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Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

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The Anatomy of MelancholyMember 3. Air Corrected. With a Digression on Air.

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Member 3. Air Corrected. With a Digression on Air.

1651 English

262–263–263

The best site for chamber windows in my judgement are North, East, South, and which is the worst, West. Levinus Lemnius lib. 3. cap. 3. de occult. nat. mir. attributes so much to aire, and rectifying of wind and windowes, that he holds it alone sufficient to make a man sick or well; to alter body and minde. A cleer aire cheares up the spirits, exhilarates the minde; a thick, black, misty, tempestuous, contracts, overthrows. Great heed is therefore to be taken at what times we walke, how we place our windows, lights, and houses, how we let in or exclude this ambient aire.

The Egyptians, to avoid immoderate heat, make their windows on the top of the house like chimnies, with two tunnells to draw a through aire. In Spain they commonly make great opposite windows without glass, still shutting those which are next to the Sun: So likewise in Turkey and Italy (Venice excepted, which brags of her stately glased Palaces) they use paper windows to like purpose; and lye sub dio, in the top of their flat-roofed houses, so sleeping under the canopy of heaven.

In some parts of Italy they have Windmills, to draw a cooling aire out of hollow caves, and disperse the same through all the chambers of their Palaces, to refresh them; as at Costoza the house of Cæsareo Trento, a Gentleman of Vicenza, and elsewhere. Many excellent means are invented to correct nature by art.

If none of these courses help, the best way is to make artificiall aire, which howsoever is profitable and good, still to be made hot and moist, and to be seasoned with sweet perfumes, pleasant and lightsome as may be; to have Roses, Violets, and sweet smelling flowers ever in their windows, Posies in their hand.

Laurentius commends water-Lillies, a vessell of warm water to evaporate in the room, which will make a more delightsome perfume, if there be added, Orange flowers, pils of Citrons, Rosemary, Cloves, Bayes, Rose-water, Rose-vineger, Belzoin, Ladanum, Styrax, and such like Gums, which make a pleasant and acceptable perfume. Bessardus Bisantinus prefers the smoak of Juniper to melancholy persons, which is in great request with us at Oxford, to sweeten our chambers.

Guianerius prescribes the aire to be moistned with water, and sweet herbs boiled in it, vine and sallow-leaves, &c. to besprinkle the ground and posts with Rose-water, Rose-vineger, which Avicenna much approves. Of colours it is good to behold green, red, yellow and white, and by all means to have light enough, with windows in the day, wax candles in the night, neat chambers, good fires in winter, merry companions; for though melancholy persons love to be darke and alone, yet darkness is a great encreaser of the humour.

262–263–263

The Anatomy of Melancholy: Member 3. Air Corrected. With a Digression on Air.

p. 480

In my judgment, the best directions for bedroom windows are north, east, south, and, worst of all, west. Levinus Lemnius, in book 3, chapter 3 of The Hidden Wonders of Nature, attributes so much to air and the proper arrangement of draughts and windows that he considers this alone enough to make a person sick or well, to change both body and mind. Clear air cheers the spirits and brightens the mind; thick, dark, misty, stormy air constricts and overwhelms them. We must therefore take great care over when we walk, how we position our windows, openings for light, and houses, and how we admit or exclude the surrounding air.

To avoid excessive heat, the Egyptians place their windows on top of the house like chimneys, with two shafts to draw a through-draught. In Spain they commonly make large, unglazed windows opposite one another, always closing those facing the sun. Similarly, in Turkey and Italy—except Venice, which boasts of its stately glazed palaces—they use paper windows for the same purpose, and lie “in the open air” on top of their flat-roofed houses, sleeping beneath the canopy of heaven.

In some parts of Italy they have windmills to draw cool air from hollow caves and distribute it through all the rooms of their palaces to refresh them: for example, at Costozza, in the house of Cesareo Trento, a gentleman of Vicenza, and elsewhere. Many excellent devices have been invented to improve nature through art.

If none of these methods helps, the best course is to make artificial air, which is beneficial in any event: it should always be made warm and moist, scented with sweet perfumes, and kept as pleasant and bright as possible. Let them always have roses, violets, and sweet-smelling flowers at their windows, and posies in their hands.

Laurentius recommends water lilies and a vessel of warm water to evaporate in the room. Its scent will be more delightful if orange blossom, citron peel, rosemary, cloves, bay leaves, rosewater, rose vinegar, benzoin, labdanum, storax, and similar gums are added, producing a pleasant and agreeable perfume. Bessardus Bisantinus recommends juniper smoke for melancholy people; it is much in demand among us at Oxford for sweetening our rooms.

Guianerius prescribes moistening the air with water in which fragrant herbs, vine and willow leaves, and the like have been boiled, and sprinkling the floor and posts with rosewater and rose vinegar, a practice Avicenna strongly approves. Among colours, green, red, yellow, and white are good to look at. Above all, there should be enough light, from windows by day and wax candles by night; tidy rooms, good fires in winter, and cheerful companions. For although melancholy people like to be alone in the dark, darkness greatly increases the humour.

480

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.