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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyThe Prognosis of Love Melancholy

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Facing Pages · Branch 828 of 1495

The Prognosis of Love Melancholy

1651 English

543–544

As soon as Eurialus departed from Senes, Lucretia his Paramour never looked up, no jests could exhilarate her sad mind, no joys comfort her wounded and distressed soul, but a little after she fell sick and died. But this is a gentle end, a natural death, such persons commonly make away themselves.

—— proprioque in sanguine lætus, Indignantem animam vacuas effudit in auras;

so did Dido; Sed moriamur ait, sic sic juvat ire per umbras; Piramus and Thysbe, Medea, Coresus and Callyrhoe, Theagines the Philosopher and many Myriads besides, and so will ever do,

—— & mihi fortis Est manus, est & amor, dabit hic in vulnera vires,Who ever heard a story of more woe, Then that of Juliet and her Romeo?

Read Parthenium in Eroticis, and Plutarchs amatorias narrationes or loves stories, all ending almost to this purpose: Valleriola lib. 2. observ. 7. hath a lamentable narration of a Merchant his patient, that raving through impatience of love, had he not been watched, would every while have offered violence to himself.

Amatus Lucitanus cent. 3. car. 56. hath such another story, and Fælix Plater. med. observ. lib. 1. a third of a yong Gentleman that studied Physick, and for the love of a Doctors daughter, having no hope to compass his desire, poisoned himself, Anno 1615. A barber in Francfort, because his wench was betrothed to another, cut his own throat.

At Neoburge the same year a yong man, because he could not get her Parents consent, killed his sweet-heart, and afterward himself, desiring this of the magistrate, as he gave up the Ghost, that they might be buried in one grave,

Quodque rogis superest una requiescat in urnâ,

which Gismunda besought of Tancredus her father, that she might be in like sort buried with Guiscardus her lover, that so their bodies might lye together in the grave, as their souls wander about Campos lugentes in the Elysian fields, —— quos durus amor crudeli tabe peredit, in a mirtle grove

—— & myrtea circum Sylva tegit: curæ non ipsâ in morte relinquunt.

You have not yet heard the worst, they do not offer violence to themselves in this rage of lust but unto others, their nearest and dearest friends. Cataline killed his only son, misitque ad orci pallida, lethi obnubila, obsita tenebris loca, for the love of Aurelia Orestilla, quod ejus nuptias vivo filio recusaret.

543–544

The Anatomy of Melancholy: The Prognosis of Love Melancholy

p. 828

As soon as Euryalus left Siena, his lover Lucretia “never lifted her spirits; no jokes could cheer her sorrowful mind, no pleasures comfort her wounded and distressed soul. Soon afterwards she fell ill and died.” But this is a gentle end, a natural death: such people commonly kill themselves.

And, glad amid his own blood, Poured his indignant soul into the empty air.

So did Dido: “But let us die, she says; thus, thus it pleases me to go among the shades”; Pyramus and Thisbe, Medea, Coresus and Callirhoe, Theagines the philosopher, and countless thousands besides—and so they always will.

I too have a strong hand, And love as well; love will give strength to strike the wounds.

Who ever heard a story of more woe Than that of Juliet and her Romeo?

Read Parthenius’s Love Stories and Plutarch’s Amatory Narratives, or tales of love: almost all end in this way. Valleriola, in book 2, observation 7, gives a lamentable account of a merchant who was his patient: “Raving because he could not endure his love, he would repeatedly have harmed himself had he not been watched.”

Amatus Lusitanus, century 3, cure 56, has another such story, and Felix Plater, Medical Observations, book 1, a third: a young gentleman studying medicine, in love with a doctor’s daughter and without hope of attaining his desire, poisoned himself. In 1615 a barber in Frankfurt, because his sweetheart was betrothed to someone else, cut his own throat.

At Neuburg that same year, a young man, unable to obtain his sweetheart’s parents’ consent, killed her and then himself. As he was dying he asked the magistrate that they might be buried in one grave,

And let what remains from the funeral pyres rest in one urn,

as Gismunda begged her father Tancred that she too might be buried with her lover Guiscardo. Then their bodies might lie together in the grave, as their souls wander through “the Fields of Mourning” in the Elysian fields—“those whom cruel love consumed with wasting misery”—in a myrtle grove:

And a myrtle wood shelters them all around: Their cares do not leave them even in death.

You have not yet heard the worst. In this frenzy of lust they harm not only themselves but others, their nearest and dearest friends. Catiline killed his only son, “and sent him to Orcus’s pale regions, clouded by death and overgrown with darkness,” for love of Aurelia Orestilla, “because she refused to marry him while his son was alive.”

828

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.