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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 3 Against Poverty and Want and Other Such Adversities

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Facing Pages · Branch 557 of 1495

Member 3 Against Poverty and Want and Other Such Adversities

1651 English

323–324

All excess as Epictetus argues, will cause a dislike; Sweet will be sour; which made that temperate Epicurus sometimes voluntarily fast. But they being alwayes accustomed to the same dishes, (which are nastily dressed by slovenly cooks, that after their obscenities, never wash their bawdy hands) be they fish, flesh, compounded, made dishes, or whatsoever else, are therefore cloyed; Nectar self grows loathsome to them, they are weary of all their fine palaces, they are to them but as so many prisons.

A poor man drinks in a wooden dish, and eats his meat in wooden spoons, wooden platters, earthen vessels, and such homely stuffe: the other in gold, silver, and precious stones; but with what success? in auro bibitur venenum, fear of poyson in the one, security in the other.

A poor man is able to write, to speak his mind, to do his own business himself; locuples mittit parasitum saith Philostratus, a rich man imployes a parasite, and as the Major of a City, speaks by the Town-clark, or by Mʳ Recorder, when he cannot express himself.

Nonius the Senator hath a purple coat as stiffe with jewels, as his mind is full of vices; rings on his fingers worth 20000 sestercies, and as Perox the Persian King, an union in his eare worth 100ˡ weight of gold:

Cleopatra hath whole boars and sheep served up to her table at once, drinks Jewels dissolved 40000 sestercies in value; but to what end?

Num tibi cum fauces urit sitis, aurea quæris Pocula? ——

Doth a man that is a dry desire to drink in gold? Doth not a cloth suite become him as well, and keep him as warm, as all their silks, satins, damasks, taffaties and tissues? Is not home-spun cloth as great a preservative against cold, as a coat of Tartar Lambs wooll, died in grain, or a gown of Giants beards?

Nero, saith Sueton, never put on one garment twice, and thou hast scarce one to put on; What’s the difference? one’s sick, the other sound: such is the whole tenor of their lives, and that which is the consummation & upshot of all, death it self makes the greatest difference.

One like an hen feeds on the dunghil all his daies, but is served up at last to his Lords table; the other as a Falcon is fed with partridge and pigeons, and carried on his masters fist, but when he dyes is flung to the muckhil, and there lies.

The rich man lives like Dives jovially here on earth, temulentus divitiis, make the best of it; and boasts himself in the multitude of his riches, Psal. 49.6,11. he thinks his house called after his own name, shall continue for ever; but he perisheth like a beast, ver. 20. his way utters his folly, ver. 13. male parta, male dilabuntur; like sheep they lye in the grave, 14. Puncto descendunt ad infernum. They spend their dayes in wealth, and go suddenly down to hell, Job 21.13.

323–324

The Anatomy of Melancholy: Member 3 Against Poverty and Want and Other Such Adversities

p. 557

Every excess, as Epictetus argues, produces disgust: sweetness turns sour. That is why the temperate Epicurus sometimes fasted voluntarily. But the rich, always accustomed to the same dishes—filthily prepared by slovenly cooks who never wash their foul hands after their dirty acts—grow sick of them, whether fish, meat, elaborate mixed dishes, or anything else. Nectar itself becomes loathsome to them; they tire of all their splendid palaces, which become so many prisons.

A poor man drinks from a wooden bowl and eats his food with wooden spoons, from wooden platters, earthenware vessels, and other humble utensils. The rich man uses gold, silver, and precious stones. But with what result? “Poison is drunk from gold”: fear of poison in the one case, safety in the other.

A poor man can write, speak his mind, and conduct his business himself. “The rich man sends a parasite,” says Philostratus: he employs a hanger-on and, like a city’s mayor, speaks through the town clerk or the Recorder when he cannot express himself.

Nonius the senator has a purple coat as stiff with jewels as his mind is full of vices, rings on his fingers worth twenty thousand sesterces, and, like Perox the Persian king, a pearl in his ear worth a hundred pounds’ weight of gold.

Cleopatra has whole boars and sheep brought to her table at once and drinks dissolved jewels worth forty thousand sesterces. But to what purpose?

When thirst burns your throat, do you ask For golden cups?

Does a thirsty man long to drink from gold? Does a woollen suit not become him as well and keep him as warm as all their silks, satins, damasks, taffetas, and cloth of gold or silver? Is homespun cloth not as good a protection against the cold as a coat of Tartar lamb’s wool dyed deep scarlet, or a gown made from giants’ beards?

Nero, says Suetonius, never wore a garment twice, while you scarcely have one to put on. What is the difference? One is sick, the other healthy. Such is the whole course of their lives; and death itself, the conclusion and outcome of it all, makes the greatest difference.

One, like a hen, feeds on the dunghill all his days, but is finally served at his lord’s table. The other, like a falcon, is fed partridges and pigeons and carried on his master’s fist, but when he dies he is thrown on the muckheap and left there.

The rich man lives merrily here on earth like Dives, “drunk with riches”—make the most of it—and “boasts of the abundance of his wealth,” Psalm 49:6, 11. He thinks his house, called by his own name, will last for ever; but “he perishes like a beast,” verse 20; “his way reveals his folly,” verse 13. “Ill-gotten goods come to an ill end”; “like sheep they lie in the grave,” verse 14. “In a moment they descend to hell”: “They spend their days in wealth and suddenly go down to hell,” Job 21:13.

557

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.