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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholySubsection 3 Music as a Remedy

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Facing Pages · Branch 527 of 1495

Subsection 3 Music as a Remedy

1651 English

300–301

Which because it hath such excellent vertues, belike Homer brings in Phemius playing, and the Muses singing at the banquet of the gods. Aristotle Polit. l. 8. c. 5, Plato 2, de legibus, highly approve it, and so do all Politicians. The Greeks, Romanes, have graced Musick, and made it one of the liberall sciences, though it be now become mercenary.

All civill Commonwealths allow it: Cneius Manlius (as Livius relates) Aᵒ ab urb. cond. 567. brought first out of Asia to Rome singing wenches, players, jesters, and all kinde of musick to their feasts. Your Princes, Emperours, and persons of any quality, maintain it in their Courts; No mirth without musick.

Sr Thomas Moore in his absolute Utopian Common-wealth, allowes musick as an appendix to every meal, and that throughout, to all sorts. Epictetus cals mensam mutam præsepe, a table without musick a manger; for the concent of Musicians at a banquet, is a carbuncle set in gold; and as the signet of an Emerald well trimmed with gold, so is the melody of Musick in a pleasant banquet. Ecclus 32. v 5, 6.

Lewes the eleventh when he invited Edward the fourth to come to Paris, told him that as a principall part of his entertainment, he should hear sweet voices of children, Ionicke and Lydian tunes, exquisite Musick, he should have a —— and the Cardinal of Burbon to be his confessor, which he used as a most plausible argument: as to a sensuall man indeed it is.

Lucian in his book de saltatione is not ashamed to confess that he took infinite delight in singing, dancing, musick, womens company, and such like pleasures; and if thou (saith he) didst but hear them play and dance, I know thou wouldst be so well pleased with the object, that thou wouldst dance for company thy self, without doubt thou wilt bee taken with it.

So Scaliger ingenuously confesseth, exercit. 274. I am beyond all measure affected with musick, I do most willingly behold them dance, I am mightily detained and allured with that grace and comeliness of fair women, I am well pleased to bee idle amongst them. And what young man is not? As it is acceptable and conducing to most, so especially to a melancholy man.

Provided alwaies, his disease proceed not originally from it, that he bee not some light Inamarato, some idle phantastick, who capers in conceit all the day long, and thinks of nothing else, but how to make Jigs, Sonnets, Madrigals, in commendation of his Mistress. In such cases Musick is most pernicious, as a spur to a free horse will make him run himself blinde, or break his wind; Incitamentum enim amoris musica, for Musick enchants, as Menander holds, it will make such melancholy persons mad, & the sound of those Jigs, and Horn-pipes will not bee removed out of the ears a week after.

Plato for this reason forbids Musick and wine to all young men, because they are most part amorous, ne ignis addatur igni, lest one fire increase another. Many men are melancholy by hearing Musick, but it is a pleasing melancholy that it causeth; and therefore to such as are discontent, in wo, fear, sorrow, or dejected, it is a most present remedy; it expels cares, alters their grieved minds, and easeth in an instant.

300–301

The Anatomy of Melancholy: Subsection 3 Music as a Remedy

p. 527

Because music has such excellent powers, presumably, Homer introduces Phemius playing and the Muses singing at the gods’ banquet. Aristotle, Politics, book 8, chapter 5, and Plato, Laws, book 2, highly approve of it, as do all writers on government. The Greeks and Romans honoured music and made it one of the liberal sciences, though it has now become a trade for hire.

All civilized commonwealths permit it. Gnaeus Manlius, as Livy relates, first brought singing women, performers, jesters, and every kind of music from Asia to Roman feasts in the year 567 from the founding of the city. Princes, emperors, and people of rank maintain it at their courts: no merriment without music.

In his ideal commonwealth of Utopia, Sir Thomas More allows music as an accompaniment to every meal, universally, for all ranks. Epictetus calls “a silent table a manger”—a table without music is a feeding trough. For “the harmony of musicians at a banquet is a carbuncle set in gold; and as an emerald signet richly mounted in gold, so is the melody of music at a pleasant banquet,” Ecclesiasticus 32:5–6.

When Louis XI invited Edward IV to Paris, he told him that a principal part of his entertainment would be children’s sweet voices, Ionian and Lydian tunes, and exquisite music; he should have a —— and the Cardinal of Bourbon as his confessor. Louis used this as a highly attractive inducement, as indeed it is to a sensual man.

Lucian, in his book On Dancing, is not ashamed to admit that he took immense delight in singing, dancing, music, women’s company, and similar pleasures. If you only heard them play and dance, he says, I know the spectacle would please you so much that you would dance along yourself; without doubt it would captivate you.

Scaliger likewise candidly confesses, in exercise 274: “Music affects me beyond all measure. I gladly watch them dance; the grace and beauty of lovely women hold and attract me powerfully, and I am happy to pass my time idly among them.” And what young man is not? As this is agreeable and beneficial to most people, it is especially so to a melancholy man.

Always provided that music was not the original cause of his illness: he must not be some flighty lover, some idle fantasist who dances in imagination all day and thinks only of composing jigs, sonnets, and madrigals in praise of his mistress. In such cases music is most harmful. Like a spur applied to a willing horse, it will make him run himself blind or ruin his wind. “For music is a stimulus to love”; music enchants, as Menander maintains. It will drive such melancholy people mad, and the sound of those jigs and hornpipes will stay in their ears for a week afterwards.

For this reason Plato forbids music and wine to all young men, because most of them are amorous, “lest fire be added to fire”—lest one fire increase another. Many people become melancholy through hearing music, but the melancholy it causes is pleasant. Therefore, for those who are discontented, distressed, afraid, sorrowful, or dejected, it is a remedy of immediate effect: it drives out cares, changes their grieving minds, and brings relief at once.

527

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.