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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyBy Counsel and Persuasion, the Foulness of the Deed, the Faults of Men And…

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By Counsel and Persuasion, the Foulness of the Deed, the Faults of Men And…

1651 English

566–567

when they had observed his majesticall presence as he sate in purple robes, crowned with his scepter, &c. in his royall seat, the poor men were so amazed, enamored, and taken with the object, that they were pertæsi domestici & pristini tyrotarchi, as weary and ashamed of their own sordidity and manner of life. They would all be English forthwith; who but English! but when they had now submitted themselves, and lost their former liberty, they began to rebell some of them, others repent of what they had done, when it was too late.

’Tis so with us Batchelors, when we see and behold those sweet faces, those gaudy shewes that women make, observe their pleasant gestures and graces, give ear to their Siren tunes, see them dance, &c. we think their conditions are as fine as their faces, we are taken with dumb signes, in amplexum ruimus, we rave, we burn, and would fain be married.

But when we feel the miseries, cares, woes, that accompany it, we make our moan many of us, cry out at length and cannot be released. If this be true now, as some out of experience will enform us, farewell wiving for my part, and as the Comicall Poet merrily saith,

Perdatur ille pessimè qui fœminam Duxit secundus, nam nihil primo imprecor! Ignarus ut puto mali primus fuit.Foul fall him that brought the second match to passe, The first I wish no harm, poor man alas, He knew not what he did, nor what it was.

What shall I say to him that marries again and again,

Stulta maritali qui porrigit ora capistro,

I pitty him not, for the first time he must do as he may, bear it out sometimes by the head and shoulders, and let his next neighbour ride, or else run away, or as that Syracusian in a tempest, when all ponderous things were to be exonerated out of the ship, quia maximum pondus erat, fling his wife into the Sea. But this I confesse is Comically spoken, and so I pray you take it.

In sober sadness, marriage is a bondage, a thralldom, an yoke, an hinderance to all good enterprises, (he hath married a wife and cannot come) a stop to all preferments, a rock on which many are saved, many impinge and are cast away: not that the thing is evill in it self or troublesome, but full of all contentment and happiness, one of the three things which please God, when a man and his wife agree together, an honorable and happy estate, who knows it not? If they be sober, wise, honest, as the Poet infers,

Si commodos nanciscantur amores, Nullum iis abest voluptatis genus.If fitly matcht be man and wife, No pleasure’s wanting to their life.

But to undiscreet sensuall persons, that as brutes are wholy led by sense, it is a ferall plague, many times an hell it self, and can give little or no content, being that they are often so irregular and prodigious in their lusts, so diverse in their affections.

566–567

The Anatomy of Melancholy: By Counsel and Persuasion, the Foulness of the Deed, the Faults of Men And…

p. 859

When they observed his majestic presence, sitting in purple robes on his royal throne, crowned and holding his sceptre, the poor men were so amazed, enchanted and captivated by the sight that they were “weary of their former homely fare,” weary and ashamed of their own squalor and way of life. They would all become English immediately: who mattered but the English? But once they had submitted and lost their former liberty, some began to rebel and others to regret what they had done, when it was too late.

It is the same with us bachelors. When we see those lovely faces and women’s dazzling displays, observe their pleasing gestures and graces, listen to their siren songs, see them dance and so on, we imagine that their characters are as fine as their faces. We are captivated by silent signs; “we rush into their embrace”; we rave, we burn and would gladly be married.

But when we feel the miseries, cares and woes that come with it, many of us lament, cry out at last and cannot be released. If this is true, as some will tell us from experience, then for my part, farewell to taking a wife! As the comic poet says in jest:

May the second man to take a wife perish miserably; I call down no curse upon the first! The first, I think, did not know the evil.

Ill befall the man who made the second match; I wish the first no harm—alas, poor man, He knew neither what he did nor what it was.

What shall I say to the man who marries again and again,

Who puts his foolish head into the marriage halter?

I do not pity him. As for the first time, he must manage as he can, sometimes bear the burden on his head and shoulders and let his next-door neighbour ride, or else run away; or, like that Syracusan in a storm when all heavy things had to be unloaded from the ship, throw his wife into the sea, “because she was the greatest weight.” But I confess that this is said in jest, and I ask you to take it that way.

In sober earnest, marriage is a bondage, a slavery, a yoke, an obstacle to every good undertaking—“he has married a wife and cannot come”—a bar to every advancement, a rock on which many are saved and against which many strike and are wrecked. Not that marriage itself is evil or troublesome: it is full of every satisfaction and happiness, one of the three things that please God, “when a man and his wife agree together.” It is an honourable and happy state—who does not know it?—if they are temperate, wise and virtuous, as the poet concludes:

If they find loves that suit them, No kind of pleasure is missing.

If man and wife are well matched, No pleasure is lacking in their life.

But to imprudent, sensual people, governed wholly by their senses like beasts, it is a deadly plague, often a hell in itself, and can give little or no satisfaction, since their lusts are often so unruly and monstrous and their affections so changeable.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.