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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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Facing Pages · Branch 752 of 1495

Artificial Attractions of Love and Incitements to Lust Gestures Clothes Dowry…

1651 English

476–477–477

Heliogabalus is taxed by Lampridius, and admired in his age for wearing jewels in his shoos, a common thing in our times, not for Emperours and Princes, but almost for serving-men and taylors: all the flowers, stars, constellations, gold and precious stones do condescend to set out their shooes. To repress the luxury of those Roman matrons, there was Lex Valeria and Oppia, and a Cato to contradict; but no Laws will serve to repress the pride and insolency of our days, the prodigious riot in this kind.

Lucullus wardrobe is put down by our ordinary Citizens; and a Coblers wife in Venus, a Courtesan in Florence, is no whit inferiour to a Queen, if our Geographers say true: and why is all this? Why do they glory in their Jewels (as he saith) or exult and triumph in the beauty of clothes? why is all this cost? to incite men the sooner to burning lust. They pretend decency and ornament; but let them take heed, lest while they set out their bodies, they do damn their souls; ’tis Bernards counsel: shine in Jewels, stink in conditions; have purple robes, and a torn conscience.

Let them take heed of Esayes Prophesie, that their slippers and tires be not taken from them, sweet balls, bracelets, earings, vailes, wimples, crisping-pins, glasses, fine linnen, hoods, lawns, and sweet favours, they become not bald, burnt, and stink upon a sudden. And let maids beware, as Cyprian adviseth, lest while they wander too loosly abroad, they loose not their virginities: and like Ægyptian temples, seem fair without, but prove rotten carcasses within.

How much better were it for them to follow that good counsel of Tertullian? To have their eyes painted with chastity, the Word of God inserted into their ears, Christ’s yoke tied to the hair, to subject themselves to their husbands. If they would do so, they should be comely enough, cloathe themselves with the silk of sanctity, damask of devotion, purple of piety and chastity, and so painted, they shall have God himself to be a suiter: Let whores and queanes prank up themselves, and let them paint their faces with minion and cerusse, they are but fuels of lust, and signs of a corrupt soul: if ye be good, honest, vertuous, and religious Matrons, let sobriety, modesty and chastity be your honour, and God himself your love and desire.

Mulier rectè olet, ubi nihil olet, then a woman smells best, when she hath no perfume at all; no crown, chain, or jewel (Guevarra adds) is such an ornament to a Virgin, or vertuous woman, quàm virgini pudor, as chastity is: more credit in a wise mans eye and judgement they get by their plainness, and seem fairer then they that are set out with bables, as a Butchers meat is with pricks, puffed up and adorned like so many Jays with variety of colours.

476–477–477

The Anatomy of Melancholy: Artificial Attractions of Love and Incitements to Lust Gestures Clothes Dowry…

p. 752

Lampridius censures Heliogabalus, who astonished his age by wearing jewels in his shoes. In our time this is common, almost even among serving men and tailors, as well as emperors and princes: all the flowers, stars, constellations, gold and precious stones stoop to adorn their shoes. To restrain the luxury of Roman matrons there were the Valerian and Oppian laws, and a Cato to speak against such luxury; but no laws can restrain the pride and insolence of our day, its prodigious extravagance in this respect.

Our ordinary citizens outdo Lucullus’s wardrobe; and a cobbler’s wife in Venice, or a courtesan in Florence, is no whit inferior to a queen, if our geographers tell the truth. Why all this? “Why do they glory in their jewels,” as he says, “or exult and triumph in the beauty of their clothes? Why all this expense? To kindle burning lust in men all the sooner.” They claim it is propriety and ornament; but let them beware lest, while adorning their bodies, they damn their souls. This is Bernard’s warning: they shine with jewels and stink in character, wearing purple robes over a ragged conscience.

Let them heed Isaiah’s prophecy, lest their slippers and headdresses be taken from them—their perfume-balls, bracelets, earrings, veils, wimples, curling-pins, mirrors, fine linen, hoods, lawn and sweet scents—and they suddenly become bald, branded and foul-smelling. And let young women beware, as Cyprian advises, lest, while wandering too freely abroad, they lose their virginity, and, like Egyptian temples, look beautiful outside but prove rotten carcasses within.

How much better to follow Tertullian’s good advice: paint their eyes with chastity, place the word of God in their ears, bind Christ’s yoke to their hair, and submit themselves to their husbands. Then they would be beautiful enough. Clothe themselves in the silk of sanctity, the damask of devotion, the purple of piety and chastity: painted in that fashion, they will have God himself as a suitor. Let whores and hussies deck themselves out and paint their faces with red lead and white lead: these are only fuel for lust and signs of a corrupt soul. If you are good, honest, virtuous and religious matrons, let sobriety, modesty and chastity be your honour, and God himself your love and desire.

“A woman smells right when she smells of nothing”: a woman smells best when she wears no perfume at all. No crown, chain or jewel, Guevara adds, adorns a maiden or a virtuous woman as much “as modesty adorns a maiden”—as chastity does. By their plainness they gain more credit in a wise man’s eyes and judgement, and seem fairer than those decked out with baubles, like a butcher’s meat skewered into shape, puffed up and adorned like so many jays in a variety of colours.

752

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.