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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySection 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

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Section 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

1651 English

435–436

Lucian brings in Jupiter complaining of Cupid that he could not be quiet for him; and the Moon lamenting that she was so impotently besotted on Endymion, even Venus her self confessing as much, how rudely and in what sort her own son Cupid had used her being his mother, Now drawing her to mount Ida, for the love of that Trojan Anchises, now to Libanus for that Assyrian youths sake. And although she threatned to break his bow and arrowes, to clip his wings, and whipped him besides on the bare buttocks with her pantophle, yet all would not serve, he was too headstrong and unruly.

That monster conquering Hercules was tamed by him:

Quem non mille feræ, quem non Sthenelejus hostis, Nec potuit Juno vincere, vicit amor.Whom neither beasts nor enemies could tame, Nor Juno’s might subdue, Love quell’d the same.

Your bravest souldiers and most generous spirits are enervated with it, ubi mulieribus blanditiis permittunt se, & inquinantur amplexibus. Apollo that took upon him to cure all diseases, could not help himself of this; and therefore Socrates calls Love a tyrant, and brings him triumphing in a Chariot, whom Petrarch imitates in his triumph of Love, and Fracastorius in an elegant Poem expresseth at large, Cupid riding, Mars and Apollo following his Chariot, Psyche weeping, &c.

In vegetall creatures what soveraignty Love hath, by many pregnant proofs and familiar examples may be proved, especially of palme trees, which are both he and she, and express not a sympathy but a love-passion, and by many observations have been confirmed.

Vivunt in venerem frondes, omnisque vicissim Felix arbor amat, nutant & mutua palmæ Fœdera, populeo suspirat populus ictu, Et Platano Platanus, alnoque assibilat alnus.

Constantine de Agric. lib. 10. cap. 4. gives an instance out of Florentius his Georgicks, of a Palm tree that loved most fervently, and would not be comforted untill such time her Love applied her self unto her; you might see the two trees bend, and of their own accords stretch out their boughs to embrace and kiss each other: They will give manifest signs of mutuall love.

Ammianus Marcellinus lib. 24. reports that they marry one another, and fall in love if they grow in sight, and when the winde brings the smell to them, they are marvellously affected. Philostratus in Imaginibus, observes as much, and Galen lib. 6. de locis affectis cap. 5. they will be sick for love, ready to dye and pine away, which the husbandmen perceiving, saith Constantine, stroke many Palms that grow together, and so stroking again the Palm that is enamoured, they carry kisses from the one to the other:

or tying the leaves and branches of the one to the stem of the other, will make them both flourish and prosper a great deal better: which are enamoured, they can perceive by the bending of boughs, and inclination of their bodies.

435–436

The Anatomy of Melancholy: Section 2 Member 1, Subsection 1 Love Melancholy: Its Ancestry, Power and Reach.

p. 704

Lucian presents Jupiter complaining that Cupid would give him no peace, and the Moon lamenting how helplessly infatuated she was with Endymion. Even Venus herself confesses how badly her own son Cupid treated her, his mother: “Now dragging her to Mount Ida for love of the Trojan Anchises, now to Lebanon for the sake of that Assyrian youth. Although she threatened to break his bow and arrows and clip his wings, and even whipped his bare buttocks with her slipper, none of it worked: he was too headstrong and unruly.”

That conqueror of monsters, Hercules, was tamed by him:

The man whom a thousand beasts, the son of Sthenelus, And Juno could not conquer, Love conquered.

The man whom neither beasts nor enemies could tame, Nor Juno’s might subdue, was overcome by Love.

Your bravest soldiers and noblest spirits are weakened by it, “when they surrender to women’s blandishments and are defiled by their embraces.” Apollo, who undertook to cure every disease, could not cure himself of this one. Socrates therefore calls Love a tyrant and depicts him riding in triumph in a chariot. Petrarch imitates him in his Triumph of Love, and Fracastoro develops the picture in an elegant poem: Cupid rides, Mars and Apollo follow his chariot, Psyche weeps, and so forth.

Love’s sovereignty over plants can be demonstrated by many compelling proofs and familiar examples, especially palm trees. These are male and female, and display not merely a sympathetic affinity but a passion of love, confirmed by many observations.

The leaves live for love; every fruitful tree Loves in return. Palms nod their mutual pledges; Poplar sighs at poplar’s touch, Plane whispers to plane, and alder to alder.

Constantine, in On Agriculture, book 10, chapter 4, gives an example from Florentius’s Georgics of a palm tree that loved most ardently, “and would not be comforted until her beloved drew close to her. You could see the two trees bend and voluntarily stretch out their branches to embrace and kiss one another. They give unmistakable signs of mutual love.”

Ammianus Marcellinus, book 24, reports that they marry one another and fall in love if they grow within sight; when the wind carries their scent to one another, they are wonderfully moved. Philostratus, in his Images, observes the same, as does Galen in On the Affected Parts, book 6, chapter 5. They fall sick for love, ready to die and waste away. Farmers, noticing this, says Constantine, “stroke several palms growing together, and then stroke the lovesick palm in turn, carrying kisses from one to the other.”

Or they tie the leaves and branches of one to the trunk of the other, making both flourish and prosper much better. “They can tell which are in love by the bending of their branches and the leaning of their trunks.”

704

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.