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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 3 Honourable Objects of Love

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Facing Pages · Branch 690 of 1495

Subsection 3 Honourable Objects of Love

1651 English

424–425

according to that prediction of Sybilla Cumea. Be they present or absent, near us, or afar off, this beauty shines, and will attract men many miles to come and visite it. Plato and Pythagoras left their Countrey, to see those wise Egyptian Priests: Apollonius travelled into Æthiopia, Persia, to consult with the Magi, Brachmanni, Gymnosophists.

The Queen of Sheba came to visit Solomon; and many, saith Hierom, went out of Spain and remote places a thousand miles, to behold that eloquent Livy; Multi Romam non ut urbem pulcherrimam, aut urbis & orbis dominum Octavianum, sed ut hunc unum inviserent audirentque, à Gadibus profecti sunt.

No beauty leaves such an impression, strikes so deep, or links the souls of men closer then vertue.

Non per deos aut pictor posset, Aut statuarius ullus fingere Talem pulchritudinem qualem virtus habet;

no Painter, no Graver, no Carver can express vertues lustre, or those admirable rayes that come from it, those enchanting rayes that enamour posterity, those everlasting rayes that continue to the worlds end.

Many, saith Phavorinus, that loved and admired Alcibiades, in his youth, knew not, cared not for Alcibiades a man, nunc intuentes quærebant Alcibiadem: but the beauty of Socrates is still the same; vertues lustre never fades, is ever fresh and green, semper viva to all succeeding ages, and a most attractive loadstone, to draw and combine such as are present. For that reason belike, Homer feigns the three Graces to be linked and tied hand in hand, because the hearts of men are so firmly united with such graces.

O sweet bands (Seneca exclaims) which so happily combine, that those which are bound by them love their binders, desiring withall, much more harder to be bound, and as so many Geryons to be united into one.

For the nature of true friendship is to combine, to be like affected, of one minde,

Velle & nolle ambobus idem, satiataq; toto Mens ævo ——

as the Poet saith, still to continue one and the same. And where this love takes place, there is peace and quietness, a true correspondence, perfect amity, a Diapason of vowes and wishes, the same opinions, as betwixt David and Jonathan, Damon, and Pythias, Pylades and Orestes, Nysus and Euryalus, Theseus and Perithous, they will live and die together, and prosecute one another with good turns. Nam vinci in amore turpissimum putant,

not only living, but when their friends are dead, with Tombs and monuments, Nænia’s, Epitaphs, Elegies, Inscriptions, Pyramids, Obelisks, Statues, Images, Pictures, Histories, Poems, Annals, Feasts, Anniversaries, many ages after (as Plato’s Schollers did) they will parentare still, omit no good office that may tend to the preservation of their names, honours, and eternall memory.

424–425

The Anatomy of Melancholy: Subsection 3 Honourable Objects of Love

p. 690

according to that prediction of the Cumaean Sibyl. Whether its possessors are present or absent, near us or far away, this beauty shines and will draw people many miles to come and see it. Plato and Pythagoras left their country to see the wise Egyptian priests. Apollonius travelled into Ethiopia and Persia to consult the Magi, Brahmins and Gymnosophists.

The Queen of Sheba came to visit Solomon; and many, says Jerome, travelled a thousand miles from Spain and distant places to see the eloquent Livy. “Many set out from Cadiz for Rome, not to see that most beautiful city or Octavian, master of the city and the world, but to visit and hear this one man.”

No beauty leaves such an impression, strikes so deeply or binds people’s souls more closely than virtue.

By the gods, no painter could, Nor any sculptor fashion Such beauty as virtue possesses.

No painter, engraver or carver can express virtue’s radiance, or the wonderful rays that come from it: those enchanting rays that make posterity fall in love, those everlasting rays that endure to the world’s end.

Many who loved and admired Alcibiades in his youth, says Favorinus, did not know or care for the grown man: “now, looking at him, they searched for Alcibiades.” But Socrates’ beauty remains the same. Virtue’s radiance never fades: it is always fresh and green, “ever living” for every succeeding age, and a most powerful lodestone to attract and unite those who are present. For this reason, perhaps, Homer imagines the three Graces linked hand in hand, because such graces unite human hearts so firmly.

“O sweet bonds,” Seneca exclaims, “which unite so happily that those bound by them love their binders, desiring to be bound still more tightly,” and, like so many Geryons, to be united into one.

For the nature of true friendship is to unite, to share the same feelings and be of one mind:

Both have the same wishes and refusals, and a mind content Throughout life—

as the poet says: always to remain one and the same. Where this love exists, there is peace and quiet, true mutual understanding, perfect friendship, a harmony of vows and wishes, the same opinions—as between David and Jonathan, Damon and Pythias, Pylades and Orestes, Nisus and Euryalus, Theseus and Pirithous. They will live and die together and follow one kindness with another, “for they think it most shameful to be outdone in love.”

Not only while their friends are alive, but after their death, many ages later, they will still honour their memory—as Plato’s pupils did—with tombs and monuments, funeral songs, epitaphs, elegies, inscriptions, pyramids, obelisks, statues, images, pictures, histories, poems, annals, feasts and anniversaries, neglecting no kindness that might preserve their names, honours and everlasting memory.

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.