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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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Member 5 Against Sorrow Over the Death of Friends or Other Causes, Groundless…

1651 English

344–345

It cannot be revoked, we are all mortal, and these all-commanding gods and princes die like men: —— involvit humile pariter & celsum caput, æquatque summis infima. O weak condition of humane estate, Sylvius exclaims: Ladislaus King of Bohemia 18 yeeres of age, in the flower of his youth, so potent, rich, fortunate and happy, in the midst of all his friends, amongst so many Physicians, now ready to be married, in 36 houres sickned and died.

We must so be gone sooner or later all, and as Calliopeius in the Comedy took his leave of his Spectators and Auditors,

Vos valete & plaudite, Calliopeius recensui.

must we bid the world farewel, (Exit Calliopeius) and having now plaid our parts, for ever be gone. Tombs and monuments have the like fate, data sunt ipsis quoque fata sepulchris, kingdomes, provinces, towns and cities have their periods, and are consumed.

In those flourishing times of Troy, Mycenæ was the fairest city in Greece, Græciæ cunctæ imperitabat, but it alas, and that Assyrian Ninive are quite overthrown: The like fate hath that Egyptian and Bœotian Thebes, Delos, commune Græciæ conciliabulum, the common councel-house of Greece; and Babylon the greatest city that ever the sun shone on, hath now nothing but walls, and rubbish left.

Quid Pandioniæ restat nisi nomen Athenæ?

Thus Pausanias complained in his times. And where is Troy it self now, Persepolis, Carthage, Cizicum, Sparta, Argos, and all those Grecian cities? Syracuse and Agrigentum, the fairest towns in Sicily, which had sometimes 700000 inhabitants, are now decayed: the names of Hieron, Empedocles, &c. of those mighty numbers of people, only left. One Anacharsis is remembred amongst the Scythians; the world it self must have an end; And every part of it.

Cæteræ igitur urbes sunt mortales, as Peter Gillius concludes of Constantinople, hæc sane quamdiu erunt homines, futura mihi videtur immortalis; but ’tis not so: nor site, nor strength, nor Sea nor land can vindicate a city, but it and all must vanish at last. And as to a traveller great mountains seem plains afar off, at last are not discerned at all; cities, men, monuments decay. —— nec solidis prodest sua machina terris, the names are only left, those at length forgotten, and are involved in perpetual night.

Returning out of Asia, when I sailed from Ægina toward Megara, I began (saith Servius Sulpitius in a consolatory Epistle of his to Tully) to view the country round about. Ægina was behind me, Megara before, Pyræus on the right hand, Corinth on the left, what flourishing towns heretofore, now prostrate and overwhelmed before mine eyes? I began to think with my self, Alas, why are we men so much disquieted with the departure of a friend, whose life is much shorter? When so many goodly cities lye buried before us. Remember O Servius thou art a man; and with that I was much confirmed, and corrected my self.

344–345

The Anatomy of Melancholy: Member 5 Against Sorrow Over the Death of Friends or Other Causes, Groundless…

p. 583

It cannot be repealed. We are all mortal, and these all-commanding gods and princes die like other men: “Death envelops the lowly and the exalted head alike, and makes the lowest equal to the highest.” “Oh, the frailty of the human condition!” Sylvius exclaims. Ladislaus, king of Bohemia, eighteen years old and in the flower of youth, so powerful, rich, fortunate and happy, surrounded by all his friends and so many physicians, about to be married, fell ill and died within thirty-six hours.

So all of us must leave sooner or later. As Calliopeius in the comedy took leave of his spectators and listeners:

Farewell, and applaud. I, Calliopeius, have revised the text.

So must we bid the world farewell—“Exit Calliopeius”—and, having played our parts, depart for ever. Tombs and monuments share that fate: “Even tombs themselves have been assigned their doom.” Kingdoms, provinces, towns and cities have their allotted terms, and perish.

When Troy flourished, Mycenae was the finest city in Greece and “ruled over all Greece.” But alas, it and Assyrian Nineveh have been utterly overthrown. The same fate has befallen Thebes in Egypt and Thebes in Boeotia, and Delos, “the common meeting-place of Greece,” the common council-house of Greece. Babylon, the greatest city the sun ever shone upon, has nothing left now but walls and rubble.

What remains of Pandion’s Athens but its name?

So Pausanias lamented in his day. And where now are Troy itself, Persepolis, Carthage, Cyzicus, Sparta, Argos and all those Greek cities? Syracuse and Agrigentum, the finest cities in Sicily, which once had seven hundred thousand inhabitants, are now decayed. Of those vast populations, only names such as Hiero and Empedocles remain. Among the Scythians, a single Anacharsis is remembered. The world itself must come to an end, and every part of it.

“Other cities, then, are mortal,” as Pierre Gilles concludes of Constantinople, “but this one seems to me destined for immortality, for as long as human beings exist.” Yet it is not so. Neither situation nor strength, neither sea nor land, can protect a city: it and everything else must finally vanish. As great mountains seem flat to a traveller far away, and at last disappear from view altogether, so cities, people and monuments decay. “Nor does the solid earth gain protection from its own structure.” Only names remain; in time these too are forgotten and wrapped in everlasting night.

“Returning from Asia, as I sailed from Aegina towards Megara,” says Servius Sulpicius in a letter of consolation to Cicero, “I began to look at the surrounding country. Aegina lay behind me, Megara ahead, Piraeus on the right and Corinth on the left. What flourishing cities they once were, now lying ruined and overwhelmed before my eyes! I began to think: alas, why are we so disturbed by the death of a friend, whose life is much shorter, when so many splendid cities lie buried before us? Remember, Servius, that you are human. This thought greatly strengthened me, and I corrected myself.”

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About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.