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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 2 Love’s Origin, Object, Definition and Divisions

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Subsection 2 Love’s Origin, Object, Definition and Divisions

1651 English

415

Our Love to our neighbour may proceed from him, and run with him, not to him: From him, as when we rejoyce of his good safety, and well doing: with him, when we desire to have him a fellow and companion of our journey in the way of the Lord: not in him, because there is no aid, hope, or confidence in man.

From the world our love comes, when we begin to admire the Creator in his works: and glorify God in his Creatures. With the world it should run, if according to the mutability of all temporalties, it should be dejected in adversity, or over elevated in prosperity: To the world, if it would settle it self in its vain delights and studies.

Many such Partitions of Love I could repeat, and Subdivisions, but least (which Scaliger objects to Cardan, Exercitat. 501.) I confound filthy burning lust, with pure and divine Love, I will follow that accurate Division of Leon Hebreus dial. 2. betwixt Sophia and Philo, where he speaks of Naturall, Sensible, and Rationall Love, and handleth each apart.

Naturall love or hatred, is that Sympathy or Antipathy, which is to be seen in animate and inanimate creatures, in the four Elements, Mettals, Stones, gravia tendunt deorsum, as a Stone to his Center, Fire upward, and Rivers to the Sea. The Sun, Moon, and Stars go still round, Amantes naturæ debita exercere, for love of perfection. This love is manifest, I say, in inanimate creatures. How comes a load-stone to draw iron to it? jet chaff? the ground to covet showers, but for love? No creature S. Hierom concludes, is to be found, quod non aliquid amat, no stock, no stone, that hath not some feeling of love.

’Tis more eminent in Plants, Hearbs, and is especially observed in vegetals; as betwixt the Vine and Elm a great Sympathy, betwixt the Vine and the Cabbage, betwixt the Vine and Olive, Virgo fugit Bromium, betwixt the Vine and Baies, a great antipathy, the Vine loves not the Bay, nor his smell, and will kill him, if he grow near him; the Bur and the Lintle cannot endure one another; the Olive and the Mirtle embrace each other, in roots and branches if they grow neer.

Read more of this in Picolomineus grad. 7. cap. 1. Crescentius lib. 5. de agric. Baptista Porta de mag. lib. 1. cap. de plant. odio & Element. sym. Fracastorius de sym & antip. of the love and hatred of Planets, consult with every Astrologer: Leon Hebreus gives many fabulous reasons, and moralizeth them withall.

Sensible love, is that of brute beasts, of which, the same Leon Hebreus dial. 2. assigns these causes. First, for the pleasure they take in the Act of Generation, male and female love one another. Secondly, for the preservation of the species, and desire of yong brood. Thirdly, for the mutuall agreement, as being of the same kinde: Sus sui, Canis Cani, Bos Bovi, & Asinus Asino pulcherrimus videtur, as Epicharmus held, and according to that Adagy of Diogenianus,

Assidet usq; graculus apud graculum,
415

The Anatomy of Melancholy: Subsection 2 Love’s Origin, Object, Definition and Divisions

p. 679

“Our love for our neighbour may proceed from him and travel with him, but not towards him as its final end. From him, when we rejoice in his safety and well-being; with him, when we wish to have him as a fellow traveller and companion on the Lord’s way; but not resting in him, because help, hope and trust are not to be placed in a human being.”

“Our love comes from the world when we begin to admire the Creator in his works and glorify God in his creatures. It would travel with the world if, following the changeability of all temporal things, it sank in adversity or rose too high in prosperity; towards the world, if it wished to settle in the world’s empty pleasures and pursuits.”

I could repeat many such divisions and subdivisions of love. But lest I “confuse filthy, burning lust with pure and divine love”—the objection Scaliger makes against Cardan in Exercise 501—I will follow Leone Ebreo’s precise division in Dialogue 2, between Sophia and Philo, where he discusses natural, sentient and rational love, treating each separately.

Natural love or hatred is the sympathy or antipathy seen in living and lifeless creatures, in the four elements, metals and stones: “heavy things tend downwards,” as a stone towards its centre, fire upwards, and rivers towards the sea. The sun, moon and stars continually circle, “loving to fulfil the duties of their nature,” for love of perfection. This love is evident, I say, in lifeless creatures. Why does a lodestone draw iron to itself, jet attract chaff, or the ground thirst for showers, except through love? No creature can be found, Saint Jerome concludes, “that does not love something”: no tree trunk, no stone, that has not some feeling of love.

It is more evident in plants and herbs, and particularly observed in growing things: a great sympathy between vine and elm; a great antipathy between vine and cabbage, vine and olive—“the maiden flees Bromius”—and vine and bay. The vine does not love the bay “or its smell, and will kill it if it grows nearby.” Burdock and lentil cannot endure one another; olive and myrtle embrace each other with roots and branches if they grow close together.

Read more in Piccolomini, grade 7, chapter 1; Crescentius, On Agriculture, book 5; Giambattista della Porta, On Magic, book 1, in the chapter on the antipathy of plants and sympathy of elements; and Fracastoro, On Sympathy and Antipathy. On the love and hatred of planets, consult any astrologer. Leone Ebreo gives many explanations drawn from fables and supplies moral interpretations of them as well.

Sentient love is the love of animals. The same Leone Ebreo, in Dialogue 2, assigns these causes to it. First, male and female love one another for the pleasure they take in mating. Second, for the preservation of their species and the desire for offspring. Third, because they agree in being of the same kind: “A pig seems most beautiful to a pig, a dog to a dog, an ox to an ox, and an ass to an ass,” as Epicharmus held; and according to that proverb of Diogenianus:

A jackdaw always sits beside a jackdaw.

679

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.