the supplied edition.
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