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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 2 How Love Tyrannizes Over Human Beings. Love, or Heroical…

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Subsection 2 How Love Tyrannizes Over Human Beings. Love, or Heroical…

1651 English

446–447

The part affected in the mean, time as Arnoldus supposeth, is the former part of the head for want of moisture, which his Commentator rejects.

Langius med. epist. lib. 1. cap. 24. will have this passion sited in the liver, and to keep residence in the heart, to proceed first from the eyes so carried by our spirits, and kindled with imagination in the liver and heart; cogit amare jecur, as the saying is. Medium ferit per epar, as Cupid in Anacreon.

For some such cause belike Homer fains Titius liver (who was enamored on Latona) to be still gnawed by two Vultures day and night in hell, for that young mens bowels thus enamored, are so continually tormented by love.

Gordonius cap. 2. part. 2. will have the testicles an immediate subject or cause, the liver an Antecedent.

Fracastorius agrees in this with Gordonius, inde primitus imaginatio venerea, erectio, &c. titillatissimam partem vocat, ita ut nisi extruso semine gestiens voluptas non cessat, nec assidua veneris recordatio, addit Gnastivinus Comment. 4. Sect. prob. 27. Arist.

But properly it is a passion of the brain, as all other melancholy, by reason of corrupt imagination, and so doth Jason Pratensis c. 19. de morb. cerebri, (who writes copiously of this Eroticall love) place and reckon it amongst the affections of the brain.

Melancton de animâ confutes those that make the liver a part affected, and Guianerius Tract. 15. cap. 13. & 17. though many put all the affections in the heart, refers it to the brain. Ficinus cap. 7. in Convivium Platonis, will have the blood to be the part affected. Io. Frietagius cap. 14. noct. med. supposeth all four affected, heart, liver, brain, blood; but the major part concur upon the brain,

’tis imaginatio læsa; and both imagination and reason are misaffected; because of his corrupt judgement, and continuall meditation of that which he desires, he may truly be said to be melancholy.

If it be violent, or his disease inveterate, as I have determined in the precedent partitions, both imagination and reason are misaffected, first one, and then the other.

ideoq; recte melancholicus appellatur. Concupiscentia vehemens ex corrupto judicio æstimativæ virtutis.

446–447

The Anatomy of Melancholy: Subsection 2 How Love Tyrannizes Over Human Beings. Love, or Heroical…

p. 718

Meanwhile, the part affected, Arnald supposes, “is the front of the head, through lack of moisture”—a view his commentator rejects.

Lange, Medical Letters, book 1, chapter 24, places this passion in the liver and has it reside in the heart: “It proceeds first from the eyes, is carried by our spirits, and is kindled by the imagination in the liver and heart.” “The liver compels one to love,” as the saying goes. “He strikes through the middle of the liver,” as Cupid does in Anacreon.

For some such reason, perhaps, Homer imagines the liver of Tityus, who was enamoured of Latona, being continually gnawed by two vultures, day and night in hell: “because the inward parts of young men so enamoured are continually tortured by love.”

Bernard of Gordon, chapter 2, part 2, “makes the testicles the immediate seat or cause, and the liver an antecedent cause.”

Fracastoro agrees with Gordon in this: “From there arise the first sexual fantasies, erection,” and so forth. He calls it “the most sensitive part, so that unless semen is discharged the exultant pleasure does not cease, nor the continual recollection of sex,” adds Guastavini in his commentary on Aristotle, section 4, problem 27.

But properly it is a disorder of the brain, like all other melancholy, arising from an impaired imagination. So Jason Pratensis, in chapter 19 of On Diseases of the Brain, where he writes at length about this erotic love, places and counts it among the disorders of the brain.

Melanchthon, On the Soul, refutes those who make the liver a part affected; and Guaineri, treatise 15, chapters 13 and 17, assigns it to the brain, although many place all the passions in the heart. Ficino, chapter 7 of his commentary on Plato’s Symposium, “makes the blood the part affected.” Johann Freitag, chapter 14 of Medical Nights, supposes all four to be affected—heart, liver, brain and blood—but the majority agree on the brain.

It is “an impaired imagination,” and both imagination and reason are disordered. Because of his faulty judgement and continual dwelling on what he desires, the sufferer may truly be called melancholic.

If the passion is violent or his disease long established, both imagination and reason are disordered, first one and then the other, as I have concluded in the preceding partitions.

And therefore he is rightly called melancholic: intense desire arising from a faulty judgement of the estimative faculty.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.