DiotimosReading Desk

Diotimos Library · Journals, Notebooks & Fragments Collection · Parallel Edition

Robert Burton

The Anatomy of Melancholy

1651 English with a close modern English rendering

Explore the Lexicon
The Anatomy of MelancholySubsection 2. Symptoms or Signs in the Mind.

Swipe or use the arrow keys.

Facing Pages · Branch 376 of 1495

Subsection 2. Symptoms or Signs in the Mind.

1651 English

187–188

’Tis proper to all melancholy men, saith Mercurialis, con. 11. What conceit they have once entertained, to be most intent, violent, and continually about it. Invitis occurrit, do what they may, they cannot be rid of it, against their wills they must think of it a thousand times over, Perpetuò molestantur, nec oblivisci possunt, they are continually troubled with it, in company, out of company; at meat, at exercise, at all times and places,

non desinunt ea, quæ minime volunt, cogitare, if it be offensive especially, they cannot forget it, they may not rest or sleep for it, but still tormenting themselves, Sysiphi saxum volvunt sibi ipsis, as Brunner observes, Perpetua calamitas & miserabile flagellum.

Crato, Laurentius, & Fernelius, put bashfulness for an ordinary Symptome, subrusticus pudor, or vitiosus pudor, is a thing which much haunts & torments them. If they have been misused, derided, disgraced, chidden, &c. or by any perturbation of minde misaffected, it so far troubles them, that they become quite moped many times, and so disheartned, dejected, they dare not come abroad, into strange companies especially, or manage their ordinary affairs, so childish, timorous and bashfull, they can look no man in the face; some are more disquieted in this kinde, some less, longer some, others shorter, by fits, &c. though some on the other side (according to Fracastorius) be inverecundi & pertinaces, impudent and peevish.

But most part they are very shamefac’d, and that makes them with Pet. Blesensis, Christopher Urswick, & many such, to refuse honours, offices and preferments, which sometimes fall into their mouths, they cannot speak, or put forth themselves as others can, timor hos, pudor impedit illos, timorousness & bashfulness hinder their proceedings, they are contented with their present estate, unwilling to undertake any office, and therefore never likely to rise.

For that cause they seldom visit their friends, except some familiars: pauciloqui, of few words, and oftentimes wholly silent. Frambesarius a Frenchman had two such patients, omnino taciturnos, their friends could not get them to speak: Rodericus à Fonseca consult. Tom. 2. 85. consil. gives instance in a young man, of 27 years of age, that was frequently silent, bashfull, moped, solitary, that would not eat his meat, or sleep, and yet again by fits, apt to be angry, &c.

Most part they are, as Plater notes, desides, taciturni, ægrè impulsi, nec nisi coacti procedunt, &c. they will scarce be compelled to do that which concerns them, though it be for their good, so diffident, so dull, of small or no complement, unsociable, hard to be acquainted with, especially of strangers; they had rather write their minds, then speak, and above all things love Solitariness. Ob voluptatem, an ob timorem soli sunt? Are they so solitary for pleasure (one asks) or pain? for both: yet I rather think for fear and sorrow, &c.

Hinc metuunt, cupiuntque, dolent, fugiuntque, nec auras Respiciunt clausi tenebris, & carcere cæco.
187–188

The Anatomy of Melancholy: Subsection 2. Symptoms or Signs in the Mind.

p. 376

It is characteristic of all melancholic people, says Mercurialis, consultation 11, to be deeply, violently and continually occupied with whatever idea they have once entertained. “It presents itself against their will”: do what they may, they cannot get rid of it; against their will they must think of it a thousand times over. “They are perpetually troubled and cannot forget.” It troubles them continually, in company or alone, at meals, at exercise, at all times and in all places.

“They never stop thinking about the things they least wish to.” Especially if it is distressing, they cannot forget it; they cannot rest or sleep because of it, but keep tormenting themselves. “They roll Sisyphus’s stone for themselves,” as Brunner observes: “a perpetual calamity and a miserable scourge.”

Crato, Laurentius and Fernel list bashfulness as a common symptom. “Somewhat rustic shyness,” or “faulty shyness,” is something that greatly haunts and torments them. If they have been ill-treated, mocked, disgraced, scolded or the like, or upset by any disturbance of mind, it troubles them so deeply that they often become quite stupefied, so disheartened and dejected that they dare not go out, especially among unfamiliar people, or manage their ordinary affairs. So childish, fearful and bashful are they that they cannot look anyone in the face. Some are more disturbed in this way, some less; some for longer, others for shorter spells, and so on; though others, on the contrary, according to Fracastorius, are “shameless and obstinate”—impudent and ill-tempered.

But for the most part they are very shy, and that makes them, like Peter of Blois, Christopher Urswick and many others, refuse honours, offices and promotions that sometimes fall into their laps. They cannot speak or put themselves forward as others can: “fear holds these back, shyness those.” Fearfulness and bashfulness hinder their progress; they are content with their present condition, unwilling to undertake any office, and therefore unlikely ever to rise.

For that reason they seldom visit their friends, except a few intimates: “speaking little,” of few words, and often wholly silent. Frambesarius, a Frenchman, had two such patients, “altogether silent,” whom their friends could not get to speak. Rodrigo da Fonseca, Consultations, volume 2, consultation 85, gives the example of a young man aged twenty-seven who was frequently silent, bashful, stupefied and solitary, would neither eat his food nor sleep, and yet at other times was prone to anger, and so on.

For the most part they are, as Plater notes, “inactive, silent, hard to stir, and will not go forward unless compelled,” and so on. They can scarcely be forced to do what concerns them, even for their own good: so distrustful, so sluggish, showing little or no courtesy, unsociable, hard to get to know, especially for strangers. They would rather write their thoughts than speak, and above all things love solitude. “Are they alone for pleasure or from fear?” Are they so solitary for pleasure, someone asks, or pain? For both; yet I think it is rather from fear and sorrow, and so on.

“Hence they fear, desire, grieve and flee; they do not Look towards the daylight, shut in darkness and a blind prison.”

376

About This Reading Edition

Robert Burton’s Anatomy ranges across medicine, philosophy, poetry, religion, and everyday life in its inquiry into melancholy. This complete parallel edition pairs the 1651 English text with a close modern English rendering, preserving the three Partitions, Democritus Junior’s address to the reader, verse, and the historical index.

Historical Text and Translation

The historical text follows the sixth edition, printed at Oxford for Henry Cripps in 1651, using the McGill University Library copy. The supplied edition documents missing printed pages 98–99 supplied from another 1651 copy at the Bavarian State Library. Historical folio labels and their irregularities remain visible; web reader numbers identify reflowed passages and do not claim to reproduce PDF pagination.

About Diotimos Editions

Diotimos Editions prepared the close modern English rendering and editorial matter. All 8,755 original and modern passage pairs remain aligned, with verse breaks, italics, continuations, and linked annotations preserved. Burton’s 6,781 historical notes retain their attribution; 6,895 editorial notes remain distinct. The introduction, Note on the Text, contextual lexicon, indexes, source documentation, and bibliography are included. The engraved frontispiece remains available in the original downloads.

Rights

Burton’s historical text is in the public domain. The modern English rendering, introduction, notes, and editorial matter are © 2026 Diotimos Editions and appear with the site owner’s permission. The complete supplied PDF, EPUB, Word, and Markdown files remain available unchanged. The PDF and Word edition preserve the original parallel page layout.