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Facing Pages · Branch 750 of 1495
Artificial Attractions of Love and Incitements to Lust Gestures Clothes Dowry…
1651 English
475Why do they keep in so long together, a whole winter sometimes, and will not be seen but by torch or candle-light, and come abroad with all the preparation may be, when they have no business, but only to shew themselves?
Spectatum veniunt, veniunt spectentur ut ipsæ.For what is beauty if it be not seen, Or what is’t to be seen if not admir’d, And though admir’d, unless in love desir’d?why do they go with such counterfeit gate, which Philo Judæus, reprehends them for, and use (I say it again) such gestures, apish, ridiculous, undecent attires, Sybaritical tricks, fucos genis, purpurissam venis, cerussam fronti, leges oculis, &c. use those sweet perfumes, powders and ointments in publike; flock to hear sermons so frequent, is it for devotion? or rather as Basil tells them, to meet their sweet-hearts, and see fashions; for as he saith, commonly they come so provided to that place, with such curious complements, with such gestures and tires, as if they should go to a dancing school, a stage-play, or bawdy-house, fitter then a Church,
When such a she-Priest comes her Mass to say, Twenty to one they all forget to pray.They make those holy Temples consecrated to godly Martyrs, and religious uses, shops of impudence, dens of whores and theeves, and little better then brothel houses. When we shall see these things dayly done, their husbands bankrupts, if not cornuto’s, their wives light huswives, daughters dishonest; and hear of such dissolute acts, as dayly we do, how should we think otherwise? what is their end, but to deceive and inveagle young men? As tow takes fire, such inticing objects produce their effect, how can it be altered?
When Venus stood before Anchises (as Homer fains in one of his Hymns) in her costly robes, he was instantly taken,
Cùm ante ipsum staret Iovis filia, videns eam Anchises, admirabatur formam, & stupendas vestes; Erat enim induta peplo, igneis radiis splendidiore; Habebat quoque torques fulgidos, flexiles helices, Tenerum collum ambiebant monilia pulchra, Aurea, variegata. ——When Venus stood before Anchises first, He was amaz’d to see her in her tires; For she had on a hood as red as fire, And glittering chains, and Ivy twisted spires, About her tender neck were costly bruches, And neck-laces of gold, inamell’d ouches.So when Medea came in presence of Jason first, attended by her Nymphs and Ladies, as she is described by Apollonius,
The Anatomy of Melancholy: Artificial Attractions of Love and Incitements to Lust Gestures Clothes Dowry…
p. 750Adornment carries us away; jewels and gold cover Everything; the girl herself is the least part of herself.
With gold and jewels all is covered, And an exotic headdress wins us over; (While she is the least part of herself) Such baubles utterly undo us.
Why do they stay indoors for so long at a time, sometimes a whole winter, allowing themselves to be seen only by torchlight or candlelight, then venture out after every possible preparation, when they have no business except to show themselves?
They come to see, they come to be seen.
For what is beauty if it is not seen? What use is being seen, if not admired? And even admired, unless desired in love?
Why do they walk with that affected gait for which Philo the Jew reproaches them, and practise—I say it again—such gestures, such apish, ridiculous, indecent dress and Sybaritic tricks, “paint for the cheeks, rouge for the veins, white lead for the brow, rules for the eyes,” and so on? Why wear those sweet perfumes, powders and ointments in public, and flock so frequently to sermons? Is it for devotion? Or rather, as Basil tells them, to meet their sweethearts and see the fashions? For, as he says, they commonly come with such elaborate airs, gestures and attire as though bound for a dancing school, a play or a brothel—places more suited to them than a church.
When such a she-priest comes to say her Mass, Twenty to one, they all forget their prayers.
“They turn those holy temples, consecrated to godly martyrs and religious uses, into shops of shamelessness, dens of whores and thieves, little better than brothels.” When we see such things done daily—their husbands bankrupt, if not cuckolded, their wives loose, their daughters unchaste—and hear of the dissolute acts we hear of every day, how should we think otherwise? What is their purpose but to deceive and entice young men? As tow catches fire, such alluring sights produce their effect; how can it be otherwise?
When Venus stood before Anchises in her costly robes, as Homer relates in one of his Hymns, he was captivated at once:
When Jove’s daughter stood before him, Anchises, Seeing her, marvelled at her beauty and wondrous clothes; For she wore a robe more brilliant than rays of fire. She also wore gleaming chains and winding coils; Beautiful necklaces encircled her tender neck, Golden and richly varied.——
When Venus first stood before Anchises, He marvelled to see her in her finery; For she wore a hood as red as fire, Glittering chains and coils like twisted ivy; About her tender neck were costly brooches, And golden necklaces, enamelled settings.
So too when Medea first appeared before Jason, attended by her nymphs and ladies, as Apollonius describes her:
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Reading The Anatomy of Melancholy · Artificial Attractions of Love and Incitements to Lust Gestures Clothes Dowry…
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Socrates will begin with this book and its sources.About This Reading Edition
Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.
Historical Text and Translation
The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.
About Diotimos Editions
Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.
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Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.
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- Principal historical witnessMcGill University Library — 1651 edition
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